A quite old pencil drawing on thin card, 8 1/2" by 5 1/2" inside the mat, 13" by 10 1/4" framed (no glass), apparently by a "Grandmother Stevenson" according to a notation on the reverse side of framing materials...

An oil on board painting, (19" by 16", and 27" by 23" framed), of a French landscape, by the French mid century impressionist artist ROGER ETIENNE (1922-2011). The painting is signed at lower left by the artist and dated there 1975, and at lower right he wrote a dedication to previous owners "Pour Balli & John". The scene, an avenue leading into a small town or village, is at once impressionist and also Expressionist, with strong brush strokes especially in sky, and some points of bright color...

A charming, somewhat naïve antique oil on canvas painting, 16" by 23" (18 3/4" by 27" in late 20th century frame), unsigned, featuring a winter's day in the country, mountains in the distance, and two figures in the foreground braving the cold to chat, a glow in the central home at right center indicating that a fire is warming it. At far left in the distance is the rest of the village...

For the collector of early, 19th century California art, here is an east coast-style still life work, 10" by 14 1/2", unframed, signed at lower right "Bertie L Emery" and dated there 1892. The shallow dish holds oranges, grapes, a banana, and possibly slices of cake or bread, the dish resting on a white cloth, on an unseen tabletop. Interestingly for art history, Emery signs her first name as "Bertie"...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc...

Original gouache on paper painting "Water Bearer - Michoacan" by listed California artist JACK DUDLEY (1918-1996). Dudley was a familiar sight around the Laguna Beach area for nearly 40 years, exhibiting at the Laguna Beach Festival of the Arts. He studied under California art luminaries Lorser Feitelson, Barse Miller, Edward Biberman and Edward Reep. Dudley is known for his landscapes, works featuring architecture, genre of the Southwest, Mexico and Latin America, and wildlife...

A nicely painted oil on canvas of flowers in a vase, 20" by 16" (22" by 18" in original frame), signed at lower right by Canadian-born, California impressionist artist GEORGIA P(ERKINS) FOSTER (1881-1965). On the reverse is the original label of the Oakland Art Gallery, giving the artist's name and address in Berkeley, and the title, "Marigolds". The impressionist technique is skilled and pleasing, and the work is in good condition, though a cleaning would be complementary...

An old pastel drawing of a New England landscape in winter, 11 1/2" by 17 1/2" (18 1/2" by 22" framed), signed at lower right "MORRIS". The work is after the noted American artist GEORGE HENRY DURRIE (1820-1863). The heartwarming scene of Americana includes yellow house at right, yellow and red outbuildings, sleighs, split rail fence, tiny figures and bare trees. It could also be in imitation of Currier and Ives lithographs of Durrie's works...

Serigraph (silkscreen) print after a painting by the giant of modern art, GEORGES BRAQUE (1882-1963), 9 3/4" by 32" (an impressive 18 1/4" by 41" framed), signed in the print at lower left and dated there 1920. The title, "The Blue Plums", appears in the wide margin below the mat. Braque needs little introduction, as one of the famous names of modern art who in the early years of the century developed, along with his friend Picasso, the Cubism movement, which changed the art world forever...

An unusual offering: a print of some type, appearing as lithograph but not, perhaps a Heliogravure or similar, with HAND COLORING IN PASTEL, the oval-shaped card on which this is created measuring 20" by 16", the entire wood apparently original early oval frame measuring 26 1/2" by 23 1/2". Research indicates this is after a Renoir original work "Portrait of a Girl Wearing a Charlotte", circa 1900, now in the collection of the Musee d'Orsay in Paris...

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing...

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

Etching on paper, 11 3/4" by 13 1/2" as simply framed, the scene silhouetted ships in the harbor, the rising sun and new day ahead suggested by etched lines in the sky, pencil titled at margin "Dawn Portland Harbor" and signed at lower right and dated there 1915. The artist, Massachusetts-born PHILIP LITTLE (1857-1942) was a highly regarded impressionist American painter and etcher, an artist who had a truly American vision as he was not educated in Europe...

A pretty watercolor of a lakeshore, titled on backing "Reservoir Cristaline/France", signed at lower right illegibly and dated 1959...

Oil on board painting of a waterside building with dirt road, small boat, fences and tree, extensive water in the distance, signed at lower left twice, with a signature that appears to be "M G Johnston". The work appears to be of a coastal New England view, which leads me to believe that it would be by the hand of listed artist MARY GRANT JOHNSTON of Massachusetts and New York, but I have no other works with which to compare it. The painting measures 11" by 15" and the narrow silver frame is...

Oil on canvas, 20" by 24", 23 1/2" by 29" as framed, the subject a vase of orange flowers in a complex still life setting, an old timer wood dresser against the wall, other elements including books, smoker's pipe, ashtray, picture frame, tobacco can completing the scene. The painting is signed at lower left apparently "DAILEY" and is dated there "42". Also on the stretcher, faintly in white chalk, are the words " Still Dailey" (partly unreadable). I have researched the name and feel that t...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin. Frame is vintage and no doubt origina...

HUMAN-FACED STONES 2pc.

Stones with such unique carving faces buried in the ground as the talisman for the ground-breaking ceremony before building house as the traditional Timor customs. Age unidentified. approx. 5 x 3.5cm (1.96 x 1.37in)


selected by Jinta




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