"William Hogarth" "Boys Peeping at Nature" "Subscription Ticket to Harlot's Progress" "Sarah Malcolm" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780...

Two paintings are offered here for the price of one! The first done in India ink on prepared cardboard, this finely limned profile shows a man facing left with his right hand tucked into his jacket. It is presented in a gilded, stamped sheet metal frame.

The condition is quite good with several unimportant white streaks, mainly in the jacket...

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

MR. AND MRS. WILLIAM C. PENNY,….EACH PORTRAIT, IN OIL, MEASURING 30” x 25” Samuel Waldo Lovett was born on April 6, 1783 in Windham, Connecticut, the son of Esther (née Stevens) and Zacheus Waldo.[3] At the age of sixteen, he moved to Hartford to begin his formal art training under the tutelage of Joseph Steward, a prominent local artist. Four years later, he set up shop as a portraitist in Hartford, later relocating to Litchfield, Connecticut...

"William Hogarth" King Henry the Eighth, & Anna Bullen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

"William Hogarth" "The Weighing House" "Two Frontispieces to Tristram Shandy" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" Masquerades and Operas – Burlington Gate The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

A portrait miniature of a good looking young gentleman, well painted in watercolors on organic wafer. This fine piece is enclosed in a bronze surround.

The sight size is 2 3/4" by 2 1/2", and the overall size is 3 1/4" by 2 3/4". The condition of the miniature and the surround is excellent, with no problems or restoration at all.

A beautifully painted c1810 miniature of an attractive woman, attributed to Thomas Hargreaves. Clearly well off, and  wearing a white lace bonnet and collar, a black dress, and a chatelaine, the sitter is posed on a red sofa in front of a dusky pale orange drapery. The skill of the artist is evident, even to how he carefully painted the dress material so that it is obvious that the fabric is silk...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris...

A scarce antique, late 18th or early 19th century, Ukrainian – Polish Large Icon of "The Mother of God of Pochayiv";

0” Почаївська ікона Пресвятої Богородиці " Matka Boska Poczajowska” “Чудотворна ікона Почаївської Божої Матері” ” Почаївська Ікона Божої Матері”.

The icon of Pochayiv Mother of God is venerated equally by Ukrainian Orthodox, Ukrainian Greek Catholic (Greco-Cat...

"Annunciation" Oil on canvas, 22.25" x 28.25 unframed, 31.75" x 37.75" framed (THIS PIECE APPEARS IN THE DEFINITIVE BIOGRAPHY FOR THE ARTIST) Born at Terheyden North Brabant on April 21st, 1806, Petrus van Schendel studied at the Antwerp Academy under Mathieu-Ignace van Breen (1773-1839), a painter of historical subjects. He then worked in Amsterdam for two years before moving to Rotterdam in 1832 where he made himself a reputation as a portrait painter. He remained there until 1838...

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse. Mounted in a period, and probably original, gilt over gesso frame.

The sight size of this gem is 6 1/4" by 5 1/8...

A totally charming miniature painting of a child, done in watercolor on natural material, and housed in an elaborately molded 15K gold case and surround. The cute sitter is in a white gown and posed against a cloud-filled blue sky, with foliage and a tree to the right. The reverse of the case is glazed, with a lock of hair in the aperture, and a pin so that the miniature can be worn as a brooch.

The condition of this lovely example is excellent. Sight size is 2 1/4" by 2 1/8" and the case size...

A portrait miniature, on natural wafer, of a young woman with a mien that might be described as a remembrance of things past. The sitter is wearing a mauve gown, a white fichu, and a tortoiseshell comb in her hair.

  The painting is in a 4 1/2" by 4 1/2" ebonized wood frame with a bronze liner, with a sight size diameter of 2 1/4". Both the frame and the painting are in excellent condition.   

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

A powerful watercolor on wafer miniature, where the artist decided to show the sitter staring head-on and almost directly at the viewer. The unusual crisscross tie is used to further enhance the strength and immediacy of the handsome subject.

The simple gilt metal case is 2 3/8" by 2", and is in excellent condition, with a missing cover glass to the aperture on the reverse, which is of no import.

An unframed early 19th century ink and watercolor drawing featuring an extensive landscape with mountains, trees, buildings and figures, titled in the gold paint hand-drawn strip on the ornate mat "ANSICHT DES KAPUZINERBERGES BEY SALZBURG". The work does not appear to be signed, though there is some old Germanic pencil writing on the backing sheet that could possibly supply some clues to authorship. The work measures 7 1/4" by 10", and 11" by 13 3/4" including the backing sheet. The penwork i...

Richard Bonington original oil on canvas of a old English town view signed very faintly lower right measuring approx. 9 x 12 inches framed in a contemporary gallery frame. Provenance: British Consulate San Francisco.

Biography

Richard Parkes Bonington was born in the town of Arnold, 4 miles from Nottingham in England. His father was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paint...

A nice c1814 example of a Frederick Buck miniature of a woman in a blue dress. The backing of the mini has "Caroline ??? 1814". Presented in what might be the original frame, which measures 4 3/4" by 4 1/8". The sight size is 2 3/4" by 2 1/8". Excellent condition.

BIOGRAPHICAL NOTE: Frederick Buck, the younger brother of Adam Buck, was born in Cork in 1771, where he had a thriving practice as a miniaturist for an extended period. During the Peninsular War (1808 - 1814), when Cork was a bu...

A nicely executed Italian antique pencil and watercolor drawing of classical temple ruins (Doric capitals) with figures, 11 1/2" by 9", in an interesting 19th century frame measuring 15 1/2" by 13". The work appears unsigned, though there is a "G.F." in a rectangle at lower right......likely a collector stamp. On the reverse is written in Italian "rosso matlorio/pass e conire" or similar; also in ink below that, a dedication in Italian: "Alla cara Fra. Virginia ni ricordo di mi Padre Adele La...

A nicely done watercolor on organic material portrait miniature, depicting a half-length view of a young woman. In a black dress with a lace-edged neckline, she has accessorized with gold drop earrings and a triple strand gold necklace.

Of interest is the backing of the painting, which shows a portion of a finely drawn ink portrait of a man's head. The miniature is in a velvet lined leather case with a brass mat and glazing, with the two halves having separated, but which could be taped back t...

A well painted miniature portrait on natural organic material of a sea captain, identified on the reverse as "Phillip…MHK Captain". The miniature is in very good condition, with no cracks, chips, bowing, or restoration. The period lacquered frame is missing its cover glass, easy enough to replace. Sight size is 2 7/8" by 2 3/8", and the frame size is 5 1/8" by 4 3/8".

18th Century Oil on Copper Dutch Stable Scene A beautiful oil on copper painting, European,depicting a village scene 18th Century of a stable. Extremely fine quality Circa 1700- 1800. measuring 16x23”,frame size 24x30” on reverse are several stamps from the Royal Dutch Museum Framed in a mid-nineteenth century gold leafed carved frame.

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind. Upon cursory examination a viewer might dismiss them as prints...

A rare and signed portrait miniature by Charles Byrne. Done in an almost impressionistic style, the sitter is a blue-eyed woman simply presented in a white gown with fur trimming along the top edge. She is posed against a gauzy white background with blue tints to complement her eyes.

The miniature has a sight size of 2 1/2" by 2" and is in excellent condition. The backing paper of the painting has the following artist and sitter identifications: "Painted by / Ch Byrne / 1801 / Mary Lambor...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness". On the reverse of the 20th century cardboard backing is an old printed label stating that this (these, as there were originally a large group apparently) is an original watercolor of "African" flowers done in ...

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 in...

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...

A charming and well limned naive miniature portrait painting on organic wafer. The sitter is a nice-looking young man attired in a black coat with brass buttons and the lapels with blue embellishment. Hi has a white shirt and stock, a high collar, and a yellowish gray vest. Housed in a cast foliate case with a rear glazed aperture containing cross-braided plaits of hair.

Condition is excellent, with no cracks, bowing, paint loss, etc. The case condition is also excellent. Sight size is 2 5/16...

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

A striking and strongly limned Andrew Plimer miniature portrait of Edward Buller Hicks, of the Royal Navy. He was promoted to lieutenant in 1812, and this portrait was most likely done at that time. In a later ebonized wood frame which nicely complements the piece. Both the painting and the frame are in excellent condition with no issues. Sight size is 2 7/8" by 2", and the framed size is 6 3/4" by 5 3/4".

Provenance: Elle Shushan and then to a NY collector.

Notes: 1. Edward Buller Hicks wa...

A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing. The sight size is 1 5/8" by 1...

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right. Underneath the title, centered, “Taken f...

“Breaking Cover” by Alkin, Colored Lithograph London 1841, measuring 8x11” ,frame size 17” 20" Henry Thomas Alkin (1785 – 1851) was an English painter and engraver during the 19th century, he was primarily known for his caricature work and illustrations depicting sporting objects and coaching scenes. He was a highly skilled etcher and watercolor painter.

An antique, classical, academic red chalk drawing of the head and neck of a young male, 19 3/4" by 15 1/4" (25" by 20 1/2" framed), unsigned. The circa 18th century drawing is quite beautiful and Neo-Classical, after the sculpture of ancient Greece and Italy. The gold frame does have some losses.

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects",and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often ref...

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

A fine American miniature portrait of a young woman with sausage curls, wearing a lace cap and fichu, with a black dress with black dots. The watercolor painting is done on natural wafer, and enclosed in a period cast bronze foliate case with a glazed aperture on the reverse.

The miniature has no chips, cracks, or bowing. The painting slipped slightly in its case when I scanned it, but this is easily adjusted. Sight size is 2 1/4" by 1 7/8", while the case size is 2 3/4" by 2 1/4".

A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH

North York Militia 1814 ham colored aquatint 13 x 9“, leads England March 1, 1814

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 1...

"William Hogarth" Strolling Actresses Dressing in a Barn The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This exquisite artwork is an antique Polish Holy Icon of the Black Madonna of Czestochowa, also commonly referred to as Our Lady of Częstochowa. The painting dates back to the late 18th to early 19th century and is a fine example of oil painting on a metal panel. The panel is believed to be made of iron and is finely hand-painted with great attention to detail.

The painting depicts the iconic Black Madonna of Czestochowa, who is revered as the Queen of Poland and is a significant religio...

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet siz...

A truly lovely and engaging portrait miniature, on natural wafer, of a beautiful young woman. The subject, attired in a green velvet dress with a black cape and a white fichu, is seated in front of an orange drapery with a view of a landscape. The framing of this gem is of fine construction, with an inner gold plated frame that is easily removable (and replaced) if a smaller overall size is desired. Both frames are in very fine order.

The condition of the painting is excellent, with bright col...

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English? Early 19th century.

The style of this watercolor reminds of the small Chinese paintings on rice paper (somet...

An incredibly sweet miniature done in watercolor on organic wafer. Posed against a background of a blue sky with clouds, foliage on the right, and a body of water on the left, the subject is a beautiful young girl with large eyes, golden curls, and rosy cheeks. The artist used her red lips and the sash of her embroidered dress to provide "pops" of color.

The condition of this gem is excellent, with only a very small spot of restoration at the water at the extreme edge at 8:00 o'clock. T...

A finely painted miniature portrait, watercolor on natural wafer, of an attractive young woman. She is wearing a black dress, a white and pink fichu with a brooch, and a lace collar.Original case with a glazed aperture on the reverse. This fine example was part of the well-known sale of the Paul and Barbara Carpenter collection.

The sight size is 2 3/8" by 2".Aside from a small chip to the edge of the cover glass, the condition of the painting and case is excellent, with no issues. The white f...

A portrait miniature beautifully painted on organic material. The sitter, M. Roland, is an attractive woman with flowing black hair, a white fichu over a white dress decorated with blue flowers, A wide pink sash completes her attire. This piece was based on the full length portrait of M. Roland done by Jules-Adolphe Goupil, titled "Le dernier Jour de Madame Roland" and shown in the third photo.

The painting is in excellent condition with no flaws or restoration. The diameter is 2 11/16" sight...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

From one collection, EIGHT framed watercolor drawings (****NOT PRINTS****) of flowering botanical specimens, with their respective Latin classification names written in brown ink, generally at lower left. The works are on an exceedingly delicate tissue-like paper, which is then affixed at edges to a card, causing a puckering effect of the paper. There is another original drawing on the reverse side of one of the works (not pictured). I have opened all eight in search of a signature of the art...

A nicely rendered painting of a satyr and nymphs, a classical mythological motif, done in watercolor on natural wafer.

In overall very good condition with some minor paint loss at the very edge at the top left of the work. There is a very tight line on the center far right that does not affect any of the figures. The white area at the center bottom is due to light reflection and is not present when viewing in person. The original mahogany frame is in excellent condition, with a diameter of 4 1...

A very old, very well executed detailed antique painting of currants, grapes, raspberries and plums on a platter, apparently unsigned, measuring 11" by 12 1/4" (17 1/2" by 19 1/2" in an older, attractive frame). The oil on canvas is laid down on Masonite. It is difficult to determine the exact age, but early 19th century or even earlier would not be unreasonable. This is in the style of old Dutch still life of the 17th century and so forth, with some amazing realism such as the underside of t...

"William Hogarth" Paul before Felix, Plate 3 The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 ...