Watercolor on paper painting of the Nile RIver in Egypt and the pyramids of Giza, including date palms, the distinctive local dhows and a camel completing the scene, signed at lower left with the initial "W" by listed artist DAVID VASSILIOU. Vassiliou's biography is not extensive but he was evidently a prolific painter at mid century, most works featuring Egypt, Greece and the Mediterranean region. He seems to have always signed with this capital "W" for some reason...

From our African Collection: An Ibibio Movable Jaw Mask from southeastern Nigeria. Ibibio, people of southeastern Nigeria, mainly in the Cross River state. They speak dialects of Efik-Ibibio, a language now grouped within the Benue-Congo branch of the Niger-Congo language family. The Ibibio comprise the following major divisions: Efik, Northern (Enyong), Southern (Eket), Delta (Andoni-Ibeno), Western (Anang), and Eastern (the Ibibio proper)...

Impressionist Italian Landscape by Thomaso Roberti,an Italian painter 24”x20 oil on canvas, in a period baroque frame 32”x28”

CASTEL SANT’ANGELO, SIGNED HERNANDEZ, Roma 1959, Oil, 21.5” x 32” ….. The Mausoleum of Hadrian, usually known as Castel Sant'Angelo (Italian pronunciation: [kaˈstɛl sanˈtandʒelo]; English: Castle of the Holy Angel), is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum...

Born in Marseille, France, Camoin met Henri Matisse in Gustave Moreau's class at the École des Beaux-Arts in Paris.[1] Matisse and his friends (including Camoin, Henri Manguin, Albert Marquet, Georges Rouault, André Derain and Maurice de Vlaminck), formed the original group of artists labeled the Fauves (meaning "the wild beasts") for their wild, expressionist-like use of color. Camoin always remained close to Matisse...

Original oil painting on masonite panel by Doris Totten Chase (American, Seattle, 1923-2008). This painting is signed "D.Chase" l.r. It measures 36" by 20" (43" by 27" in its original frame). Provenance: from the Lawrence Alloway estate. A very similar work by this artist is in the collection of the Seattle Art Museum. Doris Chase studied at the University of Washington and with Jacob Elshin, Nickolas Damascus, and Mark Tobey...

Oil on Masonite painting of a shady corridor or breezeway in an old traditional colonial era building, signed at lower left in the paint by listed Mexican artist EDUARDO VILLANUEVA. On the reverse is written "combento de Huejotzingo/Eduardo Villanueva/Pueblo 30 de agosto de 1957/Barrio del artista Estado (?)/Mexico". This would appear to be the convento de Huejotzingo, a colonial building in a small town northwest of Puebla...

An oil on canvas painting, unsigned, the subject the Arizona desert (we know that because of the saguaro cacti that are not found elsewhere), 22" by 30" (29 1/2" by 38" framed). The painting is deliberately painted in a very pale fuzzy blonde light, with pastel tones, making it somewhat difficult to photograph due to the lack of strong contrasts. The materials suggest a circa 1950's or late 1940's date of execution.

Oil on canvas painting of fruit, painted in a most attractive unusual style, the artist intentionally blanching the image through an intricate technique, 20" by 24" (26" by 30" as framed), signed at lower right "DORIS BLATE" and dated there 1956. Amazingly, considering the quality of the art, I am unable to find to date any information on the artist; an internet search does though find a Doris Blate (1907-1994) who lived in Queens, New York; possibly the artist considering the unusual name...

Unbo, Kim Ki-Chang-雲甫-金基昶 (1931-2001)/모사본(模寫本) of 蕙園-申潤福 作): Korea, mid-20th century, This painting repainted by Unbo, Kim Ki Chang from the original paining by Hyewon, Shin Yun-bok (1758-1814) "蕙園 作 (申潤福), 倣 雲甫-金基昶”,모사본(模寫本) by Kim Ki-Chan, 金基昶, sealed and “倣” written by the painter, with a seal reading "Kim Ki-chang in," ink and light color on paper, framed and glazed...

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN. I do not see a listing for an artist of this name. The work likely dates to about the 1950's I would think, and is probably still in its original frame. The impression is strong, with a distinct plate mark. Disregard false yellow colors in some of the photos, which are an effect of the camera...

Description: This Indian miniature plaque measures 4"L x 2.75"W in very good condition with no chips or cracks or any sign of restoration. Shipping is FREE and within the U.S ONLY!

A wonder circa 1950s Wooded Landscape Oil depicting a nature bride and stream. The work is sign ? Oil on canvas 5” x 7”, framed size 10” x 12”

PAIR OF signed ink drawings with pencil underneath, each 7 1/2" by 6 1/2" and 13 1/2" by 11 1/2" as identically framed, the subjects famous clipper ships of the 19th century "Gamecock" and "Cutty Sark", each bearing a signature at lower right that could be interpreted as a "G" inside a square. Found in Maine, and said to have come from a Kennebunkport home, the artist who created the drawings might remain a mystery...

Dark brown ink drawing on paper, 11 3/4" by 18", unframed, signed at lower right "John Floyd Morris", titled ISCHIA NAPOLI. The artist is well listed, and is associated with California and the east coast, with askart noting exhibitions in Chicago and Palm Beach. He is perhaps best known for his modern and surrealistic paintings, but painted a wide range of subject matter, including clowns. Interestingly, a big collector of his work seems to have been none other than Noel Coward...

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

Modernist table top still life with fruit and blossoming tulips on a tilted table , Oil on Canvas, 24 x 30". Frame Size 30 x 36". The artist was inspired by Artist Thomas Hart Benton He was also featured in an exhibition at the Corcoran Gallery of Art around 1936 and won a prize at that exhibit

Impressive engraving, aquatint, and etching on copper by Wendell H. Black (American, 1919-1972). First edition (posthumously printed by Berkley Chappell, and signed by Elaine Black). Cf...