Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

A well-done pen and ink drawing of a Mennonite family in their horse-drawn buggy. This 13-1/2" x 8-1/2" sight size drawing is in shades of brown with white, and it comes in a 17-3/4" x 12-3/4" gold trimmed wood frame. It is signed AUGUSTINE and it is glazed with non-glare glass. It is in excellent original condition with no chips, cracks, foxing, bends, tears, fading, losses, damage or repairs other than a few small scrapes to the finish on the frame and a small shallow crease to the paper...

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

A watercolor painting of tropical hibiscus, signed at lower left by listed California artist MARCIA A. PATRICK (1875-1964). The work measures 16 1/2" by 11 1/2" inside the mat and 22 1/2" by 17 3/4" framed. Patrick was in Los Angeles by 1910. A physician, she is known to have painted florals and landscapes. In 1937 the prestigious Stendahl Gallery held an exhibition of her work. Patrick was active in local art clubs, including Painters and Sculptors of Los Angeles, in 1936-37...

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Hand colored lithograph of the excavation of two Lamassu, an Assyrian deity, at Nimrud near Mosul. They guarded an Assyrian palace. From Sketches between the Persian Gulf and Black Sea, Robert Clive. London: Dickinson, 1852. Robert Clive shows the dramatic unearthing of the statues.

The lithograph surrounded by a thin line and the printed information: “R. CLIVE, DEL” (lower left), “EXCAVATIONS ON THE MOUND AT NIMROUD.” (center) and “DICKINSON & CO LITH.” (lower right)...

A hand colored lithograph of the town with the fortress in the background of Van in western Turkey. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “FORTRESS AND TOWN OF VAN.” Lower left inscribed, “R.CLIVE, DEL.” And lower right, DICKINSON AND CO LITH.” Image with border 9 5/8 inches (24.5 cm) tall by 14 ½ (37 cm) wide. With title 10 1/8 inches (26 cm) tall...

The size of Matted photo: 16 1/8" W x 14 1/2" H
The size of BW Photo Image: 9 3/8" W x 7 1/2" H .
Photo size itself: 10" x 8"
Date of Photo taken: August 1985
Photographer: Edward Kawanabe (1947 - )
Printer of Photograph: Edward Kawanabe (1947- )
Camera used: Nikon FM 2...

A watercolor painting of flowers (perhaps, zinnias) in a vase on a tabletop, painted in an impressionist manner, and signed at lower right by artist "Cara dee" or similar. The work measures 18 3/4" by 14 3/4" as framed. All photos taken through detail-dulling non-glare glass. Condition is excellent.

Lithograph Roman Ruin in desert published London 1852 A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide...

A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall...

Watercolor on paper, 6" by 15 1/4" (11" by 20" as framed), unsigned, the subject drawn completely in shades of brown, circa turn of the century or early 20th century, Included in the scene are a number of sail boats of various sizes, and there are a few coastal shacks and houses in the scene, as well as a few tiny figures. Most likely this is a work by an amateur from the east coast, perhaps Massachusetts or the like. The present mat is not professionally cut...

Impressionist oil painting of stands of white birch trees by a small lake or large pond, painted on the smooth side of Masonite panel, 9 3/4" by 13 1/2" (12 1/2" by 16" as simply framed), apparently unsigned. The scene suggests a northern latitude, perhaps high elevations in the United States, or Canada or northern Europe, but there is little to go on geography-wise. The artist was skilled and created a peaceful little painting in subdued colors...

This is a small California painting on board of the sequoia or redwood forest, 8 1/4" by 11" framed, unsigned, protected behind glass. Condition is excellent. Frame is wood. Though small, the artist captures the majesty of the cathedral-like groves for which the state is famous.

A vintage etching of Sacre Coeur church in Montmartre district of Paris, circa 1945, pencil signed by the artist at lower right margin and bearing his red stamp at lower left margin. The unframed print measures 17 1/2" by 12 1/4". Paper is heavily browned with age, though evenly so; there is some discoloration in margins, and lower left corner is a bit bent. Frame with fresh mat and the margin issues disappear and you have a solid etching of Sacre Coeur...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a sketch in soft pencil on paper, the drawing and frame 10 3/4" by 22", signed at lower right, and dated there '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968)...

A 19th century or circa 1900 American watercolor of a coast with lighthouse and offshore steamship, 5 3/4" by 9" (13" by 16" in mid 20th century frame), unsigned. The scene could be the Hatteras lighthouse on the North Carolina coast. Nicely done with a charmingly primitive hand. The watercolor was laid down on a cardboard. Condition is excellent. The piece is well-traveled, with circa 1960's framer's label from Charlotte, North Carolina, and I acquired it in northwestern Colorado in a smal...

Small (7 3/4" by 5 1/2" framed) pastel drawing titled on reverse "Sage on the Black Rock", signed at lower left and bearing the business card of contemporary Nevada artist Ruth Wood Cantrell, a member of the Reno Artist Co-operative. The Black Rock of course is best known as the site of the Burning Man festival, held every year in northwestern Nevada in one of the most remote locations in the lower 48 states. This little drawing of a sage bush near a boulder represents the rather more tradition...