Hendricks A. Hallett (American 1847-1921 )

Sailing Vessels at Sunrise

Oil-on-panel, signed lower right

Painting: 20” x 16”
Frame: 25” x 21”

Born in Massachusetts, Hallett studied in Antwerp and Paris. He is best known for his paintings of ships, notable marine events, and seascapes, many along Boston Harbor...

A very fine wooded landscape scene with figures, nineteenth century French, oil on panel, measuring 9” x 14.5” The three Le Nain brothers were painters in 17th-century France: Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677). They produced genre works, portraits and portrait miniatures. Lives and work The brothers were born in or near Laon, in Picardy, in northern France...

American School (Circa 1895)

Red-haired Girl in Profile

Oil on canvas, unsigned

Painting Size: 16” x 14”
Frame Size: 22 ” x 20”

This charming portrait displays the influence of the “Gibson Girl” fashion sense with her softly piled hair and high collared blouse, made popular by the artist Charles Dana Gibson in the 1890’s.

JOHN JOSEPH ENNEKING- AMERICAN;1841-1916 NOVEMBER TWILIGHT Oil on Canvas Signed lower right Dimensions; 10.25" x 14.25"; framed; 16" x 20". JJE was one of the most distinguished and successful painters of the late 19th C. He lived most his life in New England, and according to Wikipedia, his "favorite subject is the November Twilight of New England and the half lights of early spring, and late autumn and winter dawn and evening." He always said that his greatest teacher was nature...

Berthe Morisot 1841-1895 French This is an original etching by French artist Berthe Morisot. The title is: Femme Nu de Dos, this etching was created in 1889. This is a later printing after the plate had the cancellation holes at the upper and lower ends of the plate. These holes were later filled in the 20th century and the etching was re-editioned, This state is less common. The image measures 5 7/16X415/16 inches. Unsigned as issued...

Florine Hyer was an Iowa-born artist who became known for her exquisite paintings of roses. She was in Los Angeles by 1898, and remained there her entire life with the exception of the year 1908, when she assisted the botanist Luther Burbank at his home and gardens in Santa Rosa, in Sonoma County north of San Francisco. Burbank is reputed to have said, "Florine can paint roses better than gardens can grow them"...

Unsigned Religious Painting. 19th Century. Oil on Canvas. 8x10”, Frame Size 17x15”. Baltimore School of artist was a movement of artist that painted artwork as well as furniture from the mid-1700s to 1900

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner)...

Mughal illuminated Page 7.5x9.5 Miniature depicting a Royal Scene nineteenth Century Tempera Berlin Estate

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded...

An early example of American portraiture done circa 1840 depicting a woman dressed in fine clothes holding a letter with a red wax seal

Oil on canvas painting of a coastal bluff with gentle incoming waves, possibly Rhode Island near Newport but most certainly New England, 12" by 16" (20" by 24" nicely framed), signed at lower right and dated there (likely, a little hard to read) 1908, by Massachusetts artist of the famous Fall River School, BRYANT CHAPIN (1859-1927)...

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions...

Nineteenth Century Oil Landscape Lake Scene 20x32” The work done circa 1860

19th Century American School 1800-1899 American Artists This is an original oil on canvas painting of an Ox and Cart coming down the road. The painting has 3 intials lower right, they seem to read: "W. ?. S." Weve been unable to make out who the artist was. We feel the painting is from the late 1890's and is most likely American in origin. The painting was expertly done. The canvas laid on board measures 19X13 inches and is in a 19th century gilt frame.

Early American Nineteenth Century Portrait Of A Gentleman Oil Measuring 34x30”. Unsigned circa 1820-1850. The artwork was most likely done by a trained artist

An antique 19th-century Russian Orthodox icon depicts the most central event in Christianity, the Nativity of our Lord Christ.

The icon is finely hand-painted in bright colors and gold on gesso on a wood panel. It depicts Baby Jesus laying in the cradle in a manger wrapped in swaddling clothes, with a Bethlehem star shining from above, flanked by the Virgin Mary and St Joseph.

The upper left part is painted with three kings on horseback traveling in search of Jesus...

19th century oil on canvas painting of the Angel waking Elijah who was asleep under a tree. Originally this painting probably had an ornate gold frame. We found this hanging as pictured. Artist signed: Robert Ragan. Measures in frame: 44.5” high x 25.5” wide. Site size: 40.75” x 22.25”

19c French Miniature Portrait Painting. 19c Miniature Portrait Paintings of French Queen Marie Antoinette in Blue Dress & White Lace Collar, Artist Signed: Prevost. size: Portrait 1 5/8 x 1 3/8 inches, frame 2.5 x 2 inches in good condition.

French Orientalist Painter Alexander De Bar 1821-1908, views of the Nile, 11x17 inches, done in 1859 as a commemoration of the opening of the Suez Canal.

Signed "Inman 1842" along the right edge, this fine miniature portrait is purportedly of Theodore Roosevelt's grandmother. Painted with watercolors on organic material, it shows the sitter simply attired in a black dress with a lace collar, with the only other adornment being a brooch on that collar...

Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.

Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”

Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810. He was a student at the National ...

A finely done miniature portrait painting on naturalk organic material, depicting an handsome gentleman wearing a black coat, white shirt and collar, with a stickpin.

The painting is in superb condition, with no problems or restoration. It is housed in its original case of cast foliate brass with the reverse having a glazed aperture. The case and glass are also in excellent condition, though the reverse has several unimportant dents.

A fine pair of strongly painted miniature portraits done on natural wafer. Based on the technique and the area in which the sitters lived (Cincinnati), a strong attribution to Richard Verbrick can be made.

The woman is finely attired in a black puffy sleeved dress with lace at the collar and a wide black belt. Her jewelry includes a brooch at her neckline and earrings, with a tortoiseshell comb in her hair. The gent is wearing a black coat, white shirt, collar, and ascot.

The condition of th...

"William Hogarth" "Receipt for the Election Prints" and "Columbus Breaking the Egg" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195...

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

A well executed miniature of an English gent. The reverse of the painting identifies the sitter as Thomas Sheppard, painted by W. Bate in 1802. Presented in an unusual gold painted frame with the miniature displayed in the diagonal direction. The condition of the miniature is excellent, with the inside rim of the frame having a "ding" at around 2:00 o'clock. Sight size is 2 7/8" by 2 3/8" with an overall size of 4 1/2" by 4 1/2".

BIOGRAPHICAL NOTE: There is not much known about William B...

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

Using watercolor on organic material, Francois Theodore Rochard painted this beautiful portrait of an attractive blue-eyed young woman with brown hair done ion sausage curls. The sitter, identified on a very old label on the rear of the frame, is Clara Stevens (?) age 18. She is posed against a wall with a climbing rose bush showing through a window to her left. Attired in a puffy-sleeved lace-edged white gown with a brooch below the bodice and a wide blue belt, she is also wearing a pink and bl...

"William Hogarth" "Portrait of Charles Churchill (The Bruiser)" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

An incredibly charming portrait miniature brooch of a young child, painted on natural material. The subject is beautiful, wearing a coral necklace and a pale lavender gown, and with brown eyes that were so finely and realistically painted with such depth that it is almost hard to believe when seeing this gem in person.

The condition is excellent, with no issues, and the overall size is 1 3/8" by 1".

A nicely painted waist length portrait, done on organic material, of an attractive woman with dark brown eyes and hair. The sitter, posed in front of a reddish-brown drape, is wearing a black gown with a lace collar cinched with a brooch matching her earrings. A gold chain with two pendants completes her outfit. Presented in a later gilt frame.

The painting is in excellent condition with no issues. The sight size is 2 1/2" by 2" and the framed size is 5 1/2" by 4 1/2".

An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G. KEARSLEY FLEE...

Portrait of T. Donaldson Strangeways, by artist Thomas Hastings, 1778-1864, Oil on Canvas 58 x 37". painter, draughtsman, watercolour artist and etcher of landscapes, topographical views, marine subjects and coast scenes. Born Thomas Barnett; changed his surname to Hastings in 1812, under which name he exhibited and published after this date. Officer in the British Army 1795-1811, Captain from 1799. Customs Officer from 1819. Exhibited at the Royal Academy of Arts, Society of Painters in Waterco...

Charity in the Cellar Engraved by Leney, after Hogarth's painting Heath edition The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 yea...

An Original Polychrome Watercolor, signed by Italian Artist SIGNORELLI, Roma, circa 1920. The stunning painting skillfully depicts a Renaissance Page Boy patiently waiting, while holding his Master's Sword. Good condition. Size: H. 56 cm x W. 38 cm. Unframed.

"William Hogarth" Industry and Idleness suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25...

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5...

A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin. Ross' superb skill is evidenced by, among other things, the way he has limned the hair tones, the lifelike quality of the skin, eyes, and lips, the texturing of the different fabrics, and the jewel-like...

"William Hogarth" "An Emblematical print on the South Sea Scheme" and "The Lottery" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 ...

An antique QING DYNASTY ink and color Gouache Painting on Paper, framed with natural slab silk matting, depicting 2 adult teachers and 3 boys. Size: 24" x 19.5". Good condition overall.

An uncommon c1840 miniature by Richard Morrell Staigg, signed lower right. The sitter is a blue-eyed young woman, simply posed in a black dress with lace edging at the bodice. Presented in 1/2 of a dag case. The sight size is 3" by 2 1/4".

BIOGRAPHICAL NOTE: Richard Morrell Staig was born in England in 1817 and moved to the U.S. in 1831, first settling in Newport, RI. While there, Staigg studied under Jane Stuart, Gilbert Stuart's daughter. He then moved to Boston where he maintained a stu...

Alexander Wilson (Scottish/American, 1766-1813), Plate 71, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st edition. Engraved by Alexander Lawson. This hand colored, engraving depicts six species: gadwal duck, eider duck, female eider, smew, ruddy duck, and female ruddy. Plate size: 10.25" x 13.25". Condition: some light foxing. Alexander Wilson, a Scottish emigrant, has been referred to as the "Father of American Ornithology", and his treatise, "Am...

A c1840 fine portrait miniature of a young woman in a black dress with elaborate white lace edging around the collar and bodice, and running down the center of the dress almost to the waist. A necklace and lavalier complete her outfit.

Housed in a brown leather over wood case measuring 2 3/4" by 2 1/2" when closed. The sight size of the painting is 2 1/4" by 1 3/4". Excellent condition with wear to the case exterior..

A naïve but appealing watercolor and gouache painting on organic wafer of a young gentleman. The background is done with great effect in blues, brown, and pink.

The 2 1/4" by 1 3/4" painting is in fine condition, with no flaws to speak of. The case is structurally sound, with a glazed aperture on the rear, but could use a good overall cleaning.

A finely limned miniature painting done in watercolor on natural material. The sitter is a hazel-eyed young man dressed in a black coat and tie. The condition of the painting is excellent, with no issues. The bluish area on the left side was painted in that fashion.

The bronze frame is also in fine shape, originally made to be worn as a pendant or as a brooch, but is missing the brooch pin on the reverse. Sight size is 2 1/4" by 1 7/8", and the overall size is 2 5/8" by 2 1/4".

THE OLD MILL NEAR SNOWDON” by English artist Frederick W. Watts (7 October 1800 – 4 July 1870)[1][2] was an English landscape painter influenced by Constable. He has been known as "Frederic William Watts", "Frederick Waters Watts", "William Watts" or "William Frederick Watts". Life and work[edit] Dedham Vale, Suffolk There is a sparsity of information about this painter which has cast uncertainty over his parentage, training, and date of death.[3] According to the Oxford Dictionary of Na...

Antique hand-colored Italian engraving, the sheet 13 1/2" by 10" (15 3/4" by 12 1/4" framed), titled "IL MANGABEL". This is a work of the noted Italian engraver LUIGI RADOS (1773-1840). Rados studied engraving in Milan. He was the father of Eugene and Giovanni, who also went on to excellence in the profession. This illustration is of the species Simia aethiops Linn., known today commonly as the grivet or vervet monkey, native to Africa but imported into the Caribbean islands where they have ...

Original watercolor and ink drawing of a tropical orchid species, 20" by 16 1/2" (24" by 20" in mid 20th century simple framing), the botanical name Onsidium luxidum at lower right in pencil. A window in the reverse backing shows, written on a small piece of paper in brown ink in flowing early hand, "From Nature by T. Allport/Enville Hall April 1834." Enville Hall is today a classic English country estate and manor house in Staffordshire, in west-central England. This is the so-called Mule Ea...

"William Hogarth" "Some Principal Inhabitants of the Moon: Royalty, Episcopacy and Law" and "Masquerade Ticket" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original coppe...

"William Hogarth" "The Man of Taste" and "Rich's Triumphant Entry" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet ...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches ...

The SUYDAM House Built by Elie FERT on bushwhack Lane about 1700, a company of Hessians in the revolution says on the selvage. A rare work

Portrait of Nancy Brown Downing by American nineteenth Century and Master Charles Osgood 1809-1890 Measuring 30 x 25“ in an original 19 century water Gilded frame that measures 40 x 35“ Charles Osgood (1809–1890) was an American artist from Salem, Massachusetts,[1][2] who also worked briefly in Boston and New York City.[3][4] Examples of his work are in the American Antiquarian Society,[5] Historic New England, Harvard University, Massachusetts Historical Society, and Peabody Essex Museu...

Lithograph of Mohongo, an Osage Woman from Thomas L. McKenney and James Hall's The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs, published in 1837 in three volumes. This lithograph from the collection is of an Osage woman named Mohongo, or Sacred Sun, from a portrait by Charles Bird King. The image was part of a set of books called, The Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs, published b...

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

"William Hogarth" Don Quixote suite 3 sheets 6 engravings The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

Farnese Piazza by Francesco Diofevi. c. 1825. Oil on Canvas Panel. Sight Size 19 x 24", Frame Size 24 x 29". Venetian Scene.