Original antique European Alpine Village winter scene oil painting by Anton Doll (1826 - 1887. Oil on canvas signed lower left noted painted in Munich framed in original gold gilt frame. Anton Doll began studying law in Munich, before he turned towards painting. In 1852, he became a member of the Munich Art Association that had exhibited his paintings from very early on. Doll was influenced by Carl August Lebschée and Adolf Stademann, and his main subject was the city of Munich...

Max Parsons (1915-1998) showed exceptional artistic talent from a very early age. Upon completion of his primary education, his abilities gained him admission to the Royal College of Art in London from where he graduated cum laude as an Associate of the Royal College of Art (ARCA) in the period after World War II...

Original 1870s Cabinet card photograph of the Capital pale depicting horse and carriages out front. 8.5" 5.25"

“The Chinoiserie Garden” after François Boucher (French 1703-1770) measuring 48x60 inches in oil on canvas, framed in a gold leaf baroque frame. The work was originally in the Grand Lobby of The Pierre Hotel in New York City. The original work by Boucher was a large tapestry done in the 18th century. François Boucher (29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style...

Watercolor on heavy watercolor paper, 10 1/2" by 14 1/4" inside the mat, 19" by 22" as framed, not signed, the subject a coconut palm at left, with a schooner-type sailboat in the distance beyond a narrow spit of land, a white gull overhead. The work probably dates to the 1950's or early 1960's...

Large oil on heavy oak panel painting of an ornate cathedral interior, featuring the large organ, 35" by 29" (47" by 41" framed), titled on the reverse, dated there August 1916, and signed by the noted Czech painter FRANTISEK JELINEK (1890-1977). Jelinek's works have sold at auction in Europe, largely in the Czech Republic, where he is known as a painter of landscapes, nudes, and genre...

Charles Daubigny, French, 1817-1878, "Le Berger et la Bergère ( The Shepherd and the Shepherdess)," etching, 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."

One of a number of Whistler lithographs I am offering: "Portrait of Stephane Mallarme", 1892-93, measuring 3 1/2" by 2 3/4", mounted with hinges at top corners and in a protective sleeve. A label of Davidson Galleries, Seattle remains with the print. There are several condition issues. There is a jagged paper tear of about 1" at upper left, extending roughly down the level of his ear, though, well to the left of it, in the unprinted area...

William CUNEAU, w/c,15x 18“, FS 23 x 20“ 3400

Seaside Conversation in Brittany by Henry Bacon. Henry Bacon was one of the first artist to travel to Pont-Aven, France,with other painters like Paul Gauguin. This work is oil on paper measuring 17 x 26“, frame size is 25 x 34“ Henry A...

A hand colored aquatint titled at the bottom, “A VIEW OUSCOTTAH, FROM AN EADGAH.” Underneath the title is, “Sold & Published June 4. 1804, Edw.d Orme, His Majesty’s Printseller, 59. New Bond Street, London.” In the lower left, “lieu.t James Hunter Delin.” and in the lower right, “Harraden Aquatinta.” This plate, numbered 26 in the upper right corner, is from “Picturesque Scenery in the Kingdom of Mysore,” by James Hunter...

This is a fine pastel on paper work, 9" by 11 1/2" inside the mat, 15 1/4" by 17 1/4" as simply framed in wood, the subject a low desert with saguaro cactus near a desert wash at right center, a range of brooding desert peaks in the distance. The work is signed by the artist on the original mat at lower left corner. Condition of the drawing is superb...

Joseph Pennell 1857-1926 American This is an original pencil signed lithograph by American artist Joseph Pennell. This image is one of his Panama Canal Series that he created in 1912. The image is titled: The Walls of Miraflores Lock, 1912. The image measures 18 1/2X24 3/4 inches, on a Fabiano watermarked laid type paper which measures 20 1/2X25 1/2 inches.

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area...

A 4-7/8" long and 2-1/4" high vintage Inuit Eskimo sopastone carving of a walrus c1950-60. This unsigned (or at least no signature still visible)carving is in fair original condition with no cracks, damage or repairs other than the loss of the two tusks, some chipping to the feet and some minor scrapes. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use...

A splendid bronze sculpture of Diana, Roman - Greek goddess of the hunt, along with her faithful hunting dog, created in the 20th century after Antoine Coysevox sculpture of Diana the Huntress. The sculpture is superbly executed with stunning hand finished details. The Diana, dog, leash and base were casted separately and then affixed together; spear is removable...

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

Oil on canvas painting of the modern day Shanghai waterfront, 28" by 32" (34" by 38" framed), signed at lower right by artist HUANG JIE and dated there 2002. This contemporary work shows the old classic buildings and the new distinctive tower and bridge in the distance, all painted in a meticulous and impressive highly impressionistic pointillist technique. I have looked for information on the talented artist but to date cannot pinpoint the artist. Condition is excellent and the painting and ...