Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border...

French school of David, portrait of an aristocratic woman measuring 31 x 27“ oil on canvas, Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era...

"William Hogarth" The Invasion France England suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" Simon Lord Lovat The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

Nothing less than superb would describe the quality of this c1835 American portrait miniature. The artist, as yet to be identified, even went so far as to show the shadow cast on the cheeks of the sitter by the lower rims of the glasses. The sight size is 2 7/8" by 2", with the size of the modern black painted wood frame being 5 1/2" by 5".

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart...

An American Federal period portrait miniature of a lady circa 1800. This well painted antique miniature painting on ivory measures 2-5/8" x 2-1/8" is under a glass cover. The portrait features a woman with draped headdress and white dress. She is extremely well painted, and the case is leather over wood with a brass clasp. The cases were sometimes replaced over the years, so we can't that it is original to the portrait, although it may be...

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry...

Locum Tenens: The Celebrated Hunter to be rode by Sir CLOD A.S.S. The Property of Gill Hall Publication Date: 1830 good condition matted sheet 15 by 11"

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The sitter is wearing a lace-edged blue dress, tightly belted at the waist, with a gold and red brooch centered at the bodice, and a lace cap, The painting and the ebonized wood frame (which has a finely craquelured surface) are in fine condition. Sight size is 2 7/8" by 2 1/4", with a frame size of 5 1/4" by 4 1/2".

Hand colored engraving "The September sittings.--a demurrer" England : Pubd. by S. W. Fores, 41 Piccadilly, 1825. engraving, colored. Summary: "Lord Eldon stands in a field in profile to the right, knees flexed, and bending forward, holding a gun..." mat 14" by 18" sight 8.5" by 11" slight tear at bottom right as seen in pictures. The Library of Congress has a copy of this image in their collection

Meet Captain William Hathaway, of Brooklyn NY, who passed away in 1834, according to the original section of his obituary, which was found inside the case of the miniature. Please note the gold anchor centered on his ruffled shirt.

The painting is finely done, with no condition issues. Any apparent flaws are due to my poor photographic skills. The in-person brightness is about midway between the first two photos...

A nicely painted miniature painting of a blue-eyed gentleman wearing a black tie, coat and black silk vest. The artist has chosen a nice blue background, complementing the sitter's eyes.

The condition of the painting the case are excellent. The spots on the painting are bits of dust, and the lighter color black along the inner edges of the coat are intentionally painted that way. The case size is 2 3/4" by 2 3/8".

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

"William Hogarth" Pit Ticket: The Cockpit The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" Finis The Bathos The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches se...

Etched by Joseph Haynes Six Tickets The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches se...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

MR. AND MRS. WILLIAM C. PENNY,….EACH PORTRAIT, IN OIL, MEASURING 30” x 25” Samuel Waldo Lovett was born on April 6, 1783 in Windham, Connecticut, the son of Esther (née Stevens) and Zacheus Waldo.[3] At the age of sixteen, he moved to Hartford to begin his formal art training under the tutelage of Joseph Steward, a prominent local artist. Four years later, he set up shop as a portraitist in Hartford, later relocating to Litchfield, Connecticut. While in Hartford, he had made the acqu...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration. A popular miniature painting format of the time was round, and it was not uncommon for the artist to do the painting on a rectangular wafer, and then do "artist...

"William Hogarth" "Boys Peeping at Nature" "Subscription Ticket to Harlot's Progress" "Sarah Malcolm" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engrav...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but n...

Two paintings are offered here for the price of one! The first done in India ink on prepared cardboard, this finely limned profile shows a man facing left with his right hand tucked into his jacket. It is presented in a gilded, stamped sheet metal frame.

The condition is quite good with several unimportant white streaks, mainly in the jacket. The sight size is 3 1/2" by 2", with an overall size of 5 1/4" by 4".

The second piece is a watercolor and ink on cardboard of a young man n...

"William Hogarth" King Henry the Eighth, & Anna Bullen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. ...

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

"William Hogarth" "The Weighing House" "Two Frontispieces to Tristram Shandy" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years ...

"William Hogarth" Masquerades and Operas – Burlington Gate The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: ...

"William Hogarth" (Portrait of Hogarth with his dog Trump) The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sh...

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

A signed Hyacinthe Mercier miniature portrait, painted on natural wafer. The beautifully rendered sitter is a pleasant looking woman wearing a lace bonnet with lavender and light blue bows, and a dark blue robe or gown. "Mercier 1824" in script along the right side.

The painting is in excellent condition, with some rough edges which do not show while the piece is in its period bronze frame. Sight size is 2 3/8" by 1 7/8", with a frame size of 2 3/4" by 2 1/4".

BIOGRAPHICAL NOTE: Mlle Hy...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind. Upon cursory examination a viewer might dismiss them as prints...