"Annunciation" Oil on canvas, 22.25" x 28.25 unframed, 31.75" x 37.75" framed (THIS PIECE APPEARS IN THE DEFINITIVE BIOGRAPHY FOR THE ARTIST) Born at Terheyden North Brabant on April 21st, 1806, Petrus van Schendel studied at the Antwerp Academy under Mathieu-Ignace van Breen (1773-1839), a painter of historical subjects. He then worked in Amsterdam for two years before moving to Rotterdam in 1832 where he made himself a reputation as a portrait painter. He remained there until 1838...

A nicely painted waist length portrait, done on organic material, of an attractive woman with dark brown eyes and hair. The sitter, posed in front of a reddish-brown drape, is wearing a black gown with a lace collar cinched with a brooch matching her earrings. A gold chain with two pendants completes her outfit. Presented in a later gilt frame.

The painting is in excellent condition with no issues. The sight size is 2 1/2" by 2" and the framed size is 5 1/2" by 4 1/2".

An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G...

An antique, classical, academic red chalk drawing of the head and neck of a young male, 19 3/4" by 15 1/4" (25" by 20 1/2" framed), unsigned. The circa 18th century drawing is quite beautiful and Neo-Classical, after the sculpture of ancient Greece and Italy. The gold frame does have some losses.

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

Using watercolor on organic material, Francois Theodore Rochard painted this beautiful portrait of an attractive blue-eyed young woman with brown hair done ion sausage curls. The sitter, identified on a very old label on the rear of the frame, is Clara Stevens (?) age 18. She is posed against a wall with a climbing rose bush showing through a window to her left...

Very old small pencil drawing of a town scene, 3 1/2" by 3 5/8" (11 1/2" by 10" framed), unsigned, and the artist and origin unknown. It is simply an antique drawing. Someone thought enough of it to have a hand-drawn ornate mat on gray-blue paper. A church tower appears at center and a tree at left, and two tiny figures at lower right. There is a mysterious red circle stamped on the reverse; difficult to say if it may be a collector's stamp.

French school of David, portrait of an aristocratic woman measuring 31 x 27“ oil on canvas, Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era...

An unframed early 19th century ink and watercolor drawing featuring an extensive landscape with mountains, trees, buildings and figures, titled in the gold paint hand-drawn strip on the ornate mat "ANSICHT DES KAPUZINERBERGES BEY SALZBURG". The work does not appear to be signed, though there is some old Germanic pencil writing on the backing sheet that could possibly supply some clues to authorship. The work measures 7 1/4" by 10", and 11" by 13 3/4" including the backing sheet...

A miniature portrait painting by Abraham Parsell, done in his recognizable style with somewhat frizzy hair, and the sitter posed with his arm on a chair. Housed in its original cast foliate frame with a rear aperture containing a lock of hair.

The painting is 2 5/16" by 1 7/8", while the overall locket size is 2 1/2" by 2 1/8"...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart...

"William Hogarth" "Portrait of Charles Churchill (The Bruiser)" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" "Frontispiece to Kirby's 'Perspective Made Easy'" and "Time Smoking a Picture" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A signed Hyacinthe Mercier miniature portrait, painted on natural wafer. The beautifully rendered sitter is a pleasant looking woman wearing a lace bonnet with lavender and light blue bows, and a dark blue robe or gown. "Mercier 1824" in script along the right side.

The painting is in excellent condition, with some rough edges which do not show while the piece is in its period bronze frame. Sight size is 2 3/8" by 1 7/8", with a frame size of 2 3/4" by 2 1/4"...

A rare and signed portrait miniature by Charles Byrne. Done in an almost impressionistic style, the sitter is a blue-eyed woman simply presented in a white gown with fur trimming along the top edge. She is posed against a gauzy white background with blue tints to complement her eyes.

The miniature has a sight size of 2 1/2" by 2" and is in excellent condition. The backing paper of the painting has the following artist and sitter identifications: "Painted by / Ch Byrne / 1801 / Mary Lambor...

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

Portrait of T. Donaldson Strangeways, by artist Thomas Hastings, 1778-1864, Oil on Canvas 58 x 37". painter, draughtsman, watercolour artist and etcher of landscapes, topographical views, marine subjects and coast scenes. Born Thomas Barnett; changed his surname to Hastings in 1812, under which name he exhibited and published after this date. Officer in the British Army 1795-1811, Captain from 1799. Customs Officer from 1819. Exhibited at the Royal Academy of Arts, Society of Painters in Waterco...

A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH

A truly lovely and engaging portrait miniature, on natural wafer, of a beautiful young woman. The subject, attired in a green velvet dress with a black cape and a white fichu, is seated in front of an orange drapery with a view of a landscape. The framing of this gem is of fine construction, with an inner gold plated frame that is easily removable (and replaced) if a smaller overall size is desired. Both frames are in very fine order.

The condition of the painting is excellent, with bright col...

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Page from an album. Illustration in Chinese style (chinoiserie) of a bearded young Chinese man in a long blue garment and round hat in vogue in the Qing dynasty. In his left hands he holds an open fan with tortoise shell spokes, in his right a red cloth in the other.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century.

The style of this watercolor reminds...

A well executed miniature of an English gent. The reverse of the painting identifies the sitter as Thomas Sheppard, painted by W. Bate in 1802. Presented in an unusual gold painted frame with the miniature displayed in the diagonal direction. The condition of the miniature is excellent, with the inside rim of the frame having a "ding" at around 2:00 o'clock. Sight size is 2 7/8" by 2 3/8" with an overall size of 4 1/2" by 4 1/2".

BIOGRAPHICAL NOTE: There is not much known about William B...

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors. Someone in more recent times affixed it with adhesive to the overmat, but only at the bottom margin where there was original...

This is a truly antique work, an oil on canvas unframed painting, 24 1/2" by 30", relined in the mid 20th century, apparently unsigned, the subject elegant ladies in a formal, upper class interior setting, the piece likely English or Northern European, possibly but I think far less likely American. The painting has seen some wear and tear in its roughly 180 years----a crudely repaired tear at upper center, some tearing at center in the lady's dress, with a 3/4" by 1/2" piece missing, another sm...

A nicely painted portrait miniature on natural organic wafer. The sitter is a gentleman dressed in a black jacket and stock, with a white shirt and vest, set against a background which shades from light blue to a darker blue hue. Housed in its original cast foliate case with a glazed rear aperture containing a circlet of hair.

The condition of the painting is excellent with no cracks, chips, paint loss, bowing, or restoration. The case is in good condition with the back of it showing wear and ...

Unsigned Watercolor. "Lugger beating to Windsward. Fresh Breeze". c 1800. 4 x". Frame Size 17 x 20".

"William Hogarth" "Receipt for the Election Prints" and "Columbus Breaking the Egg" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195...

Miniature Bronze Buddhist Monk holding alms bowl, 19th Century, mounted on wooden base, size: H. 6cm x 2cm x 0.5cm

"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see image...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

A well painted miniature portrait on natural organic material of a sea captain, identified on the reverse as "Phillip…MHK Captain". The miniature is in very good condition, with no cracks, chips, bowing, or restoration. The period lacquered frame is missing its cover glass, easy enough to replace. Sight size is 2 7/8" by 2 3/8", and the frame size is 5 1/8" by 4 3/8".

Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame

A nicely painted miniature portrait, on natural organic material, of a pretty young woman in a blue dress with a white fichu. Condition of the painting is excellent, with no problems. The glass in the rear aperture of the case is cracked. Overall size is 2 3/4" by 2 1/4".

A nice c1814 example of a Frederick Buck miniature of a woman in a blue dress. The backing of the mini has "Caroline ??? 1814". Presented in what might be the original frame, which measures 4 3/4" by 4 1/8". The sight size is 2 3/4" by 2 1/8". Excellent condition.

BIOGRAPHICAL NOTE: Frederick Buck, the younger brother of Adam Buck, was born in Cork in 1771, where he had a thriving practice as a miniaturist for an extended period. During the Peninsular War (1808 - 1814), when Cork was a bu...