An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

A watercolor painting featuring a street scene in exotic Cusco, Peru, the imagery of a steep walkway in the high altitude mountain city, a lone figure in classic, native Andean dress descending the steps, an extensive view of tiled rooftops, whitewashed buildings and churches completing the middle distance, as serrated mountain ranges fill the horizon. The 10 7/8" by 7 1/2" painting (15 1/4" by 12 1/4" framed) is signed at lower left "ORE" and dated there 1980. Condition is excellent...

A painting of the California desert, painted in impressionist style, oil on canvasboard, 14" by 18", unframed, titled on reverse in old hand, "Palm Desert Cal. Smoke Trees". The artist was born in Illinois, working in St. Louis before moving to Southern California in 1918. He studied at Scripps College in Claremont east of Los Angeles. Wheeler started painting rather late in life, at 50, according to a label with biography affixed to the reverse side...

A well-executed old watercolor (and a little gouache) painting of roses, glass vases and a Chinese blue-white plate, circa 1930, signed by artist ADELAIDE STRIGNER. Strangely, despite the quality of the work, I have not located a name of a listed known artist that would correspond. The piece measures 11 1/2" by 20" inside the mat and 21 3/4" by 30 1/2" in its period frame, which has some chip losses especially at right. There is an inconsequential old cut in the paper at upper right field...

A black and white photograph of San Patricio Church, in Hondo, Lincoln County (southeastern) New Mexico, signed in pencil on the wide mat by photographer K Cole-Hight and dated 1983, and titled at lower left "San Patricio Church". The work measures 6 3/4" by 7 3/4" and 16" by 20" as framed. Condition is excellent. I have been unable to locate information on the photographer.

A Georges Lambert (French 1919-1998) Lithograph; Landscape of a Town on a Hill. Dimensions 24" x 30" framed.

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year). Try as I might, I cannot make out the name. I've tried Pfohl, Pfahl, Pigott, and so on. In any event, here's a drawing that has survived in excellent condition after nearly 200 years...

A circa 1960's vintage oil on Masonite painting, 30" by 18" (36 1/2" by 24 1/2" as framed), unsigned, the subject a peaceful creek or marsh land area in late autumn, one tree in full autumnal colors. This is a very nicely painted work, which could benefit from a light cleaning, but you would not have to have that done. Condition is excellent, frame has a bit of wear consistent with age. The artist handled the light and reflections beautifully.

A scarce and vintage 19th century framed lithograph on cardstock/board depicting two children carving a pumpkin. The picture measures 10-1/14" x 13-1/2" and it is in a gilt gesso 16-3/4 x 14" period frame. The print has various notations, including: FROM THE AMERICAN AGRICULTURIST, BF REINHART 1870, HENCKL & SCOTT (illegible), ENTERED ACCORDING TO ACT OF CONGRESS A.D. 1872 BY ORANGE, JUDD & CO. IN THE OFFICE OF THE LIBRARIAN OF CON(obscured)...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work of an orange-yellow painted cardboard sphere with overlaid and background cut blue printed paper, undated, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing...

A charming pastel signed M. Gibert Paris. Framed, there is a title that is obscured by the mat on the left side. The gilt frame is chipped, the picture is fine. The frame measures 18" x 15-7/8".

A pencil signed limited edition color print "We The People 1787", featuring Ben Franklin at printing press with assistants, evidently producing copies of the Constitution for distribution in the colonies. The work measures 18 3/4" by 25 1/4" and 25" by 32" framed/matted (wood frame, no glass). The artist signed in pencil at lower left margin and at lower right the piece is numbered 344/2000...

Watercolor and ink on paper painting of flowers in a pot, 15 1/2" by 11 1/2" (23" by 19" as framed), signed at lower left and dated 1970 by the well-exhibited, Chinese-born artist who goes by the name "Chinyee". She was born in Nanjing and educated in Chongqing during the time of the Sino-Japanese War (1930's). By 1947 as the winner of a scholarship, the artist was able to come to the United States for study...

Oil on canvas painting, unframed, 8" by 10", titled on reverse "Among the Chino Hills", signed there and at lower right "L. Morrill R.", and dated 1930. The Chino Hills are outer suburban areas east of Los Angeles, now largely residential areas with excellent views. This early view shows a more wild untamed landscape in the blond golden California light. The palette is very light and gives an impression of the bright intense light for which Southern California is so well known...

A turn of the century watercolor painting of a forest at the edge of a lake at sunset, 10" by 14" (14" by 18" in recent quality framing) signed at lower left by Massachusetts artist C. MYRON CLARK (1858-1925). The impressionist scene is peaceful and sensitively painted. Clark was born in New York but is most closely associated with Massachusetts. He painted landscapes and also marines with clipper ships, in oil and watercolor. Works are held by the Peabody Museum in Salem, Massachusetts. Al...

This is an atmospheric fine little watercolor on paper painting of mountains and water such as might be found in the idyllic Lakes District of the northwestern part of England, or the famed Scottish Highlands, unsigned, late 19th century most likely, measuring 4 1/2" by 6 1/2" (14 1/2" by 17 1/2" in the present framing). The work is in very fine condition. I think that the present mounting situation (just protection) could stand some improvement, as the painting is on a card, a mat not overlap...

Here is a companion piece to our other listing by M. Gibert. The title is evident and it is signed in the lower right corner. The frame also shows some wear and measures 18" x 15-7/8".

This is a perhaps circa 1930's or 1940's work in an earlier naive style, with a fisherman, sailing craft, and cabin on the shore. On canvas, simply tacked to the frame on the reverse side, the piece measures 21" by 30 1/2". I imagine this could be called "cabin art". If you're looking for a primitive piece for a country home, or even your urban home, consider this charming work. The condition is good save for a small puncture at extreme upper right corner, which when manipulated so that the ...

Framed watercolor on paper painting of small boats on shore and in a bay, unsigned, circa late 19th century. The (likely) east coast scene measures 9" by 19 3/4" inside the mat and 14 1/2" by 25 1/2" as framed. I did open up the backing to peer inside, in search of a signature, but a signature was not found. The paper was evidently mounted on a board in the nineteenth century, as that board has the old telltale down-the-middle line where the two old wood boards would have met. The fact that ...

Watercolor on paper country road scene with figure and possibly a horse, 4" by 8 3/4" inside the mat, signed at lower right "Lauro" and inscribed "A mi querido cunado (brother-in-law) Daniel" and dated 1881. I have searched for a listed artist that could correspond to this name but have not come up with a compatible listing. Purchased this at a flea market in Buenos Aires, Argentina. The work is in reasonable condition considering that it is 140 years old...there is foxing, some browned areas...

Signed ELLIS in block letters in the lower right corner. A small brown spot is in the upper right corner. Professionally framed and matted under glass. Frame measures 11" x 21"

Vintage watercolor painting of the famous miniature drawbridge in the far western part of the island (Somerset Parish), actually signed twice at lower right "Worcester" or (less likely) "Norcester", and dated "42". I am so far unable to connect this to a known, listed artist working in the islands. The work measures 12" by 16" as framed. Note the typical, quaint old whitewashed stone Bermuda house at left and the white roofs and shutters. This is one of a number of Bermuda watercolors in my...

Contemporary watercolor painting of a sun-filled, arid landscape with eucalyptus, spiky yucca-like plants, and a lizard (Australian goanna?) in the foreground, the painting signed at lower right "Meg Hocking". The piece is likely from Australia, as the goanna and eucalyptus would suggest. An internet search does not turn up an artist by this name but obviously she knew watercolor painting. The work, unframed (is matted, though) measures 13 3/4" by 9 7/8" inside the mat. Place a frame around ...

A view of Ely Cathedral in eastern England, signed at lower right by listed contemporary British artist KENNETH W. BURTON (1946-), the work painted skillfully in gouache and measuring 9" by 13" (18 1/2" by 22 3/4" in whitish wood frame). Condition of painting and frame excellent. Burton was born in Lincolnshire and has painted widely throughout the United Kingdom, seeking out a wide range of landscape subject matter. See his website for more information on the talented artist.

A vintage, original dated hand tinted copper plate stipple engraving by Francesco Bartolozzi dated 1786. This print measures 11" x 8-3/8" (imprint size) and it is in a later (c.1900) painted and gilt 14-3/4" x 11-3/4" frame. It has the following inscriptions: "Painted by Sir Joshua Reynolds", London. Published Dec 12th 1786 by E.M. Diemar, No. 114 Strand, and "Engraved by F. Bartolozzi, R.A. Engraver to His Majesty. The image is titled The Honourable Miss Bingham" and it has flesh and blue h...

A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame). You would want to reframe an...

A 19th century European pencil drawing of a classical male figure seated on a drape, holding a staff and a round object, signed with initials at lower right with what appears as "MLB". There is no other hint as to the identity of the artist. The paper has no watermarks. Measurements are 9 1/2" by 7" inside the mat, 14 7/8" by 11 1/4" in inexpensive modern frame behind non glare glass.

Oil on canvas, unframed, 15 3/4" by 11 3/4", unsigned, the subject a colorful Indonesian or Chinese traditional dancer in elaborate costume, complete with extra long fingernails and fierce-looking mask. The work was likely executed in the past twenty years or so. A Chinese ad for cigarettes is used as backing paper (a tear in that). This is a most decorative piece that took a long time to create.

Watercolor on paper small painting of a Mediterranean-looking seacoast with a rock outcropping and a gnarled pine tree branch extending out over the water, measuring 9 1/4" by 13 3/4" as simply framed, signed at lower left by artist "H. Clottu" and dated there "27". Surprisingly I have not located a listing for this name, though the work suggests that this could be by a listed artist. The scene reminds of south of the France impressionist paintings by Monet, such as the works he created around...

A pastel on paper drawing of an urban alleyway with whitewashed structure and tiled roof, possibly in Mexico or other Latin country, signed at lower right by American artist "Dave M....", or similar. The work measures 14 1/2" by 10 3/4" inside the mat and 21" by 16" as framed. The artist has taken an everyday kind of scene and transformed it into a work of art. The art is in excellent condition as are the frame and mat.

Engraving on paper, the sheet 16 1/8" by 19" (18" by 20 1/2" as framed), the subject a bewigged magistrate type at his desk, surrounded by a salon of 18th century folk, the title line underneath beginning with "Here Justice Triumphs in his Elbow Chair.......". This is a moralizing work by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764). Hogarth was a painter as well, but it is for his satirical, widely distributed prints focusing on...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos. In addition the...

A Hand Colored Lithograph by Kellogg & Thayer, circa 1850. Titled "Bobby Burns and His Highland Mary". Dimensions 12" wide x 16" high.

An extensive classical Italian Mediterranean landscape on paper, signed at lower right by artist CARL NACKE (1876-after 1931). Measuring 15 1/2" by 23 1/4", the work's colors are unusually fresh considering the age of the piece. The watercolor is unframed, laid on a board, as found in a Georgia estate. Nacke was an artist best known for his work on fine porcelains at German porcelain factories; these porcelains appear at auction in Europe.

This is a large lithograph, 32 1/2" by 22 3/4", unframed, the subject a reclining nude in a claustrophobic room hung with framed artworks, signed at lower right in pencil by the artist WILLIAM BRICE, and numbered at lower left 5/20 examples. The work was created in 1962 and bears the blindstamp of Tamarind, as well as another unidentified blind stamp on the front and an ink stamp of a gallery, or printer, on the reverse. Brice (1921-2008) was a major figure in California art at mid-century, an...

A lithograph poster printed by Maeght, 24" by 16", to be shipped unframed (flat or tube-rolled as per buyer preference), circa 1980's, publicizing the gallery's long and fruitful relationship with the famous Spanish artist JOAN MIRO (1893-1983). Miro of course needs little introduction, as one of the best known artists of the twentieth century, his colorful iconic imagery by now firmly integrated into modern visual culture. The first photo shows the print in a metal frame, behind glass; again, ...