A very fine miniature of a young lady, done in watercolor on organic wafer. Signed lower right "Becker Px". The sitter is a wearing a gown with elaborate bows along the neckline and sleeves, and a pink sash. The glassless gilded wood frame is original to the painting.

There is a good amount of information on the back, some of which is missing or hard to make out...

A charming c1820 Austro-Hungarian portrait miniature of Crescence Gräfin von Seilern und Aspangan, an attractive young woman with blue eyes and a high style mass of dark brown curls. Wearing a white gown and fichu, pearl earrings and a thin gold chain necklace, she is posed against a multi-colored sky above green foliage and rolling gray hills in the background. Presented in a period ebonized frame.

The painting, on natural wafer, is in excellent condition, with no issues...

A wonderfully done naïve portrait of an older woman identified on the reverse as Almira Coolidge of Boston. The 3/4 length depiction shows the sitter holding a handkerchief and wearing a lace trimmed white bonnet, white lace fichu, and a red scarf over a black puff-sleeve dress with gold buttons. The background is nicely done in a striated and shaded blue-gray...

A wonderful portrait of an attractive young woman, done in watercolor on organic wafer. The blue-eyed, red-haired sitter is in a black gown with a gauzy white top, highlighted by a large pink bow at her bodice. The artist carefully chose the ground color and the bow to complement the subject's coloring. The frame is period and probably original, with an eglomise glass cover to the painting.

The painting is in excellent condition, with no issues...

A finely limned miniature of a woman wearing a lace edged black dress, a blue shawl, and gold earrings. In a 5" by 4 1/2" ebonized frame with a brass liner and a sight size of 2 1/8" by 1 3/4". Excellent condition.

A strongly painted portrait miniature of a gentleman, rendered in watercolor on organic wafer. The sitter is a good-looking chap with blue eyes and fulsome sideburns, attired in a black jacket and cravat, a white collar and ruffled shirt, and a gold chain. He is identified by engraving on the reverse of the case as J.A. Reed...

A well painted miniature portrait, executed in watercolors on organic material. The sitter is a nice looking blue-eyed young man wearing a black coat and blue patterned waistcoat. Presented in what appears to be the original heavy cast gilt bronze frame.

There are no condition issues with the painting, and the sight size is 4 1/2" by 3 1/2" with an overall size of 6" by 5 1/4".

A nicely done miniature portrait, on natural organic material, of an attractive young woman. The sitter is wearing a white dress, a black necklace and earrings, and an upswept hairdo. The painting is housed in its blue velvet travel case, with a glass cover.

Condition is excellent, with no problems. The sight size is 2" by 1 1/2", and the closed case size is 3" by 2 1/2".

A fine American miniature painting on natural wafer of a hazel-eyed woman, dressed in a white bonnet and fichu. Original locket gilt metal case has a plait of hair in the aperture on the back of the case.

Superb condition with no problems. The locket is 2 3/8" by 2", and the sight size of this little gem is 2 1/4" by 1 7/8".

An antique, early 19th-century, circa 1804 A.D. French Napoleonic miniature portrait, finely hand-painted with a fine brush in watercolor and gouache on a natural wafer. This miniature is contemporary with the Napoleonic period and depicts young Napoleon Bonaparte as the First Consul of The French Republic.

The painting is a masterful display of the artist's exceptional skills...

A very interesting portrait miniature of a gentleman. Done in watercolor on organic material, it shows a half length naive depiction of a man posed with his hand in his waistcoat. The overall "feel" of this work is that it was done in the en grisaille style, in spite of the color in the man's lips, his vest, and cummerbund.

Condition of the painting and simple metal frame is excellent (light areas at the edges are due to reflections off the chamfered glass), with a size of 2 1/4" by 1 3/4".

A miniature painting of a lovely young woman attired in a double strand coral necklace and a blue gown with puffy sleeves and a pink flower at the waist sash. Excellent condition with no issues, and in a period black wood frame. Sight size is 3 1/2" by 2 7/8", and the framed size is 5 5/8" by 4 1/2".

NOTE: I have shown two full length photos as the background color varies somewhat depending on whether the painting is seen in natural, fluorescent, or incandescent lighting.

An American portrait miniature of a woman with strong features and striking presence. Excellent condition, although the photo came out somewhat blurry. A card with illegible writing was inside the traveling case which measures 4" by 3 1/8" when closed. The sight size is 2 5/8" by 2".

A well executed miniature of an English gent. The reverse of the painting identifies the sitter as Thomas Sheppard, painted by W. Bate in 1802. Presented in an unusual gold painted frame with the miniature displayed in the diagonal direction. The condition of the miniature is excellent, with the inside rim of the frame having a "ding" at around 2:00 o'clock...

Using watercolor on organic material, Francois Theodore Rochard painted this beautiful portrait of an attractive blue-eyed young woman with brown hair done ion sausage curls. The sitter, identified on a very old label on the rear of the frame, is Clara Stevens (?) age 18. She is posed against a wall with a climbing rose bush showing through a window to her left...

A nicely painted waist length portrait, done on organic material, of an attractive woman with dark brown eyes and hair. The sitter, posed in front of a reddish-brown drape, is wearing a black gown with a lace collar cinched with a brooch matching her earrings. A gold chain with two pendants completes her outfit. Presented in a later gilt frame.

The painting is in excellent condition with no issues. The sight size is 2 1/2" by 2" and the framed size is 5 1/2" by 4 1/2".

A naïve but appealing watercolor and gouache painting on organic wafer of a young gentleman. The background is done with great effect in blues, brown, and pink.

The 2 1/4" by 1 3/4" painting is in fine condition, with no flaws to speak of. The case is structurally sound, with a glazed aperture on the rear, but could use a good overall cleaning.

An absolutely charming painting, done in watercolor and gouache on organic wafer, of a male toddler. A label on the reverse states "J.C. Holt/at 1 yr./1831".

Housed in its original gold case, neither the painting or the case have any condition problems at all. The size is 1 3/4" by 1 1/2".

A wonderful portrait miniature of an attractive young woman, painted in watercolor and gouache on organic wafer. The sitter, set against a bluish gray background, has a tortoiseshell comb in her hair and is wearing a black dress with lace at the cuffs and at the neckline. Pearl earrings and gold chains complete her ensemble.

The painting is in excellent condition, with no flaws...

A portrait miniature of a young and handsome man unabashedly directly facing the viewer. He is dressed in the height of fashion, wearing a black jacket, light orange cravat (which nicely matches his hair), and a white vest. Presented in a gilt cast foliate case, the reverse of which features a glazed tightly woven field of plaited hair.

Because of the convex glass, the photos unfortunately show reflections, white streaks, dots, and shadows, none of which are in the miniature...

A striking miniature portrait by Johann Christian Schoeller. The sitter is a girl child, dressed in purple, with a basket of flowers on her lap and posed in front of a window showing a landscape. Charming and colorful, this is an fine example of Schoeller's work...

A nicely painted miniature portrait of a blue-eyed older woman with a strong yet kindly bearing. To be more specific, the sitter is identified on the reverse as "Grandmother ??? Berry (Agnes Eman)  Bel??? Scotland".  Agnes is shown in a squared away pose, looking directly at the viewer, and with an expression indicating she might be wistfully revisiting  past memories. 

  The painting is in excellent condition, and presented in a 2 1/2" by 2" metal covered hand worked wood frame, almos...

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The sitter is wearing a lace-edged blue dress, tightly belted at the waist, with a gold and red brooch centered at the bodice, and a lace cap, The painting and the ebonized wood frame (which has a finely craquelured surface) are in fine condition. Sight size is 2 7/8" by 2 1/4", with a frame size of 5 1/4" by 4 1/2".

A beautifully executed miniature folk art watercolor on thin card portrait by J. H. Gillespie, housed in a cast foliate metal locket with an aperture on the reverse.

The condition is excellent, with no issues whatsoever. The reverse of the case is lacking the surround and glazing to the aperture.

Note: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period. Gillespie painted miniature portraits and silhouettes very c...

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border. At the time the seller said there had been speculation by a previous owner that this wa...

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors. Someone in more recent times affixed it with adhesive to the overmat, but only at the bottom margin where there was original...

Fine watercolor and ink drawing of a dramatic landscape in Carinthia, which is the southernmost part of Austria, the drawing measuring 9 1/2" by 14". The old paper is laid down on 20th century paper, which is in turn glued down to cardboard, and a modern day frame is available at no extra cost. I do not see a signature, but on the backing is written the word "Longinotti" (could be meaningless, as in a former owner) and there is also an old label with name "Ludovici Martens" and title "Bridge i...

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss. If you nee...

A charming antique watercolor in monochromatic gray tones, the sheet 8 1/4" by 13 1/2", mounted to a blue-gray card 11" by 16" with hand drawn mat lines. There is no signature. A guess as to the date of execution could be anywhere from late 18th century to about 1820. There is some watermark in the paper. The drawing exhibits some of the faults that a piece of paper 200 years old might acquire.....light brownish discoloration in spots, small torn area at bottom center, small edge tear at upp...

Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame

ITALIAN MASTER SCULTOR, ANTONIO CANOVA 1755-1822 “HEBE LOVE GODDESS”, marble masterpiece, standing over 88 inches in height with its marble stand. Sculpture alone about 64 inches Artistic process Canova had a distinct, signature style in which he combined Greek and Roman art practices with early stirrings of romanticism to delve into a new path of Neoclassicism. Canova's sculptures fall into three categories: Heroic compositions, compositions of grace, and sepulchral monuments.[8] In each ...

An Original Polychrome Watercolor, signed by Italian Artist SIGNORELLI, Roma, circa 1920. The stunning painting skillfully depicts a Renaissance Page Boy patiently waiting, while holding his Master's Sword. Good condition. Size: H. 56 cm x W. 38 cm. Unframed.

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings. This portrait has three areas where it ...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris. For a short time thereafter he lived in Moscow, then in Tomsk...

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 in...

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 1...

"William Hogarth" Strolling Actresses Dressing in a Barn The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet siz...

"William Hogarth" Paul before Felix, Plate 3 The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 ...

"William Hogarth" Mr. Garrick in the character of Richard the 3d The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet s...

"William Hogarth" "The Beggar's Opera, Act III" Painted by William Hogarth, engraved by William Blake The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engravi...

"William Hogarth" The Good Samaritan Invented and Painted by William Hogarth (DAMAGED) Engraved by Ravenet and Delatre The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original ...

Eighteenth Century Engraving “Putti At Work” 5x7” A beautiful and rare work beautifully framed

"William Hogarth" The Shrimp Girl The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see ...

"William Hogarth" "Frontispiece to Kirby's 'Perspective Made Easy'" and "Time Smoking a Picture" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engrav...

"William Hogarth" Frontispiece to Dr. Brook Taylor's Perspective The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

"William Hogarth" The Politician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see i...

"William Hogarth" Sancho at the Feast, Starved by his Physician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size:...

A hand colored engraving titled Sepulchral Chambers near Bethany (also in French) after a drawing by Luigi Mayer (1755-1805) published in London in 1803 by R. Bower as part of the set of prints, “Views of Egypt, Palestine and Other Parts of the Ottoman Empire.” The paper with a watermark, “J Whatman/1801” on the right hand edge with the lower part of the date missing. A dramatic view of men in local dress in a tomb lit with torches. The sheet is 12 7/8 (22.5 cm) by 18 ¼ inches (46.5 cm...

"William Hogarth" "Paul before Felix The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches s...

"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see image...

James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

"William Hogarth" "Distant View of Mr. Ranby's House at Chiswick," "Hymen and Cupid" and "A Country Inn Yard" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copper...

"William Hogarth" The Pool of Bethesda Invented and Painted by William Hogarth Engraved by Ravenet and Picot The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplat...

"William Hogarth" Paul before Felix, Plate 2 The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 ...

"William Hogarth" Martin Folkes, Esq. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting. Farington painted in oil and wa...