A very fine wooded landscape scene with figures, nineteenth century French, oil on panel, measuring 9” x 14.5” The three Le Nain brothers were painters in 17th-century France: Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677). They produced genre works, portraits and portrait miniatures. Lives and work The brothers were born in or near Laon, in Picardy, in northern France...

American School (Circa 1895)

Red-haired Girl in Profile

Oil on canvas, unsigned

Painting Size: 16” x 14”
Frame Size: 22 ” x 20”

This charming portrait displays the influence of the “Gibson Girl” fashion sense with her softly piled hair and high collared blouse, made popular by the artist Charles Dana Gibson in the 1890’s.

JOHN JOSEPH ENNEKING- AMERICAN;1841-1916 NOVEMBER TWILIGHT Oil on Canvas Signed lower right Dimensions; 10.25" x 14.25"; framed; 16" x 20". JJE was one of the most distinguished and successful painters of the late 19th C. He lived most his life in New England, and according to Wikipedia, his "favorite subject is the November Twilight of New England and the half lights of early spring, and late autumn and winter dawn and evening." He always said that his greatest teacher was nature...

Berthe Morisot 1841-1895 French This is an original etching by French artist Berthe Morisot. The title is: Femme Nu de Dos, this etching was created in 1889. This is a later printing after the plate had the cancellation holes at the upper and lower ends of the plate. These holes were later filled in the 20th century and the etching was re-editioned, This state is less common. The image measures 5 7/16X415/16 inches. Unsigned as issued...

Florine Hyer was an Iowa-born artist who became known for her exquisite paintings of roses. She was in Los Angeles by 1898, and remained there her entire life with the exception of the year 1908, when she assisted the botanist Luther Burbank at his home and gardens in Santa Rosa, in Sonoma County north of San Francisco. Burbank is reputed to have said, "Florine can paint roses better than gardens can grow them"...

Unsigned Religious Painting. 19th Century. Oil on Canvas. 8x10”, Frame Size 17x15”. Baltimore School of artist was a movement of artist that painted artwork as well as furniture from the mid-1700s to 1900

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner)...

Mughal illuminated Page 7.5x9.5 Miniature depicting a Royal Scene nineteenth Century Tempera Berlin Estate

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded...

An early example of American portraiture done circa 1840 depicting a woman dressed in fine clothes holding a letter with a red wax seal

Oil on canvas painting of a coastal bluff with gentle incoming waves, possibly Rhode Island near Newport but most certainly New England, 12" by 16" (20" by 24" nicely framed), signed at lower right and dated there (likely, a little hard to read) 1908, by Massachusetts artist of the famous Fall River School, BRYANT CHAPIN (1859-1927)...

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions...

Nineteenth Century Oil Landscape Lake Scene 20x32” The work done circa 1860

19th Century American School 1800-1899 American Artists This is an original oil on canvas painting of an Ox and Cart coming down the road. The painting has 3 intials lower right, they seem to read: "W. ?. S." Weve been unable to make out who the artist was. We feel the painting is from the late 1890's and is most likely American in origin. The painting was expertly done. The canvas laid on board measures 19X13 inches and is in a 19th century gilt frame.

Early American Nineteenth Century Portrait Of A Gentleman Oil Measuring 34x30”. Unsigned circa 1820-1850. The artwork was most likely done by a trained artist

An antique 19th-century Russian Orthodox icon depicts the most central event in Christianity, the Nativity of our Lord Christ.

The icon is finely hand-painted in bright colors and gold on gesso on a wood panel. It depicts Baby Jesus laying in the cradle in a manger wrapped in swaddling clothes, with a Bethlehem star shining from above, flanked by the Virgin Mary and St Joseph.

The upper left part is painted with three kings on horseback traveling in search of Jesus...

19th century oil on canvas painting of the Angel waking Elijah who was asleep under a tree. Originally this painting probably had an ornate gold frame. We found this hanging as pictured. Artist signed: Robert Ragan. Measures in frame: 44.5” high x 25.5” wide. Site size: 40.75” x 22.25”

19c French Miniature Portrait Painting. 19c Miniature Portrait Paintings of French Queen Marie Antoinette in Blue Dress & White Lace Collar, Artist Signed: Prevost. size: Portrait 1 5/8 x 1 3/8 inches, frame 2.5 x 2 inches in good condition.

French Orientalist Painter Alexander De Bar 1821-1908, views of the Nile, 11x17 inches, done in 1859 as a commemoration of the opening of the Suez Canal.

Signed "Inman 1842" along the right edge, this fine miniature portrait is purportedly of Theodore Roosevelt's grandmother. Painted with watercolors on organic material, it shows the sitter simply attired in a black dress with a lace collar, with the only other adornment being a brooch on that collar.

A later note on the back of the bronze frame states that the sitter is Mrs. Cornelius Van Schaack Roosevelt (nee Margaret Barnhill)...

Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482...

"William Hogarth" "The Beggar's Opera, Act III" Painted by William Hogarth, engraved by William Blake The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engravi...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A nicely done miniature portrait, on natural organic material, of an attractive young woman. The sitter is wearing a white dress, a black necklace and earrings, and an upswept hairdo. The painting is housed in its blue velvet travel case, with a glass cover.

Condition is excellent, with no problems. The sight size is 2" by 1 1/2", and the closed case size is 3" by 2 1/2".

A Bronze Indian Sculpture of Vishnu circa 1800 measuring 12” height (Quillen)

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

"William Hogarth" Portrait of Hogarth with the Comic Muse The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: ap...

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

PAIR of pencil drawings, one titled "The Customs House London" (1820) and the other a botanical still life, both bearing the original auction stickers and labels from the Sotheby's London sale of October 9, 1996. The Customs House work measures 10 1/2" by 7 7/8" inside the mat. It is signed "By Thom. S. Boys" at lower left and titled "The Custom House London 1820" at right. The thin, delicate paper of that drawing is rumpled/crinkled a bit at upper left and there is a little bit of discolorat...

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him. This one has luminosity and precision that leads me to think that it is mos...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

"William Hogarth" King Henry the Eighth, & Anna Bullen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. ...

A fine watercolor on card portrait done by Paul Gomien. The sitter is a woman wearing a puffy sleeved gray-blue dress with a lace collar. Her accessories include a black belt and a gold necklace.

In addition to being signed "Gomien" and dated "1822" along the center right edge the reverse has a trade card reading "P. Gomien/Peintre, Rue St. Honore No 247 pres le Palais Royal". For the period and location this is quite rare. The framing attests to the expense of the piece at the time it was pai...

A strongly painted portrait miniature of a gentleman, rendered in watercolor on organic wafer. The sitter is a good-looking chap with blue eyes and fulsome sideburns, attired in a black jacket and cravat, a white collar and ruffled shirt, and a gold chain. He is identified by engraving on the reverse of the case as J.A. Reed.

Aside from being a fine example of miniature portraiture, the cast foliate case, which tests as gold, is highly unusual in that it hinges from the bottom, allowing easy...

"William Hogarth" "The Weighing House" "Two Frontispieces to Tristram Shandy" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years ...

"William Hogarth" The Invasion France England suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19....

"William Hogarth" Masquerades and Operas – Burlington Gate The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: ...

A finely limned miniature of a woman wearing a lace edged black dress, a blue shawl, and gold earrings. In a 5" by 4 1/2" ebonized frame with a brass liner and a sight size of 2 1/8" by 1 3/4". Excellent condition.

An extremely well painted miniature portrait of a very handsome young man. The sitter is dressed in the traditional black coat and cravat, white shirt with a high stiff collar, and a stickpin. The portrait, on natural organic wafer, is housed in a 14K or higher gold case with a glazed rear aperture showing a lock of hair. Condition of the miniature and case are excellent, with no issues at all. Sight size is 2 1/8" by 1 3/4", and the locket size is 2 1/4" by 1 7/8".

A wonderful portrait of an attractive young woman, done in watercolor on organic wafer. The blue-eyed, red-haired sitter is in a black gown with a gauzy white top, highlighted by a large pink bow at her bodice. The artist carefully chose the ground color and the bow to complement the subject's coloring. The frame is period and probably original, with an eglomise glass cover to the painting.

The painting is in excellent condition, with no issues. The eglomise glass and the frame have wear but a...

"William Hogarth" (Portrait of Hogarth with his dog Trump) The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sh...

"William Hogarth" Finis The Bathos The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches se...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat. There is a small foxing mark at right but otherwise the ...

"William Hogarth" Pit Ticket: The Cockpit The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inc...

A wonderfully done naïve portrait of an older woman identified on the reverse as Almira Coolidge of Boston. The 3/4 length depiction shows the sitter holding a handkerchief and wearing a lace trimmed white bonnet, white lace fichu, and a red scarf over a black puff-sleeve dress with gold buttons. The background is nicely done in a striated and shaded blue-gray. Presented in a gilt metal frame.

This painting was part of the important and well-known Gregory collection offered at Sotheby's on 1/...

A very fine miniature of a young lady, done in watercolor on organic wafer. Signed lower right "Becker Px". The sitter is a wearing a gown with elaborate bows along the neckline and sleeves, and a pink sash. The glassless gilded wood frame is original to the painting.

There is a good amount of information on the back, some of which is missing or hard to make out. However, what can be determined is that this is a portrait of Julie von Haller, who was a member of the court of the Homburg Landg...

A charming c1820 Austro-Hungarian portrait miniature of Crescence Gräfin von Seilern und Aspangan, an attractive young woman with blue eyes and a high style mass of dark brown curls. Wearing a white gown and fichu, pearl earrings and a thin gold chain necklace, she is posed against a multi-colored sky above green foliage and rolling gray hills in the background. Presented in a period ebonized frame.

The painting, on natural wafer, is in excellent condition, with no issues. The apparent ga...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

Locum Tenens: The Celebrated Hunter to be rode by Sir CLOD A.S.S. The Property of Gill Hall Publication Date: 1830 good condition matted sheet 15 by 11"

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available. This...

"William Hogarth" Simon Lord Lovat The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see...

From the illustrated Volume “The Costumes Of Turkey” published by William Miller 1802 Hand colored engravings. The pair mounted in a beautiful matted frame measuring 20x28”. The works measuring 12x9” each

Nothing less than superb would describe the quality of this c1835 American portrait miniature. The artist, as yet to be identified, even went so far as to show the shadow cast on the cheeks of the sitter by the lower rims of the glasses. The sight size is 2 7/8" by 2", with the size of the modern black painted wood frame being 5 1/2" by 5".

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English? Early 19th century.

The style of this watercolor reminds of the small Chinese paintings on rice paper (somet...

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right. Underneath the title, centered, “Taken f...

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 1...

An American miniature portrait painting, on natural organic material, of an older woman, unusual in that the subject is directly facing the viewer, and her image fills practically the entirety of the painting. The sitter has brown eyes, brown hair done in sausage curls, and is wearing a white lace cap and ruffled collar.

The artist was clearly well trained, and chose an overall palette of muted somber tones to emphasize that this was not just a pretty picture of a client, but was a character...

A rare and signed portrait miniature by Charles Byrne. Done in an almost impressionistic style, the sitter is a blue-eyed woman simply presented in a white gown with fur trimming along the top edge. She is posed against a gauzy white background with blue tints to complement her eyes.

The miniature has a sight size of 2 1/2" by 2" and is in excellent condition. The backing paper of the painting has the following artist and sitter identifications: "Painted by / Ch Byrne / 1801 / Mary Lambor...