Watercolor painting of a scene that appears to be a youngster with adults at the entrance of a school, a total of five figures in the composition. The work, 13" by 10 1/4" (20" by 18" in a contemporary gold frame, no mat) is signed at lower center by well listed German artist CARL HUBNER (1814-1879). Hubner was educated in art at the Art Academy in Dusseldorf. He received instruction from Carl Ferdinand Sohn and Wilhelm von Schadow...

Antique Faux Ivory Relief "Village Scene" Signed C.F. Booker. Losses to Frame. Measures 4-3/4 Inches by 6 Inches Including Frame.

Clara E. Klinghoffer 1900-1970 British This is a fine original lithograph by British artist Clara Klinghoffer. This study of a seated nude has an image size of 13 3/4X11 7/8 inches. Printed on a medium weight wove type sheet, hand signed in pencil lower right.

Nora S. Unwin 1907-1982 British/American This is a fine watercolor painting by American artist Nora S Unwin. The title, inscribed on the backing board is: A Memory of Greece. This painting is hand signed and dated 1966 by the artist. The image measures 13 1/2X17 1/2 inches. Unwin was the well known artist and illustrator who lived and worked in Peterborough New Hampshire. This watercolor on artist board is in very fine condition.

Original Japanese woodblock print by 20th century master Jun'Ichiro Sekino (1914-1988) circa 1950s. Unusual column format (roughly 28" by 10" paper, 21" by 5" image), extremely unusual subject, signed "J. Sekino" in pencil lower right and numbered 67/100 lower left. In its original frame, not examined out of the frame but apparently in excellent condition. Sekino's woodblocks are found in the collections of most important art museums, including MOMA and the Art Institute of Chicago.

A PAIR of watercolor paintings of classic scenes of Montmartre, each 8 3/8" by 10 3/8" (and each 15" by 17 1/2" as identically framed), each signed at lower left by French artist AMEDEE PREVOST. One work features the white Sacre Coeur church dome in the distance, figures and an artist completing the scene, the other work featuring a street easel artist painting a picturesque old house...

An interesting painting of a brick church dramatically positioned in a rural landscape with distant mountains, the year 1898 appearing on the lintel over the door, signed at lower right corner "K. Shuck". Online research shows there was a Kenneth M. Shuck associated with the Springfield Museum of Art, having served as its second director, between 1951 and 1976. A 1954 photo online shows him standing in front of a Thomas Hart Benton painting. This may be by that individual...

Oil on masonite, 18" by 14" (22" by 18" in its wood frame), the subject the familiar streets of the French Quarter, this being a view of Pirate's Alley, from Jackson Square, facing Royal Street, signed at lower right "Weller". I take from the website of the New Orleans Academy of Fine Arts: "Dell Weller studied four years at the Art Students League in New York. After two years of study in Mexico, he returned to New Orleans. He developed a widespread reputation for his wildlife etchings...

Julius Komjati, English, 1894-1958, "Woodcutter". Etching, image size 15 7/8 x 11 1/8 inches. Pencil titled and signed. Printed on watermarked medium weight laid type paper.

Offered together as a PAIR, hand colored lithographs of the species Heliodoxa Leadbeteri and Lafresnaya Flavicaudata, drawn by the famous 19th century English naturalist, ornithologist and natural history illustrator JOHN GOULD, the lithographic plate produced by his assistant Henry Constantine Richter (1821-1902)...

John Taylor Arms, American, 1887-1953, "Cathedral of St. Cyr and Ste Julitta, Nevers," etching, 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.

PAIR of old watercolor paintings of ceramic and metal objects on table tops in an interior, the first 21" by 28" framed, the second 19" by 24" framed, the larger work signed at lower right by European (French?) artist Joanny Rec. These are beautifully executed fine watercolors in excellent condition. I have found little information on the artist after an extensive online search. The name suggests a Belgian or French nationality, I would think, but I would not rule out another...

Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

Fine, good-sized (18 1/2" by 23 1/2", 26" by 31 1/2" framed) watercolor painting of a two-masted sailing craft unfurling sails at the dock, birds circling overhead and two figures in a row boat at left, signed at lower right by noted American illustrator artist CHARLES E. PONT (1898-1971). The work is by the hand of a talented and well-documented artist. The following information was taken from a lengthy online biography...

John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

Oil on canvas, unframed, 20" by 26", signed at lower right in red "R. MacDonald" and signed/titled/dated on reverse "R. MacDonald/Heat Wave/July 10 1937". The subject appears to be a young man, possibly African-American, holding a hose on a young child at right, a wooden house hidden partially by a huge tree in the background. The artist has painted a very American work, (and possibly southern, as well), squarely in the 1930's style...

This is a charcoal with white highlights fine original drawing of a male head on a plinth, the head appearing as would a Greek or Roman marble sculpture. The work, 16 1/4" by 12" (22" by 18" framed), is signed at bottom by the Austrian artist RUDOLF ZELENKA (1875-1938) and is dated nearby 1894. The drawing would likely be an academic study by the artist at age 19, while receiving art education...