Abstract pencil/charcoal on paper - estate stamped 'Ramstonev'. This work was done during the late 1930's as part of the 'Cooperative' project in the New Hope, Pa. modern art community. Charles Ramsey, Louis Stone and Charles Evans worked collectively on drawings and paintings during this time...

FART

Contemporary art work with such humorous old Taisho-period’s painting on ‘washi’ (Japanese paper) pasted on canvas...

Haku Maki produced this “pair” of prints in 1968. The first image is Child. This is the first time Maki produced an image with Child as a theme. Poem 68-52. The second one is his kanji for Water. Poem 68-53. This image was used again in the set of 21 prints he produced for Festive Wine, which was issued in 1969. The colors in both are strikingly beautiful in these images – as they also are as prints. Maki signed each in white ink, something he rarely did...

Local artist James Austin was known for his great paintings of American landscapes. This work done late in his career measuring 30x44 inch and is oil on canvas,unframed.

"Ile du levant" Oil on canvas, 15” x 22” Jean Vollet was born at Montayral, France on June 29, 1935. After studying art at the Ecole d'Arts Graphiques in Bordeaux, he went to Paris in 1962. There he devoted his time entirely to painting and began to display his work in 1964 at the Salon des Independants. He has since been met with tremendous success exhibiting in Paris, New York, Tokyo, Beverly Hills, Cannes...etc...

An oil on canvas painting, unsigned, the subject the Arizona desert (we know that because of the saguaro cacti that are not found elsewhere), 22" by 30" (29 1/2" by 38" framed). The painting is deliberately painted in a very pale fuzzy blonde light, with pastel tones, making it somewhat difficult to photograph due to the lack of strong contrasts. The materials suggest a circa 1950's or late 1940's date of execution.

James Abbott McNeill Whistler 1834-1903 American This is a fine impression of the well known Whistler etching, Rotherhithe, It was created in 1860 as part of his Thames Set, published as a portfolio in 1871. The image measures 10 3/4X7 3/4 inches. Signed and dated in the plate, lower left. This impression was last sold by Frederick Keppel in New York City, the label came with this etching...

The third part of Note 10 looks at the prints Maki probably did in the 1969 to 1975 period but that, at the time of Dan Tretiak's writing this, had not yet come to light.

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Original etching by Wendell Black (USA, 1919-1972), started in 1961. Black was still working on this etching when he passed away 18 years later. First edition artist proof, posthumously printed by Berkley Chappell. No lifetime edition exists. Signed and dated "Wendell Black 61 by Elaine" l.r. Elaine was Wendell Black's wife. 24" by 35" image alone. Plate 27 in "The Lost Works of Wendell H. Black" by Henry M. Sayre.

Oil on canvas, 21" by 26" (26" by 31" as framed), the subject a winter landscape with coniferous trees in the background, a small unfrozen lake completing the scene. This is an impressionistic work by a nicely listed painter, the works of whom appear with frequency at auctions in Finland. I currently do not have a lot of biographical information on the artist, who was, judging from the label on the reverse (see photo), a member of the Society of Finnish Painters...

A fine portrait miniature, painted on natural wafer, by Julius Rubens Ames. The sitter is a gray-eyed gentleman of serious demeanor, attired in a black coat and vest with a white shirt and tie. Presented in a cast foliate case with a glazed aperture on the reverse. Also housed in a red leather, probably original, travel case.

The condition of the painting is excellent, with no flaws to speak of...

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Something of a mystery, this is a very interesting soft pencil drawing of a young woman, 13 1/4" by 9 1/4" (19" by 15" framed), signed indecipherably at lower right and dated there 1931. Try as I might, I have absolutely come to a dead end when it comes to figuring out this signature. Adjacent to that signature an inscription reads "Baroness Leonnie Perraja"...

By the hand of listed American artist HUGO MELVILLE FISHER (1876-1946), an impressive oil on canvas painting of the vegetated banks of a river on a spring day, 23" by 27" (31" by 35" attractively framed), signed at lower right corner in red. The impressionist, rich, IMPASTO technique (as in the tree's leaves) is impressive and skilled. Fisher, the son of artist Hugo Anton Fisher, was born in Brooklyn in 1876, moving to Alameda, California at age 8. He spent two years in Hawaii...

W. T. Smedley, 1858 1920, from the Kennedy galleries a Work Inc. on paper dated 1891 9 x 9 1/2“ frame size 17 x 17“

Original Painting by Thai Artist Jantana Jaembai, signed and dated Buddhist Year 2532 (1989 A.D.), depicting a Siamese Princess and her entourage making merit at a temple to the Lord Shiva. Size: H. 11" x W. 8", available framed or unframed.

Framed watercolor on paper painting of small boats on shore and in a bay, unsigned, circa late 19th century. The (likely) east coast scene measures 9" by 19 3/4" inside the mat and 14 1/2" by 25 1/2" as framed. I did open up the backing to peer inside, in search of a signature, but a signature was not found. The paper was evidently mounted on a board in the nineteenth century, as that board has the old telltale down-the-middle line where the two old wood boards would have met...