Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that)...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop), this is a fine image in soft pencil on paper, the drawing itself 14 1/2" by 15 1/2", in a simple frame without mat, signed at lower right by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...

An impressive panoramic alpine landscape painting of jagged mountain peaks at sunset, or dawn (actually titled "Sunrise over the Alps", the alpenglow effect captured beautifully, 27" by 39" (36" by 48" framed), signed at lower right by the artist, Waldner, and bearing placard with the above title and again the artist name. The work probably dates to about 1960. It is in excellent vintage condition...

Attractive contemporary era painting of seven ducks in flight over a marshy estuary on a cloudy afternoon, 24" by 36", unframed, signed at lower right illegibly. I am trying to decipher the signature but so far nothing fits. The size and a stamp on the reverse establishing the copyright rights of the artist suggest that the painting is American. I am sure the artist is listed...

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

Watercolor on paper painting of a traditional Chinese junk near the shore of a reedy body of water, 15" by 11 1/2" (20 1/2" by 16 1/2" in simple blond wood look framing), signed at lower left in pencil with what appears to be the name "Tang". The transparent washes and deft handling make for a pleasing and calming image that is a fine alternative to a print. The work is affixed or pressed against the backing by the glass---there is not a proper mount.

Late 19th century painting of the Roman Colosseum, an historical arch and surrounding gardens and park, signed at lower left "Conti". The piece, which measures 6 1/2" by 4 1/4" inside the mat, and 13 3/4" by 11 3/4" as framed in polished, shiny reddish-brown wood, displays exceptionally fine detail despite its small size. The colors are sharp and fresh and the paper not oxidized...

Watercolor/gouache on board painting, 19 1/4" by 12 3/4", the subject the interior of a Jewish place of worship, signed at lower left by the well listed Jewish artist MAX BAND (1900-1974). Band was born in Lithuania and spent much of his earlier life in Paris, after study at the Berlin Academy. His works often feature Judaic themes, though subject matter can range from florals to European urban vistas to genre and portraits...

This is an image of a young African-American boy grinning while leaning against a building, the image mounted on a board signed by the photographer, Arthur S. Little. After googling the name I find that around the late 'teens and early twenties, there was a photographer in Los Angeles and Ventura by that name, though he does not seem to have had a high profile. I do not believe that this is an original photograph. The item is in good condition...

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition...

Watercolor on paper painting, 9 1/2" by 17 1/2" inside the mat, 16" by 28" as framed, titled at lower right "AT DITTISHAM R. DART", signed at left by the nineteenth century English painter who is known apparently only by the signature "F. Walters". The artist painted in many parts of England. This scene is near Dartmouth in southwestern England not far from Plymouth...

Plate signed etching, 13" by 10 1/4" inside the mat, the sheet 16" by 13 3/4", titled "Rue de la Glaciere", 1937, by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958). The original edition is given as 400 or 500 examples; later restrikes might exist. I do not know if this might be one of them. The paper is very thin and delicate and appears ribbed as would laid style paper. I do not see any watermarks. Vlaminck is known as a Fauvist and later simply as an expressio...

Watercolor and ink on paper painting of flowers in a pot, 15 1/2" by 11 1/2" (23" by 19" as framed), signed at lower left and dated 1970 by the well-exhibited, Chinese-born artist who goes by the name "Chinyee". She was born in Nanjing and educated in Chongqing during the time of the Sino-Japanese War (1930's). By 1947 as the winner of a scholarship, the artist was able to come to the United States for study. There during the Cultural Revolution in her homeland, she attended the Art Students ...

Oil on canvas painting of surf breaking on coastal rocks, 24" by 30" (29" by 35 1/2" framed), signed at lower right by the noted California painter GEORGE SANDERS BICKERSTAFF (1893-1954). Bickerstaff is a familiar name in California plein air art. He was a prolific artist, creating both landscapes of desert and eucalyptus and lupine, as well as seascape. This example probably dates to the late 1940's or early 1950's. It is in very good condition with only a pinpoint loss or two.

Watercolor on paper painting of a tree on a bluff by a sandy shore of an estuary or lake, 5 1/2" by 3 1/2" (8 1/2" by 7" in attractive gilt frame), signed at lower left by the noted French 19th century painter, GEORGES BECKER (c. 1845-1909). Becker apparently did not leave behind too many works, but those that have survived leave little doubt as to the talents he possessed. One especially fine history painting, depicting in glorious detail the Coronation of Alexander III and Maria Fyodorovna, ...

This is a perhaps circa 1930's or 1940's work in an earlier naive style, with a fisherman, sailing craft, and cabin on the shore. On canvas, simply tacked to the frame on the reverse side, the piece measures 21" by 30 1/2". I imagine this could be called "cabin art". If you're looking for a primitive piece for a country home, or even your urban home, consider this charming work. The condition is good save for a small puncture at extreme upper right corner, which when manipulated so that the ...

(ONE OF TWO EXAMPLES BY THE ARTIST IN MY SHOP**), gouache on paper, (12 3/4" by 6 3/4"), and 1 1/2" wide frame, signed boldly at lower left by the well listed Italian artist GIOVANNI BATTISTA (1858-1925). This is a panoramic coastal scene, a common subject of the artist, who painted mostly scenes of Naples, Venice, the Amalfi coast, and Vesuvius. The painting is in excellent, fresh condition. Works by Battista are offered regularly at auction, where they can bring into the thousands.

Lithograph on paper, unframed, the sheet 13 3/4" by 17 3/4", pencil signed at lower left and dated there 1949, and signed again in Hebrew and dated 1949 at lower right in pencil, by the noted Russian-born Israeli artist MIRON SIMA (1902-1999). According to a Wikipedia listing, Sima was born in Czarist Russia shtetl in 1902. By 1921 he was in Odessa, Russia for art study, and the following year saw him in Dresden, Germany. In Dresden, Sima studied painting and graphic art under Otto Dix, whose...

Monotype, 10 1/4" by 13", as framed 14 3/4" by 17 1/2" (a monotype is a unique work of art made by pressing against paper the still-wet ink or painted design which the artist has placed on a glass or metal plate), signed at lower left in pencil and dated there 1987, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is an abstract composition in various shades of violet, red, blue and white, primarily. Burkhardt was born in Swit...

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this soft-ground etching, 9" by 6 1/2" inside the present mat, the size as framed 20" by 15 1/2", titled "Portrait of Hermann Struck", signed in pencil by the artist in the lower right margin and by the printer Heinrich Wetterroth at lower left margin (along with other difficult to decipher information, written in fine pencil), and dated in the plate at upper right "1911". The artist is considered...

Circa 1940's vintage period original lithograph print of the famous Alamo fort in San Antonio, Texas, pencil signed in the margin at lower right and dedicated "To Sally & Stan--M. Crittenden", and titled at lower left "The Alamo". The work measures 12 1/2" by 9 3/4" inside the mat, and 18 1/2" by 15 1/4" as framed. I have opened this up to take a peek inside, and have found that the mat is permanently affixed to the margins of the print. There is some browning around the mat edges but bas...

This is a folky painting of someone's favorite St. Bernard dog, circa 1870's or 1880's (ONE OF TWO SUCH WORKS IN MY SHOP). Measuring 21" by 16" on the original very old stretchers and 12 1/2" by 12 1/2" (and 17 1/2" by 17 1/2" as framed), the painting is a sweet and classic rendition of a treasured pet of the Victorian era. Vintage dog paintings are very popular and collectable. This one has evidence of its great age, with a darkened surface, no varnish, soil/blanching, very slight stretcher bar...

Oil on canvas landscape painting of a traditional home at the edge of a pond in mid summer, 20 1/2" by 17 1/4" (24 1/2" by 21" framed in older gold interesting frame), signed at lower right corner J. D. Prenne or possibly J.De Prenne. I do not see a listing for that name as spelled but will continue to search. The painting is very nicely executed and pleasing to the eye; it's a very relaxing and calming view. Gathering clouds lend an ominous touch, so perhaps a summer storm is about to break;...

A lithograph poster printed by Maeght, 24" by 16", to be shipped unframed (flat or tube-rolled as per buyer preference), circa 1980's, publicizing the gallery's long and fruitful relationship with the famous Spanish artist JOAN MIRO (1893-1983). Miro of course needs little introduction, as one of the best known artists of the twentieth century, his colorful iconic imagery by now firmly integrated into modern visual culture. The first photo shows the print in a metal frame, behind glass; again, ...

Oil on board painting of two clipper ships in full sail on the high seas, 21 1/4" by 27" (25" by 31" framed), probably executed circa 1970's to about 1985, signed at lower right by the artist, AUSTIN DWYER of Seattle. There is a website maintained by the artist, with a host of biographical information, and images of works for sale, both original and giclee prints. Dwyer was born in Ireland but became a U.S. citizen. He received art education in the Pacific Northwest, (where he is best known t...

Oil on canvas, 18" by 21 1/4", unframed, signed at lower right "A. Alvarez", the subject a colorful flower stall "La Flor de la Rambla" in an obviously European (Spanish, no doubt) town. The work is in need of a frame but otherwise is ready for display. Presently there is an inner frame remnant but no true frame.

Circa 1865 chromolithograph print "Birthplace of Whittier, The Poet", (Haverhill, Massachusetts), 16 1/2" by 25 1/2" (22 1/2" by 32" as framed), published by Louis Prang of Boston and bearing his blue canvas stamp on the reverse, the artist being THOMAS HILL (1829-1908), the noted English-born painter who went on to work in New England and then the American West including California. His important paintings of such western wonders as Yosemite now bring hundreds of thousands of dollars; this ima...

Oil on canvas laid on board, 21" by 34" (26" by 39" as framed), unsigned, circa 1880 I would guess, the painting consisting of a classic Hudson River view with steep hills bordering a river, a boat completing the scenery. There is a very nice luminosity to this particular example, a very nice handling of the light in the leaves of the trees. The painting has an approximately 5" long horizontal old cut in lower portion as shown, not unusual for a work of this age. There is also considerable un...

Oil on canvas painting of a picturesque old water mill located on a stream in high alpine mountains, 22" by 30" (29 1/2" by 38" framed), not signed on the front side but the reverse side shows post-1885 stretcher keys, and pencil writing which identifies the scene as "The Valley of Jen(bach)? Switzerland", and the artist as "Louise Goodman 1914". The artist does not appear to be listed. The scene might possibly have been painted after an original by another artist of the 19th century. Conditi...

The watercolor is unsigned, 6" by 8 1/2", 10" by 13" as simply framed, the scene tall forest trees and distant mountains; there is either a stream or pathway in the foreground. I'd think it has some age, but probably not before about 1970. The artist was talented, and this will decorate a small wall nicely.

Oil on canvas of a mysterious red cabbage on a string and an orange gourd on a tiled surface, windows beyond looking out onto a hilly landscape, 16" by 20" (23 1/2" by 27" signed "Hernandez" and dated 1995 at lower right. The painting should probably be reframed, as the cream liner is soiled. The painting has some yellowed varnish but otherwise is in good condition.

Oil on canvas painting, unsigned, contemporary, unframed, 24" by 36", executed in retro 1960's and 1970's colors: olive, powder blue, orange, white. If your interior is modern and skewing towards the "Pan Am" days, then this will surely please. It has a few light scuffs and soiling that might be removable with light soapy water--see photos.

Watercolor on paper painting of a boat in a harbor, 13" by 21" inside the mat, 20" by 28" as framed, signed at lower right and bearing the artist's name and Fremont, California address on the reverse. The artist is SALLY INOUYE (1927-2010). I do not see a standard "listing", but came up with the following information from google, taken from her obituary online: "Sally Misaye Inouye July 31, 1927 - June 18, 2010 Sally Misaye Inouye, 82, passed away peacefully on Friday, June 18, 2010 at Kaiser...

Oil on plywood painting 24" by 29" (" by " framed), signed at lower right "F. Sullivan '53", signed again on the reverse "F. Sullivan" and titled there "High Park Toronto". The painting of trees and a pool of water is created with palette knife especially in lower portion. I had thought this might be an early work by the well-known Canadian woman artist Francoise Sullivan (1925-), but checking with a major Canadian auction house showed that she did not visit Toronto until later, and never pain...

Serigraph (silkscreen) print after a painting by the giant of modern art, GEORGES BRAQUE (1882-1963), 18" by 27 1/2" (25" by 34 1/2" framed), signed in the print at lower left. Braque needs little introduction, as one of the famous names of modern art, who in the early years of the century developed, along with his friend Picasso, the Cubism movement, which changed the art world forever. Throughout his life he interacted with other famous artists including Friesz, Derain, Matisse, Laurencin, D...

Oil or acrylic on canvasboard abstract painting, larger sized, at 28" by 40" as framed, signed at lower left "KAYE". The art takes after any number of modern painters' work, but the arrows imagery at the bottom portion, suggests to me a bit of Uruguayan painter Joaquin Torres Garcia. The creator of this work (and two others by the same artist I have listed) was probably a talented amateur with an excellent sense of color and a knowledge of modern art. Condition is good. A more elaborate fra...

Vertical format colorful oil painting of a mounted cowboy making his way through a steep canyon in the Southwest or Rockies as the afternoon's last sun reddens a crag at right, a dramatic cloud beyond the "V" shaped notch topping an expansive and empty land beyond. The painting, measuring " by ", unframed, has some age but I doubt it would have been painted earlier than about the mid 1950's, judging from the stretcher and stapled canvas. It is signed at lower right "C C Montgomery" or "C G Mo...

Pastel on paper drawing of a rocky coastline with sailing craft offshore, apparently unsigned, 9 1/4" by 23", (16 3/4" by 31" as framed), circa 1900. The style of the drawing is reminiscent of that of American artists like Alfred Thompson Bricher (1837-1908). The popular and common pastel art of William Chandler also comes to mind. The work needs a new mat and the old acidic wood backing is best replaced. Otherwise for its age this work is in excellent condition.

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character. Whoever made this would be happy to know that his or her work is admired so far in the future! The frame is gold but post-dates th...

Oil on canvas, 12" by 15 3/4", unframed and unsigned, the subject a pensive figure, likely a male, seated on a breezy patio with French doors, curtains and a Paris-style small cafe table and chairs, a tea or coffee service on the table. The anonymous artist created a very appealing, contemporary little work, with impressive impressionist technique. The painting is in excellent condition with just a bit of stretcher bar show-through at top. A silvery frame would complement the painting; it wou...

This is a very contemporary work, unframed, on a wood or masonite panel, 8 3/4" by 12", signed (incised) at lower right corner "EW" and dated there "01". The scene is a city street, depicted in rather bright color, in an impressionist technique; what is quite unusual here is the added medium used, the surface obviously having been worked with wax (I believe this might be called "encaustic" when used in a painting). The mix of the waxy material and the paint creates a quite modern surface and a...

One could call this work a homage to Jackson Pollock and Sam Francis: colorful drips in red, blue, yellow and gray, on an inky black background, 20 1/4" by 24 1/2" as simply framed in silvery metal behind Plexiglas. There is no signature. A fine choice if you are looking for original abstract art for your mid century or modern interior.

Oil or acrylic on canvas, unframed, 10" by 14", unsigned, the work painted in a harmonious and quite modern mix of varying shades of purples and greens, topped with white drips, the result a pleasing work that would look great in a contemporary or mid century setting. You would not necessarily have to frame this before hanging it on the wall. Condition is excellent.

This is an original drawing in charcoal and watercolor, by the well listed French artist LUCIEN PHILIPPE MORETTI (1922-2000), the subject a young boy, 25 1/2" by 19 1/2", unframed. It is signed by the artist at lower right, dated 54, and the place where it was drawn is also present (the "Place du Tertre", in the heart of Montmartre's artist district). Moretti was schooled in art in the late 1940's and by the 1950's was haunting Montmartre, a keen observer of all the humanity flooding the area ...

Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810. Redoute was renowned in his own time for his skills, patronized by none other than Marie Antoinette and the ...

PAIR of watercolors, the larger of raspberries on the vine, painted with amazing attention to detail and realism, measuring 10 3/4" by 8" inside the mat; the smaller painting of three bright red cherries and a leaf, measuring 6" by 9" inside the mat, BOTH SIGNED AT LOWER RIGHT with initials "M. C. R.". Since acquiring these works together at a shop in California's Gold Country a few years back, I have attempted to figure out who might have created them. A logical choice would be American still...

Oil on canvas contemporary landscape of a jagged high mountain peak, trees and a large boulder catching the atmospheric light in the foreground, unframed, 36" by 24", signed at lower right with a signature that resembles "Joseph Eugene" or "Joseph Evgeny". The artist has handled dawn or sunset light to great effect, as did many of the Hudson River artists. An alpenglow lights up the peak, and a sunbeam lights up the boulder. I'd think that the painting would have been executed in the 1980's th...

Oil on canvasboard painting of red tulips in a bright yellow vase on a tabletop, two apricots or peaches at lower left, unsigned, in a gold frame in wall-ready condition. This is likely by the hand of a talented amateur painter, but it all "works", with bright attractive colors and a clean overall appearance. The entire work as framed measures 16 1/2" by 13 1/2". See a number of other floral works in my shop.

Oil on canvas extensive view of a town of red-roofed houses by the sea, a colorful garden and balustrade railing in the foreground, executed by an unknown artist, likely in the latter years of the 20th century. The artist painted a highly impressionistic work (27" by 31", 35 1/2" by 40" framed) in cheerful, light, sunny colors. The work is very decorative and is in perfect condition, so would be an item that you could hang on the wall immediately. Frame is in almost perfect condition as well....

This was once a beautiful late 1950's period example of Italian abstract art, executed by the listed artist, from Venice, Italy, GIOVANNI GIULIANI (1893-1965). Unfortunately due to careless storage by one or many owners (it was exposed to moisture), combined with the artist's choice of materials, it is now a restorer's special, worthy of conservation. I have received a quote of $400 to have it relined so that it can safely travel. The basic concept of the artist remains; most of the damage is...

Oil on canvas extensive mountain and trees landscape laid on board, 8" by 10" (10 1/2" by 12 1/2" framed), unsigned, circa late 1920's to mid 1930's. I am certain that this is by a listed artist but sadly there's just no hint as to who created this. The scene could be western, or eastern; hard to tell. It was found in Southern California. I would lean towards it being a western scene. The painting is very dirty; a cleaning would be really desirable, as it would really improve the presentati...

Oil on canvas extensive landscape of trees, a body of water, hills and distant structures, 24" by 36" (31" by 43" in gold frame), signed at lower left "Emile Bovard". I suspect this to be a pen name for a talented artist as I see no listing for an Emile Bovard. The painting was likely executed in the 1970's or 1980's I would judge, from the materials and technique. The artist has created a good-sized and highly decorative work, with pleasing muted colors, the violets, lilacs, pinks, blues and...

This is an unframed watercolor painting on heavy watercolor paper, the sheet 15 1/2" by 22, the subject an mansard-roofed old 19th century house in a winter landscape, signed at lower left by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. ...

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained. The drawing appears to be laid down on another piece of paper or very...

Circa 18th century ink on paper European drawing, 11 1/4" by 16 1/2" inside the inner framing enclosure, 24 1/2" by 29 1/2" as framed, the subject a coastal village with small boat landing, the tiny figures going about their lives on shore and in the boats, and a classic old sailing ship just making it into the image at left, signed in the lower left corner "Jac. A__". The drawing is on laid paper that was laid down on a board. Without glass, and of obvious great age, it has been subject to th...

Watercolor on heavy paper landscape with house on a moor at sunset, a distant hill at left and blooming white wildflowers in the foreground, measuring 8 3/4" by 11 1/4" inside the mat, 17" by 20" in a simple old wood frame, and signed with initials that look to me like "R.E.M."---but this is just a guess. The piece likely was created in the last years of the nineteenth or early years of the 20th century. The shape of the house suggests to me an English rather than American origin. Condition i...

Large (36" by 36") unframed painting of a green chair in an office interior, unsigned, but by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. I learned this from relatives who were selling off some of her works (see two other pieces I acq...

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state. The title is "Two Silos", and this was issued for the A...

Monotype on paper (where the artist "draws" the image on a sheet of glass, after which the glass plate is very carefully pressed against paper in order to produce an image), 5 3/8" by 7 7/8" (the image), the unframed sheet 7 3/4" by 9 1/2", signed in pencil at lower right margin by listed American artist MARION GRAY TRAVER (1892-1964). This a landscape in perhaps early spring or late fall, with muted pastel colors making for a harmonious and pleasing image. Traver was born in Elmhurst, New Yor...