William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.
Small (3" by 3") unsigned ink drawing on blue paper (6 3/4" by 5 3/4" as framed), the subject a female figure leaning, an old German script label strip on backing giving the title as "Blumenmarkt in Amsterdam", "Olstudie von Hans Herrmann" ("oil study by Hans Herrmann"----the discrepancy perhaps explained by the label being originally intended for another work by this artist)...
View of the Great Conflagration at New York, July 19th 1845 by N. Curner, color lithograph, Frame size 18 x 19.5".
A rare and wonderful set in three horizontal frames of a series of Japanese life during the Meiji period. The frames each measuring 19”x50”
A good, small-size 19th century Mexican retablo depicting San Jeronimo. After a spiritual revelation, the saint lived as a hermit, often flagellating himself with a scourge and beating himself with rocks. He is shown here his traditional attributes of penitence--the bloody scourge, a skull, and rocks. He is often shown with fresh self-inflicted wounds, in this case a spray of blood droplets from his chest...
Jacques James Joseph Tissot
1836-1902
French
This is one of the finest mezzotints by the important French artist James Jacques Tissot. The title is: Le Banc de jardin (The Garden Bench) It was created and printed in 1883. This was a rare first state impression prior to the lettering added at the bottom edge. This work is pencil signed and inscribed as "1st state" Also with the artists red stamp in the lower left. Printed in a sepia toned ink the image measures 16 1/2X22 1/8 inches...
Artist William Brooke Thomas TREGO, “Dual between a union Calvary man and the confederate trooper“ The black-and-white oil on canvas was created for the century edition of battles and leaders of the Civil War of a true 1862 incident...
A circa 1960's or 1970's lithograph of two female figures, in the typically dream-like fantasy style of the noted 20th century artist LEONOR FINI (1907-1996). The work is numbered in pencil 32/200 at lower left and signed in pencil at lower right with the signature of the artist. A truly international person all her life, Fini was born in Argentina and grew up in Trieste, Italy. Soon she was in Paris, associating with figures such as Andre Breton, Max Ernst and George Balanchine...
Interesting and rare north Indian gouache and ink drawing with text, circa 1700's, by an anonymous artist working in India in the classic style. Measuring 4 1/2" by 10 5/8" (14 3/8" by 23 1/2" as professionally framed), this is a work that should be of considerable interest to the collector of Indian drawings. The work is detailed to the extreme, in the manner of Indian art, and the age is obvious...
Note 10 part II continues to discuss the evolution of Maki's prints.
Sunday Picnic in Abruzzo (Italy), was featured at the Chicago worlds fair in 1933 in an exhibit titled “Paintings of the New Italy”. The paintings were handpicked by Mussolini to show the deep-rooted family values of Italians.
Carlos Verdecchia born in Italy in 1905 exhibited throughout Europe and Italy extensively in his lifetime. Period is greatly acclaimed pieces have been shown to many museums...
Garry Seidel "Woman in Fog" York England photograph , most of his photographs were limited edition . Signed on the mat board.
Oil on canvas, 36" by 24" (45" by 33" as framed in wood), the subject a wicker chair draped with lacy cloth, a painting in the background and tea pot at right, signed with what appears as "Egeun" at lower right and dated 82. A Greek-speaker emailed me to inform me that the signed name is, in Greek, "Eleni" (Greek for "Helen"). This is a bright, contemporary painting in really excellent, fine wall-ready condition.
George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".
Framed watercolor painting by Latin American artist of a village scene, signed “M. Figueras” (?).
CONDITION: The photo was taken with the glass, so there is some reflection in the photo.
MEASUREMENTS: Size: 14 ¾ x 18 ½ inches frame included.
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Oil on canvas, 20" by 16" and simple wood frame 1 3/4" wide, signed at lower left in capital letters by the artist, ARTHUR CARL WEIGLE, and dated there "30". This is a charming scene of an earlier California, the iconic subject being the 18th century Mission Santa Barbara. Note the figure curled up on the steps, the leaning palm, and the beautifully painted eucalyptus leaves. The overall light palette reminds one of C. W. Nicholson's works or possibly Dana Bartlett...
A competently painted, luminous little work on canvas, 12" by 16" (17 1/4" by 21" framed), the subject high mountains in full fall color, likely the Rockies in Colorado, Wyoming, Montana or Idaho (or, possibly, even Canada). The artist signed the painting "C H Wells" at lower right. The painting likely dates to the 1970's or 1980's. While I do not see a listing for an artist by this name, he or she was clearly talented. The eye is drawn deep into this spacious and pleasant scene...
This original etching is by Francisco de Goya. It is titled, "The Little Prisoner:" (Le Petit Prisonier). In Spanish title is, 'Tan Bárbara la Seguridad como el Delito': (The imprisonment is as barbarous as the crime). It captures and symbolizes Goya's ideas about the human condition and suffering: a poor soul, quite grim. It was first issued in Gazette des Beaux-Arts, vol. XXII, Paris, 1867. It is pre-framed...