Signed charcoal drawing of a nude female seen in profile, arms over her head, an unreadable signature at lower right. The work measures 12" by 8 3/4" inside the mat and 20" by 16" simply framed. I opened the backing and other than a few numbers in pencil there is no other information. At some point there was a little moisture exposure at the bottom...

Gouache and watercolor on paper painting of a tall ship on the ocean, two other vessels visible, 12 1/2" by 17 3/4" inside the mat, 18 1/2" by 23 1/2" framed, signed at lower right "F. P. Tyars/5-9-03/The Brig". A handwritten note of later 20th century date says "ON THE BACK/FROM E.R. HUGHES OR E.V. FLOYD/TO C.H. SULLIVANT ??/ON HIS APPROACHING MARRIAGE". There are some references to Tyars' work online, but little biographical information is available...

Gouache and watercolor on paper landscape titled on reverse "Arab Village Near Jerusalem", measuring 14 5/8" by 19 3/4" (26" by 29" as framed), signed at lower right "WM. D. RAFFEL" and dated 1954. This is a beautifully executed work in fine condition save for a cracked (but not detached) upper left corner due to brittleness likely caused by aging...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator...

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

A pretty watercolor of a lakeshore, titled on backing "Reservoir Cristaline/France", signed at lower right illegibly and dated 1959. The work measures 12" by 15 1/4" inside the mat and 21" by 24" in a gold frame. The signature reads something like "B N Fleur" or "Fleury" but to date despite considerable efforts in that direction, I have not been able to identify the obviously talented artist. Watercolor is in excellent condition, frame has wear, especially on bottom and right sides...

The art of the native peoples of Australia has become very popular in recent years and works by major figures have achieved high prices. This work is unsigned and unattributed so is offered as a decorative piece. Measuring 19 1/2" by 23 1/4", the painting is acrylic on canvas laid against a wood panel. Condition is excellent. Ii would estimate the age as 1970's, possibly 1980's. The work came out of an estate in Corrales, New Mexico, near Albuquerque...

A very finished, beautifully executed pastel of a middle-aged lady, she nicely coiffed and elegant in appearance, the work signed at lower right "CARLES". I have researched the work, (including contacting an acknowledged expert on well-known Pennsylvania artist Arthur Carles Jr. 1882-1952) and she does not feel it has the characteristics to enable it to be called the work of that noted American painter. It is offered as a nicely executed portrait drawing...

A nicely painted oil on canvas of flowers in a vase, 20" by 16" (22" by 18" in original frame), signed at lower right by Canadian-born, California impressionist artist GEORGIA P(ERKINS) FOSTER (1881-1965). On the reverse is the original label of the Oakland Art Gallery, giving the artist's name and address in Berkeley, and the title, "Marigolds". The impressionist technique is skilled and pleasing, and the work is in good condition, though a cleaning would be complementary...

An oil on canvasboard painting, the subject a tawny western American landscape populated by four cowboys and six horses, signed at lower left by contemporary artist Richard Harris. I do not see a listing for an artist by this name but obviously, he was talented, seeing as that he captured so beautifully the horses-- a notoriously difficult subject to paint well. The work reminds a bit of that of listed California artists Bill Bender and James Colt. The work measures 12" by 16" (16 1/2" by 20 3/...

For the collector of early, 19th century California art, here is an east coast-style still life work, 10" by 14 1/2", unframed, signed at lower right "Bertie L Emery" and dated there 1892. The shallow dish holds oranges, grapes, a banana, and possibly slices of cake or bread, the dish resting on a white cloth, on an unseen tabletop. Interestingly for art history, Emery signs her first name as "Bertie". The artist, BERTHA LUCE EMERY (1873-1957) is today closely associated with watercolors of M...

A very interesting mixed media work, on a heavy, soft paper, with I believe pastel, perhaps oil pastel, and maybe even some oil, apparently sadly UNSIGNED, measuring 28 1/2" by 18". The number "5" appears at lower corners. On the backing is written "John Atkins was the first guy I (talked?) to" and "JAY Torrance/Garage (??) Period (??). I do not know what to make of that, if anything, but the names John Atkins and Jay Torrance do not connect with any recognized artist. So, this work, which I...

Circa first third of the 20th century, or maybe earlier, very colorful watercolor on paper of a busy street scene in Napoli (Naples, southern Italy), 22 1/2" by 12 1/2" framed, signed at lower left by artist G. CANO. I count at least 10 figures in the composition, and one burro, complementing the hanging laundry, flowers, and ancient facades. This was likely a piece made for the tourist trade, by a talented artist. The colors are very intense and the condition excellent. I would recommend re...

Pastel drawing of a mountain landscape, 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" as framed), signed at lower left corner with the name "I E Cutler". The scene is likely to be of Colorado as there is an old framer's sticker from Turner Art Gallery of Denver. Below that is what appears to be a date, in pencil, "2-19-31". Even though the frame is mid century, it appears that the old original backing paper with label was retained when the work was re-framed. I do not see a listing for this name but...

Nineteenth century American or European drawing of pink roses, their leaves and prickly stems, unsigned, in an oval shape, 9 3/4" by 7 3/4" (12 3/4" by 10 1/2" as nicely framed). The attention to detail by the artist is exceptional. We could prick our fingertip on the fine thorns. This could be considered a folk art or Victorian piece. It is very fresh and clean, considering the age of the work. Allow for reflections in a few images. What might appear to be foxing is in fact the shadow of ...

A painting of the famous Andes mountain and lake resort of Bariloche in central Argentina, oil on canvas, 22" by 29", unframed, signed "MA" at lower right and "M. C. Alsina" on stretcher, circa 1960. The work is dusty and could benefit from a cleaning to remove foxing in the sky, and has some paint losses that can be easily restored (scratch at left and lower extreme corner). The deep blue of the sky against the gray of the mountains and lake makes for an elegant and satisfying color pairing. ...

A charming, somewhat naïve antique oil on canvas painting, 16" by 23" (18 3/4" by 27" in late 20th century frame), unsigned, featuring a winter's day in the country, mountains in the distance, and two figures in the foreground braving the cold to chat, a glow in the central home at right center indicating that a fire is warming it. At far left in the distance is the rest of the village. The painting was painted by an American hand after 1885 (the metal stretchers with that date in the corners...

A quite old pencil drawing on thin card, 8 1/2" by 5 1/2" inside the mat, 13" by 10 1/4" framed (no glass), apparently by a "Grandmother Stevenson" according to a notation on the reverse side of framing materials. Very faint, at the bottom of the reverse side of the card, in 19th century handwriting, is written: "All that is nature most I love, all the beautiful picture painted by the hand of Him who rests above"/Grandmother Stevenson." This phrase is written again in modern handwriting on th...