A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing...

This is an interesting very old monochromatic watercolor, circa late 18th century or very early 19th, measuring 4 1/2" by 8 3/4" (11" by 14" framed). The drawing has the feel of an old master drawing. The scene includes tiny figures, buildings, a willowy tree at right, and what appears as an isolated hill or butte-like feature in the distance...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris...

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

Original watercolor and ink drawing of a tropical orchid species, 20" by 16 1/2" (24" by 20" in mid 20th century simple framing), the botanical name Onsidium luxidum at lower right in pencil. A window in the reverse backing shows, written on a small piece of paper in brown ink in flowing early hand, "From Nature by T. Allport/Enville Hall April 1834." Enville Hall is today a classic English country estate and manor house in Staffordshire, in west-central England...

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints...

A striking portrait miniature, on natural wafer, done by Geibel (signed along left side). Thus far we have not been able to find the artist listed in any of the main directories. The sitter is shown wearing a white stock, waistcoat, and a royal blue jacket.

The condition of the painting is excellent, with no problems at all. Please note that the darker area on the right part of the jacket is due to the difficulty of photographing the painting...

An uncommon c1840 miniature by Richard Morrell Staigg, signed lower right. The sitter is a blue-eyed young woman, simply posed in a black dress with lace edging at the bodice. Presented in 1/2 of a dag case. The sight size is 3" by 2 1/4".

BIOGRAPHICAL NOTE: Richard Morrell Staig was born in England in 1817 and moved to the U.S. in 1831, first settling in Newport, RI. While there, Staigg studied under Jane Stuart, Gilbert Stuart's daughter...

PORTRAIT OF EDWARD KING, IN MANNER OF GILBERT STUART (Anglo-American, 1755 - 1828) JOHN EDWARD KING Born in Virginia in 1757, King fought in the Revolutionary War, serving in the 3rd Virginia Regiment...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse. Mounted in a period, and probably original, gilt over gesso frame.

The sight size of this gem is 6 1/4" by 5 1/8...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness". On the reverse of the 20th century cardboard backing is an old printed label stating that this (these, as there were originally a large group apparently) is an original watercolor of "African" flowers done in ...

A wonderful portrait miniature of an attractive young woman, painted in watercolor and gouache on organic wafer. The sitter, set against a bluish gray background, has a tortoiseshell comb in her hair and is wearing a black dress with lace at the cuffs and at the neckline. Pearl earrings and gold chains complete her ensemble.

The painting is in excellent condition, with no flaws. The red leather travel case has wear to the inside and outside, is missing the tiny eye the hook clasp goes through,...

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings. This portrait has three areas where it ...

An American miniature portrait painting, on natural organic material, of an older woman, unusual in that the subject is directly facing the viewer, and her image fills practically the entirety of the painting. The sitter has brown eyes, brown hair done in sausage curls, and is wearing a white lace cap and ruffled collar.

The artist was clearly well trained, and chose an overall palette of muted somber tones to emphasize that this was not just a pretty picture of a client, but was a character...

An antique QING DYNASTY ink and color Gouache Painting on Paper, framed with natural slab silk matting, depicting 2 adult teachers and 3 boys. Size: 24" x 19.5". Good condition overall.

A PAIR of lithograph prints of street scenes in Manchester, England, 1823, one titled "Market Street, Manchester", the other "Market Place, Manchester" both drawn by J Ralston, and transferred to the stone by J D Harding, printed by C Hullmandel, and published by D and P Jackson, May 1823. Each measures 21 3/4" by 17 1/2". The charming views are of half-timbered and classic stone buildings, horse-drawn carts, and ladies and gentlemen dressed in the manner of the day, all going about their imp...

A portrait miniature of a good looking young gentleman, well painted in watercolors on organic wafer. This fine piece is enclosed in a bronze surround.

The sight size is 2 3/4" by 2 1/2", and the overall size is 3 1/4" by 2 3/4". The condition of the miniature and the surround is excellent, with no problems or restoration at all.

An absolutely charming painting, done in watercolor and gouache on organic wafer, of a male toddler. A label on the reverse states "J.C. Holt/at 1 yr./1831".

Housed in its original gold case, neither the painting or the case have any condition problems at all. The size is 1 3/4" by 1 1/2".

A beautiful Regency era oil painting “Boy With His Dog” depicting a young sitter with his collie done in the English school style of Thomas Cosway (1742-1821), an English portrait painter of wealthy patrons. Possibly attributed to his pupil Andrew Plimer (1763-1837). Measuring 29x24 inches,frame size measuring 33”x28”. Work is unsigned

An 18th or early 19th century painting of a noble gentleman, oil on canvas, 30 1/2" by 23 1/2" on the stretchers 35" by 27 3/4" framed. This work does not appear to be actually signed, though there is much writing in blurred old ink on the stretcher in old German hand, seemingly identifying the sitter. The old style script and the way the ink has spread into the wood makes it all difficult to read. I do see, I think, "Franz Joseph Augustin von Stichner" or similar, and elsewhere the word "...

PAIR of pencil drawings, one titled "The Customs House London" (1820) and the other a botanical still life, both bearing the original auction stickers and labels from the Sotheby's London sale of October 9, 1996. The Customs House work measures 10 1/2" by 7 7/8" inside the mat. It is signed "By Thom. S. Boys" at lower left and titled "The Custom House London 1820" at right. The thin, delicate paper of that drawing is rumpled/crinkled a bit at upper left and there is a little bit of discolorat...

THE OLD MILL NEAR SNOWDON” by English artist Frederick W. Watts (7 October 1800 – 4 July 1870)[1][2] was an English landscape painter influenced by Constable. He has been known as "Frederic William Watts", "Frederick Waters Watts", "William Watts" or "William Frederick Watts". Life and work[edit] Dedham Vale, Suffolk There is a sparsity of information about this painter which has cast uncertainty over his parentage, training, and date of death.[3] According to the Oxford Dictionary of Na...

Color Lithograph “The Radcliffe Observatory” 1834 date by J. McKenzie 5x7 inches, framed 10x11”

ITALIAN MASTER SCULTOR, ANTONIO CANOVA 1755-1822 “HEBE LOVE GODDESS”, marble masterpiece, standing over 88 inches in height with its marble stand. Sculpture alone about 64 inches Artistic process Canova had a distinct, signature style in which he combined Greek and Roman art practices with early stirrings of romanticism to delve into a new path of Neoclassicism. Canova's sculptures fall into three categories: Heroic compositions, compositions of grace, and sepulchral monuments.[8] In each ...

A naïve but appealing watercolor and gouache painting on organic wafer of a young gentleman. The background is done with great effect in blues, brown, and pink.

The 2 1/4" by 1 3/4" painting is in fine condition, with no flaws to speak of. The case is structurally sound, with a glazed aperture on the rear, but could use a good overall cleaning.

Portrait of Nancy Brown Downing by American nineteenth Century and Master Charles Osgood 1809-1890 Measuring 30 x 25“ in an original 19 century water Gilded frame that measures 40 x 35“ Charles Osgood (1809–1890) was an American artist from Salem, Massachusetts,[1][2] who also worked briefly in Boston and New York City.[3][4] Examples of his work are in the American Antiquarian Society,[5] Historic New England, Harvard University, Massachusetts Historical Society, and Peabody Essex Museu...

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects",and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often ref...

A nice portrait miniature of a handsome young clergyman, posed in front of drapery at his true right side. The painting is in a bronze surround set into a period ebonized wood frame. Excellent condition with a sight size of 3 1/4" by 2 1/2" and a frame size of 7" by 6 1/4".

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right. Underneath the title, centered, “Taken f...

A finely detailed 1844 watercolor painting of an extensive German landscape, with fascinating details including numerous tiny figures fishing and admiring the river and its cascades, a mountaintop castle, church, and countless trees. The sheet measures 15" by 19", the drawing inside squared lines 11 1/4" by 16 3/4". In the lower margin is a lot of writing, some of it tiny. At left we see "Rastadt den 2en Oktober 1844"; at right we see "A. F. Waizenegger lieut. fecit" (apparently, the artist);...

A beautifully painted c1810 miniature of an attractive woman, attributed to Thomas Hargreaves. Clearly well off, and  wearing a white lace bonnet and collar, a black dress, and a chatelaine, the sitter is posed on a red sofa in front of a dusky pale orange drapery. The skill of the artist is evident, even to how he carefully painted the dress material so that it is obvious that the fabric is silk.

Watercolor on organic wafer, the condition is excellent, with a sight size of  3 3/8" by 2...

A c 1840 signed portrait miniature by Gabriel Aristede Passot, done on natural material. As is usual with his work, it is superbly painted, and is of a gentleman in a black coat with a multi-colored merit award ribbon.

The miniature is in fine condition, with no chips, cracks, paint loss, or bowing. A light area along the top edge is due to light reflection. The case, of high quality silver with a royal crown and a mother-of-pearl reverse, is in excellent condition. Sight size is 1 5/8" by...

Portrait of T. Donaldson Strangeways, by artist Thomas Hastings, 1778-1864, Oil on Canvas 58 x 37". painter, draughtsman, watercolour artist and etcher of landscapes, topographical views, marine subjects and coast scenes. Born Thomas Barnett; changed his surname to Hastings in 1812, under which name he exhibited and published after this date. Officer in the British Army 1795-1811, Captain from 1799. Customs Officer from 1819. Exhibited at the Royal Academy of Arts, Society of Painters in Waterco...

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available. This...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

A finely limned miniature painting done in watercolor on natural material. The sitter is a hazel-eyed young man dressed in a black coat and tie. The condition of the painting is excellent, with no issues. The bluish area on the left side was painted in that fashion.

The bronze frame is also in fine shape, originally made to be worn as a pendant or as a brooch, but is missing the brooch pin on the reverse. Sight size is 2 1/4" by 1 7/8", and the overall size is 2 5/8" by 2 1/4".

A nicely painted waist length portrait, done on organic material, of an attractive woman with dark brown eyes and hair. The sitter, posed in front of a reddish-brown drape, is wearing a black gown with a lace collar cinched with a brooch matching her earrings. A gold chain with two pendants completes her outfit. Presented in a later gilt frame.

The painting is in excellent condition with no issues. The sight size is 2 1/2" by 2" and the framed size is 5 1/2" by 4 1/2".

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him. This one has luminosity and precision that leads me to think that it is mos...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5...

This is a very fine, classical early drawing, 5 1/8" by 8 5/8" (12" by 15 3/4" in attractive ornate gold leaf frame), not dated but likely dating to the 1830's through 1850 or so, signed at lower center by the artist "Loisel". The drawing, executed in pen, watercolor, and gum arabic highlighting in the trees and the low bank in center, is in excellent fresh condition, belying its age. The landscape depicted appears to be in Italy, where Loisel traveled extensively, there being known drawings f...

Using watercolor on organic material, Francois Theodore Rochard painted this beautiful portrait of an attractive blue-eyed young woman with brown hair done ion sausage curls. The sitter, identified on a very old label on the rear of the frame, is Clara Stevens (?) age 18. She is posed against a wall with a climbing rose bush showing through a window to her left. Attired in a puffy-sleeved lace-edged white gown with a brooch below the bodice and a wide blue belt, she is also wearing a pink and bl...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

A well executed miniature of an English gent. The reverse of the painting identifies the sitter as Thomas Sheppard, painted by W. Bate in 1802. Presented in an unusual gold painted frame with the miniature displayed in the diagonal direction. The condition of the miniature is excellent, with the inside rim of the frame having a "ding" at around 2:00 o'clock. Sight size is 2 7/8" by 2 3/8" with an overall size of 4 1/2" by 4 1/2".

BIOGRAPHICAL NOTE: There is not much known about William B...

Page from an album. Illustration in Chinese style (chinoiserie) of a bearded young Chinese man in a long blue garment and round hat in vogue in the Qing dynasty. In his left hands he holds an open fan with tortoise shell spokes, in his right a red cloth in the other.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century.

The style of this watercolor reminds...

A large and beautifully painted portrait miniature by Aimee Thibault. Done in watercolor on organic wafer, the work shows a distinguished older gentleman of serious mien, set against a dark background, in a black tie and jacket with a white shirt and collar. The size of the miniature is due to Thibault having worked in France for a large part of her life, where such portraits were often done on a much grander scale than miniatures in the U.S. The portrait is signed Aimee Thibault along the righ...

A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH

Very old small pencil drawing of a town scene, 3 1/2" by 3 5/8" (11 1/2" by 10" framed), unsigned, and the artist and origin unknown. It is simply an antique drawing. Someone thought enough of it to have a hand-drawn ornate mat on gray-blue paper. A church tower appears at center and a tree at left, and two tiny figures at lower right. There is a mysterious red circle stamped on the reverse; difficult to say if it may be a collector's stamp.

Unsigned Miniature Lithograph, English. View of country Harbor framed measuring 7x8” Image measures 3 x 4 1/2“

From the illustrated Volume “The Costumes Of Turkey” published by William Miller 1802 Hand colored engravings. The pair mounted in a beautiful matted frame measuring 20x28”. The works measuring 12x9” each

A miniature portrait of a handsome gentleman in a blue jacket with gold buttons. Presented in the original cast foliate case, the reverse having chessboard hairwork centered with "RD" initials in underlying gold topped with pearls.

Excellent condition with any apparent issues being due to my infamous photographic skills. The case size is 2 1/2" by 2".

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame. The painting itself mea...

A fine example of an Abraham Parsell watercolor on organic wafer. The sitter, with brown hair and hazel eyes, is dressed in a black coat and cravat and a white shirt with gold stickpin. The background is done in the multi-color style typical of Parsell's work, as is the sketch on the reverse of the wafer.

The 2 3/8" by 2" sight size miniature is housed in a cast foliate case with a glazed lens on the reverse. The condition of the painting is fine, with no cracks, chips, restoration, or bowing....

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English? Early 19th century.

The style of this watercolor reminds of the small Chinese paintings on rice paper (somet...

French school of David, portrait of an aristocratic woman measuring 31 x 27“ oil on canvas, Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling,[1] harmonizing with the moral climate of the final year...