(Consignment)Washington Plaster Sculpture After Houdon By P.P. CAPRONI Boston 30” In beautiful condition done circa 1890

The study photo on the left is a close up of Mr. John White Field,a Philadelphia Merchant, which was painted by John Singer Sargent in the early 1880's. The study image in the center shows what Mr. Field looks like with the beard removed. The image on the right shows an earlier Sargent portrait of Mr. Field. Please refer to Sargent Painting in our listing.

Watercolor en grisaille drawing of the ornate entry area of a 19th century American home, complete with trellis, shutters, clapboard and fine woodwork, unsigned, measuring 18" by 14" (20 1/2" by 16 7/8" framed in brown wood frame. There is also a pencil study of the doorway on the reverse (see last photo). Any number of artists could have created this. It reminds me of a home you'd see in a watercolor by Edward Lamson Henry. I'd date this to about 1910 through 1930...

An antique 19th-century Scottish oil painting on canvas, circa 1880 AD, attributed to the prominent, well-known Scottish artist Robert McGregor, R.S.A. (1848-1922).

This painting is a prime example of Robert McGregor's signature style and color scheme. His exceptional skills are displayed here, as he has captured the proportions of the children's bodies in various poses with remarkable accuracy...

A 19thC framed watercolour picture of a child 1860-80. This late Victorian period unsigned framed water color on paper is a piece of early memorial folk art and it was possibly made by a family member as a reminder of a deceased child, with typical muted colours and austere pose...

19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

Small oil landscape, 13 1/2" by 9 1/2" framed, signed at lower right corner with initials N.A.M., with canvas stencil on the reverse of Winsor & Newton, London. This is a scene of autumn or early spring perhaps, the tree without leaves. There is a small irrigation channel with sluice gate at center left. The work is a quiet and pleasant scene focusing on a peaceful time of the year. A gold frame would enhance the painting. Condition is good, the canvas not perfectly flat.

From our European Collection, a large and very finely painted 19th century oil on canvas, English School, depicting Mary Queen of Scots bidding farewell to her followers on her way to the gallows in 1587.

Courtesy of Wikipedia: Mary, Queen of Scots (7 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 to 24 July 1567 and Queen consort of France from 10 July 1559 to 5 December 1560.

Mary, the only surviving ...

Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London...

FAT BANISHED ALWAYS STAY THIN HEALTH poster circa 1880 Measuring 16x12 inch in a fine black lacquered frame

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

Dutch seascape, cards at Waters edge, signed FRILING Oil on canvas measuring 24 x 34“ and it’s original 19 century frame measuring 34 x 46“ Most likely a scene of the beach at Scheveningen, signed but signature largely illegible, appears to be dated "09," which along with the style of execution would suggest an affinity if not affiliation with the Amsterdam Impressionists who were active during the late 19th century into the early 20th...

Hungarian early 20th century Modernist oil on canvas measuring 29x34 inch depicting a meadow with horses in the countryside

Porcelain Sculpture measuring 20” x 12”……..Marie François Sadi Carnot (French: [maʁi fʁɑ̃swa sadi kaʁno]; 11 August 1837 – 25 June 1894) was a French statesman, who served as the President of France from 1887 until his assassination in 1894. His presidency was marked by a series of poorly handled crises, according to David Bell...

The panache, verve, and energy of this striking wood carving of a Spanish conquistador is remarkable for its dynamism and expressiveness. The figure is hand enameled in traditional conquistador costume, wearing buccaneer shoes, pantaloons, coat, and plumed helmet, and dagger on his belt. The figure is in action stance, but it is clear that he is missing his original instruments of perhaps sword and shield...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly...

Unsigned fine old nineteenth century ink and watercolor drawing of a great tree presiding over a pleasant forested landscape, two tiny figures at right and a small wooden structure at left providing the only evidence of human presence. The watercolor, 14 1/2" by 10 1/2" inside the mat, 24 1/2" by 21" framed, is probably English or continental European, and circa 1860's or thereabouts. The tiny figures are a woman gathering sticks for cooking, and her child...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

James Brade Sword 1839-1915 Pennsylvania Hill c1870, 20x14 inches James Brade Sword was born in Philadelphia in 1839 but spent much of his youth in Macao, China. He returned to complete secondary school in Philadelphia and became employed as a civil engineer. Sword studied painting at the Pennsylvania Academy under Christian Schussele and then with marine artist George Washington Nicholson...

A well framed color engraving by J.B.Massé illustrating one of the four quadrants” du salon de la guerre” 16x14” remarkable condition

This is a remarkable piece of art—an antique oil painting created on a wooden board by the famous English painter Clarkson Frederick Stanfield RA (List of Royal Academicians) RBA (The Royal Society of British Artists) born on December 3, 1793, died May 18, 1867. Even though the painting is unsigned, there is a label at the back that provides information about it and its creator...

From our European Collection, a good and sizable 19th century oil on canvas, British School, depicting gothic ruins over an aqueduct at moonlight...

PAIR of English landscape oil on canvas landscape paintings, each including a cottage, a figure (one fishing off a small bridge, the other walking towards the cottage), and feathery trees, each 9" by 16" (18" by 25" framed), one inscribed in ink on the stretcher "Sketch in Kent C.J. Riley". If we assume that this be the artist, I am unable to find a listing for such a name. The style suggests a date of circa 1870's. Compare the works to cottage/landscape paintings by English artist who signe...

Original Japanese woodblock triptych by Utagawa Kunisada (Toyokuni III) of a Kabuki subject, circa 1852. This work is signed Toyokuni ga and depicts the actors Iwai Kumesaburo III, Ichikawa Saruzo I, and Ichikawa Danjuro VIII in the play: Jiraiya Goketsu Monogatari. 3 oban panels, in beautiful color and condition, never framed.

A nineteenth century magnificent polychrome wooden Sculpture and Altarpiece unsigned from Italy circa 1830-60 of Saint Peter (removable) measuring 46 x 38 inches the sculpture is polychrome and gold leaf. Beautiful patina. Right hand of the sculpture is missing (many years prior)

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Th...

English circa 1850 landscape oil painting of a castle (the shape suggesting often-painted Windsor Castle) topping a low mountain, two tiny figures in the foreground. The work, 16 1/2" by 22" (19 1/2" by 25" in frame that appears "married" to it, and not that successfully, at that) is very, very grimy. This is a restoration project----to remove the dirt of 150 years, repair several small tears, and varnish the dry surface. There is no signature visible. This is certainly a painting the cleani...

THE OLD MILL NEAR SNOWDON” by English artist Frederick W. Watts (7 October 1800 – 4 July 1870)[1][2] was an English landscape painter influenced by Constable. He has been known as "Frederic William Watts", "Frederick Waters Watts", "William Watts" or "William Frederick Watts". Life and work[edit] Dedham Vale, Suffolk There is a sparsity of information about this painter which has cast uncertainty over his parentage, training, and date of death.[3] According to the Oxford Dictionary of Na...

A beautifully executed miniature folk art watercolor on thin card portrait by J. H. Gillespie, housed in a cast foliate metal locket with an aperture on the reverse.

The condition is excellent, with no issues whatsoever. The reverse of the case is lacking the surround and glazing to the aperture.

Note: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period. Gillespie painted miniature portraits and silhouettes very c...

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

A nicely rendered painting of a satyr and nymphs, a classical mythological motif, done in watercolor on natural wafer.

In overall very good condition with some minor paint loss at the very edge at the top left of the work. There is a very tight line on the center far right that does not affect any of the figures. The white area at the center bottom is due to light reflection and is not present when viewing in person. The original mahogany frame is in excellent condition, with a diameter of 4 1...

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The painting and the ebonized wood frame are in fine condition. Sight size is 2 7/8" by 2 3/8", with a frame size of 5 1/4" by 4 1/2".

A fine watercolor on card portrait done by Paul Gomien. The sitter is a woman wearing a puffy sleeved gray-blue dress with a lace collar. Her accessories include a black belt and a gold necklace.

In addition to being signed "Gomien" and dated "1822" along the center right edge the reverse has a trade card reading "P. Gomien/Peintre, Rue St. Honore No 247 pres le Palais Royal". For the period and location this is quite rare. The framing attests to the expense of the piece at the time it was pai...

A miniature portrait of a handsome gentleman in a blue jacket with gold buttons. Presented in the original cast foliate case, the reverse having chessboard hairwork centered with "RD" initials in underlying gold topped with pearls.

Excellent condition with any apparent issues being due to my infamous photographic skills. The case size is 2 1/2" by 2".

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border. At the time the seller said there had been speculation by a previous owner that this wa...

A nicely painted miniature portrait, on natural organic material, of a pretty young woman in a blue dress with a white fichu. Condition of the painting is excellent, with no problems. The glass in the rear aperture of the case is cracked. Overall size is 2 3/4" by 2 1/4".

A very nice watercolor painting on natural wafer. The sitter is a beautiful young girl with hazel eyes and brown hair, simply dressed in a bluish gray gown with lace edging at the bodice.

The painting is in excellent condition with no chips, cracks, bowing, or restoration. The original pressed brass frame with wood backing, and has some dents and a crease, which do not take away from the appearance. Sight size is 2 3/8" by 1 7/8", with the framed size being 3 3/4" by 3".

A striking American rendering of a handsome gentleman, nattily attired in a black jacket and tie, and with a patterned vibrant blue vest. In a 2 3/4" by 2 1/4" gilt metal cast foliate frame with a glazed aperture on the reverse.

An incredibly sweet miniature done in watercolor on organic wafer. Posed against a background of a blue sky with clouds, foliage on the right, and a body of water on the left, the subject is a beautiful young girl with large eyes, golden curls, and rosy cheeks. The artist used her red lips and the sash of her embroidered dress to provide "pops" of color.

The condition of this gem is excellent, with only a very small spot of restoration at the water at the extreme edge at 8:00 o'clock. T...

A very nicely done naive watercolor of a gentleman, housed in its original embossed brass frame. The painting has had no restoration and has no tears or losses. sight size is 2 1/4" by 1 3/4", and the framed size is 3 3/4" by 3 1/8".

A c1840 fine portrait miniature of a young woman in a black dress with elaborate white lace edging around the collar and bodice, and running down the center of the dress almost to the waist. A necklace and lavalier complete her outfit.

Housed in a brown leather over wood case measuring 2 3/4" by 2 1/2" when closed. The sight size of the painting is 2 1/4" by 1 3/4". Excellent condition with wear to the case exterior..

A nicely done watercolor on organic material portrait miniature, depicting a half-length view of a young woman. In a black dress with a lace-edged neckline, she has accessorized with gold drop earrings and a triple strand gold necklace.

Of interest is the backing of the painting, which shows a portion of a finely drawn ink portrait of a man's head. The miniature is in a velvet lined leather case with a brass mat and glazing, with the two halves having separated, but which could be taped back t...

Nothing less than superb would describe the quality of this c1835 American portrait miniature. The artist, as yet to be identified, even went so far as to show the shadow cast on the cheeks of the sitter by the lower rims of the glasses. The sight size is 2 7/8" by 2", with the size of the modern black painted wood frame being 5 1/2" by 5".

A finely done miniature portrait painting on naturalk organic material, depicting an handsome gentleman wearing a black coat, white shirt and collar, with a stickpin.

The painting is in superb condition, with no problems or restoration. It is housed in its original case of cast foliate brass with the reverse having a glazed aperture. The case and glass are also in excellent condition, though the reverse has several unimportant dents.

A fine pair of strongly painted miniature portraits done on natural wafer. Based on the technique and the area in which the sitters lived (Cincinnati), a strong attribution to Richard Verbrick can be made.

The woman is finely attired in a black puffy sleeved dress with lace at the collar and a wide black belt. Her jewelry includes a brooch at her neckline and earrings, with a tortoiseshell comb in her hair. The gent is wearing a black coat, white shirt, collar, and ascot.

The condition of th...

This is an interesting very old monochromatic watercolor, circa late 18th century or very early 19th, measuring 4 1/2" by 8 3/4" (11" by 14" framed). The drawing has the feel of an old master drawing. The scene includes tiny figures, buildings, a willowy tree at right, and what appears as an isolated hill or butte-like feature in the distance. The work itself is not signed, but at lower right, written very faintly in pencil in the mat, is "Waterloo" and another word that is difficult to decip...

Antonius BRACCIOLI Eighteenth Century Graphite Drawing Saint Jerome 21x13” Frames in a 30 x 20“ frame and find condition. Fully signed at bottom

An American miniature portrait painting, on natural organic material, of an older woman, unusual in that the subject is directly facing the viewer, and her image fills practically the entirety of the painting. The sitter has brown eyes, brown hair done in sausage curls, and is wearing a white lace cap and ruffled collar.

The artist was clearly well trained, and chose an overall palette of muted somber tones to emphasize that this was not just a pretty picture of a client, but was a character...

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss. If you nee...

Original watercolor and ink drawing of a tropical orchid species, 20" by 16 1/2" (24" by 20" in mid 20th century simple framing), the botanical name Onsidium luxidum at lower right in pencil. A window in the reverse backing shows, written on a small piece of paper in brown ink in flowing early hand, "From Nature by T. Allport/Enville Hall April 1834." Enville Hall is today a classic English country estate and manor house in Staffordshire, in west-central England. This is the so-called Mule Ea...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

ITALIAN MASTER SCULTOR, ANTONIO CANOVA 1755-1822 “HEBE LOVE GODDESS”, marble masterpiece, standing over 88 inches in height with its marble stand. Sculpture alone about 64 inches Artistic process Canova had a distinct, signature style in which he combined Greek and Roman art practices with early stirrings of romanticism to delve into a new path of Neoclassicism. Canova's sculptures fall into three categories: Heroic compositions, compositions of grace, and sepulchral monuments.[8] In each ...

Unsigned Watercolor. "Lugger beating to Windsward. Fresh Breeze". c 1800. 4 x". Frame Size 17 x 20".

An antique QING DYNASTY ink and color Gouache Painting on Paper, framed with natural slab silk matting, depicting 2 adult teachers and 3 boys. Size: 24" x 19.5". Good condition overall.

PORTRAIT OF EDWARD KING, IN MANNER OF GILBERT STUART (Anglo-American, 1755 - 1828) JOHN EDWARD KING Born in Virginia in 1757, King fought in the Revolutionary War, serving in the 3rd Virginia Regiment. In 1780, he moved to present-day Bracken County, Kentucky. While in the Bluegrass State, his military service continued. King fought under Col. Isaac Shelby at the Battle of Kings Mountain, North Carolina, on October 7, 1780. After the Revolution, King moved to present-day Cumberland County...

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Page from an album. Illustration in Chinese style (chinoiserie) of a young Chinese man in white pants and blue tunic, beating a small drum or gong with a stick. His head shaved in the style of the first half of the Qing dynasty, a long very thin tail wound around the back of his head.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century.

The style of this wa...

A finely painting oil on canvas landscape of a windmill in moonlit landscape, a structure at left with a glowing window, the clouds luminous with the eerie light, and possibly some grazing animals at right, the work apparently UNSIGNED. The detailed meticulous handling suggests an early 19th century date---or possibly even earlier; the work has an Old Master feeling. Measurements are 18" by 24" (21 1/2" by 28" in traditional style old walnut frame with gold fillet). I have searched carefully ...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown. Condition is generally very fresh, I note a very minor abr...