Oil on canvas painting of a fetching young woman, 30" by 24", unframed, signed at upper right corner "George E. Harris" and dated there 1929. The artist is American painter GEORGE EDGERLY HARRIS (1898-1938). Harris was born in Delaware and appears to have most of his auto accident-shortened life in the northeastern states. He was the son of Charles X. Harris of the Noank, Connecticut art colony, and a pupil of his father and of Charles Courtney Curran...

Watercolor and gouache painting on paper of a wooden house surrounded by trees and shrubs, 11" by 14" inside the mat (16" by 20" as framed), signed at lower left "N. Belij" and dated there "-30". This is a work of listed Finnish artist NIKOLAI BELIJ (1896-1968). I do not know a lot about the artist; most of the information about him on the net is in Finnish or Swedish. Works by him have been offered at auction in Scandinavia...

Spanish Flamingo by Martha Walter, American 1875-1976, was done on her trip to North Africa and Morocco in the 1920s. This work measure 7” x 6.5” and the frame size is 13’X12’ and is. Water gilded plein aire frame Bio: Martha Walter (1875-1976), the American impressionist artist, was a student of William Merritt Chase. Martha was born in 1875 in the city of Philadelphia, Pennsylvania...

A woodcut print featuring an ecclesiastical scene of five monks in a breezeway or arcaded hall, with the artist's signature and date 1922 within the circular image. Additionally the piece is pencil signed by the artist at right just below the image and titled "The Cloister" at top right in pencil. The artist is New Jersey-born HENRY J. GLINTENKAMP (1887-1946)...

Kane und Abel, is a German Expressionist woodcut done in 1923, measuring 21” x 22”. Gerhard Marcks (18 February 1889 – 13 November 1981) was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics. Early life[edit] Marcks was born in Berlin, where, at the age of 18, he worked as an apprentice to sculptor Richard Scheibe.[citation needed] In 1914, he married Maria Schmidtlein, with whom he would raise six children...

Pair of small watercolors, one 3 1/2" by 6", the other similar at 4" by 5 3/4", each signed in a corner with monogram, one depicting industrial smoke stacks by a river at sunset, the other a pleasant promenade at river side with decorative lamp posts and arched bridge. The industrial work suggests London; the other could perhaps be Paris. Or both could be the same city. More research could help determine the identity of the artist. Condition is excellent...

Original Maxfield Parrish print, circa 1920s titled Daybreak. This is one of his most famous prints, and also one of the largest. It measures 18" x 30" and is in its original frame.

"Fall Landscape: View of Orchid Hill" by W. Lester Stevens. Oil on Canvas. 30 x 36". Frame Size 36.5 x 42.5". Circa 1920s. ….. William Lester Stevens was born in Rockport, Massachusetts in 1888. He first studied art under Parker Perkins and, by the age of eighteen, had his paintings accepted by the National Academy of Design and won a scholarship to the Boston Museum of Fine Arts School, training under Edmund Tarbell...

William Samuel Schwartz

Russian American 1896 - 1977

Pencil drawing

Female portrait

1930

Image - 8" x 12"

Framed, frame has damage in lower right corner

Very good condition

A rare, finely crafted woodblock print in the Arts and Crafts style of the early 20th century, titled at lower left "Marigold", by German artist ILSE KOCH-AMBERG (1869-1934), measuring 6 1/2" by 6 1/2" in side the mat and 12 1/2" by 12" framed. The work features her monogram in the image, and is signed in pencil by the artist at lower right; in addition, the paper features a blind stamp including the word "Berlin" at lower left margin...

An impressionistic watercolor painting of a tree and brushy field, 9" by 8" (13" by 12" in wood frame), signed at lower left and dated there 1929 by artist EMMY LOU OSBORNE. I do not see biographical information on the artist but clearly she was a talented watercolorist. Condition is excellent.

A large oil on canvas by Henry Charles Lee (American, 1864-1930) titled on the stretcher, “Winter Landscape” and signed lower left “Henry C. Lee.” He lived in Cornwall New York and in France, where he died. The stretcher had an old label for a French artist supplies dealer Lucien LeFevre-Foinet with the number 7350.

Under a partly cloudy but blue sky the sun casts the shadows of bare trees on the slope in the foreground while the hills and cloudy sky show beyond...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H...

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Watercolor measuring 14 1/4" by 20 1/2" plus 2" wide wood inexpensive frame, by listed Irish artist JOSEPH WILLIAM CAREY (1859-1937), signed J.W. CAREY and titled at lower right "Loch Lochy/Caledonian Canal" and dated 1920. There is an old 1920's or 1930's Belfast label on the reverse wood from William Rodman and Company, 41 Donegall Place BELFAST. This piece is showing its age, as it has evidently traveled through life for some time without protective glass. There is fading of color, brownin...

A truly rare, quality painting of the Seattle waterfront's Pier 7, circa 1920's, signed lower left by noted Norwegian-American artist YNGVAR SONNICHSEN (1873-1938). The oil on board work measures 18" by 24" (22 1/2" by 28 1/2" in an interesting Stanford White style frame). Written in an old hand on old label on the reverse is "PIER 7 SEATTLE 1925 or earlier". Note the fine impressionist flickering technique, which reminds of the kind of brushwork of French painter Gustave Loiseau or the "crus...

By well listed French artist MAURICE ROMBERG DE VAUCORBEIL (1882-1943), this is a large original 1916 lithograph poster used for propaganda and recruitment. The poster (behind Plexiglas) measures 47 1/2" by 34" (53" by 40" very tastefully framed in dark wood). I have not opened this up to inspect as it is nicely sealed, but the previous owner spent $500 on framing in Beverly Hills, so I would imagine that the mounting and framing was done to professional standards, perhaps even with linen. Ro...

AN EARLY TWENTIETH CENTURY ETCHING DRYPOINT SIGNED 16” x 17” from an edition of 100. The work depicts a woman sewing