Eighteenth Century Engraving “Putti At Work” 5x7” A beautiful and rare work beautifully framed

A portrait miniature, on natural wafer, of a young woman with a mien that might be described as a remembrance of things past. The sitter is wearing a mauve gown, a white fichu, and a tortoiseshell comb in her hair.

  The painting is in a 4 1/2" by 4 1/2" ebonized wood frame with a bronze liner, with a sight size diameter of 2 1/4". Both the frame and the painting are in excellent condition.   

A nicely painted miniature painting of a blue-eyed gentleman wearing a black tie, coat and black silk vest. The artist has chosen a nice blue background, complementing the sitter's eyes.

The condition of the painting the case are excellent. The spots on the painting are bits of dust, and the lighter color black along the inner edges of the coat are intentionally painted that way. The case size is 2 3/4" by 2 3/8".

A miniature portrait of a handsome gentleman in a blue jacket with gold buttons. Presented in the original cast foliate case, the reverse having chessboard hairwork centered with "RD" initials in underlying gold topped with pearls.

Excellent condition with any apparent issues being due to my infamous photographic skills. The case size is 2 1/2" by 2".

"William Hogarth" Frontispiece and Tail Piece to the Artist's Catalogue The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A nicely done watercolor in natural material portrait of a young woman. Complementing the blue background, the sitter is presented with blue eye shadow and a blue ribbon and bow in her hair. The glazed reverse of the gold filled case is covered with a nice display of woven hair plaits.

Condition is excellent, with a case size of 1 7/8" by 1 5/8".

Unsigned Watercolor. "Lugger beating to Windsward. Fresh Breeze". c 1800. 4 x". Frame Size 17 x 20".

"William Hogarth" The Good Samaritan Invented and Painted by William Hogarth (DAMAGED) Engraved by Ravenet and Delatre The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

A fine watercolor folksy miniature portrait painting. The sitter is a nice looking young gentleman dressed in a black coat, patterned white vest, white shirt with stud, and a black stock tie. Housed in its original red leather travel case.

Excellent condition, with no cracks, bowing, or other problems. The sight size is 2 5/8" by 2".

This is an interesting very old monochromatic watercolor, circa late 18th century or very early 19th, measuring 4 1/2" by 8 3/4" (11" by 14" framed). The drawing has the feel of an old master drawing. The scene includes tiny figures, buildings, a willowy tree at right, and what appears as an isolated hill or butte-like feature in the distance...

Antonius BRACCIOLI Eighteenth Century Graphite Drawing Saint Jerome 21x13” Frames in a 30 x 20“ frame and find condition. Fully signed at bottom

"William Hogarth" "The Beggar's Opera, Act III" Painted by William Hogarth, engraved by William Blake The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" Mr. Garrick in the character of Richard the 3d The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame...

A harness horse racing print, with fine hand coloring, after the painting by noted English artist WILLIAM J. SHAYER (1811-1892), engraved by James R. Markell (1814-1866), featuring a great horse in his day, Lord William. The horse is described in the title area as the property of Samuel Lawrence Esq...

An incredibly sweet miniature done in watercolor on organic wafer. Posed against a background of a blue sky with clouds, foliage on the right, and a body of water on the left, the subject is a beautiful young girl with large eyes, golden curls, and rosy cheeks. The artist used her red lips and the sash of her embroidered dress to provide "pops" of color.

The condition of this gem is excellent, with only a very small spot of restoration at the water at the extreme edge at 8:00 o'clock...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness"...

"William Hogarth" Paul before Felix, Plate 3 The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown. Condition is generally very fresh, I note a very minor abr...

Richard Bonington original oil on canvas of a old English town view signed very faintly lower right measuring approx. 9 x 12 inches framed in a contemporary gallery frame. Provenance: British Consulate San Francisco.

Biography

Richard Parkes Bonington was born in the town of Arnold, 4 miles from Nottingham in England. His father was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paint...

Pencil on paper drawing of two men who appear to be having a serious disagreement, the top hatted figure at left about to swing his cane into the other, all while a woman in bonnet watches from rear left in horror. It's a whimsical, humorous piece, measuring 8 3/4" by 7 1/4" inside the mat, 16" by 15" framed. The paper is very thin and delicate, and has acquired a few noticeable folds and creases in its more than 150 years, as shown. The paper is NOT laid down. There is no signature, though ...

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings. This portrait has three areas where it ...

A delicate and beautiful original BAROQUE DRAWING OF A PUTTO ANGEL WITH A HARP leaning against a tree and detailed stucco architectural décor on the left. By V. Schwind Moritz (1804-1874). Size framed under glass: 26 x 20.5 cm. Drawing in very good condition, frame shows signs of age. Available for sale, Price: US$ 750.-

A powerful watercolor on wafer miniature, where the artist decided to show the sitter staring head-on and almost directly at the viewer. The unusual crisscross tie is used to further enhance the strength and immediacy of the handsome subject.

The simple gilt metal case is 2 3/8" by 2", and is in excellent condition, with a missing cover glass to the aperture on the reverse, which is of no import.

A fascinating Oil painting of English origin circa 1820-1830s,

A portrait miniature beautifully painted on organic material. The sitter, M. Roland, is an attractive woman with flowing black hair, a white fichu over a white dress decorated with blue flowers, A wide pink sash completes her attire. This piece was based on the full length portrait of M. Roland done by Jules-Adolphe Goupil, titled "Le dernier Jour de Madame Roland" and shown in the third photo.

The painting is in excellent condition with no flaws or restoration. The diameter is 2 11/16" sight...

A nice c1814 example of a Frederick Buck miniature of a woman in a blue dress. The backing of the mini has "Caroline ??? 1814". Presented in what might be the original frame, which measures 4 3/4" by 4 1/8". The sight size is 2 3/4" by 2 1/8". Excellent condition.

BIOGRAPHICAL NOTE: Frederick Buck, the younger brother of Adam Buck, was born in Cork in 1771, where he had a thriving practice as a miniaturist for an extended period. During the Peninsular War (1808 - 1814), when Cork was a bu...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

A striking portrait miniature, on natural wafer, done by Geibel (signed along left side). Thus far we have not been able to find the artist listed in any of the main directories. The sitter is shown wearing a white stock, waistcoat, and a royal blue jacket.

The condition of the painting is excellent, with no problems at all. Please note that the darker area on the right part of the jacket is due to the difficulty of photographing the painting. In fact, because of the angle of the glass the p...

This is a finely drawn portrait of a young woman with distinctive ringlet hair of the period, her name given at bottom as "Elizabeth Hartshorne", the work signed at lower right margin "Sketch by A T Agate 1837". The work, measuring 7 3/4" by 6 1/4" plus strip frame, is a very rare example of the work of the American artist ALFRED THOMAS AGATE (1812-1846). Agate studied with his brother Frederick Styles Agate. From 1831 to 1838, as a very young man, he was in New York City. The highlight of A...

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet siz...

“Breaking Cover” by Alkin, Colored Lithograph London 1841, measuring 8x11” ,frame size 17” 20" Henry Thomas Alkin (1785 – 1851) was an English painter and engraver during the 19th century, he was primarily known for his caricature work and illustrations depicting sporting objects and coaching scenes. He was a highly skilled etcher and watercolor painter.

French school of David, portrait of an aristocratic woman measuring 31 x 27“ oil on canvas, Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling,[1] harmonizing with the moral climate of the final year...

"William Hogarth" Strolling Actresses Dressing in a Barn The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 1...

Portrait of Nancy Brown Downing by American nineteenth Century and Master Charles Osgood 1809-1890 Measuring 30 x 25“ in an original 19 century water Gilded frame that measures 40 x 35“ Charles Osgood (1809–1890) was an American artist from Salem, Massachusetts,[1][2] who also worked briefly in Boston and New York City.[3][4] Examples of his work are in the American Antiquarian Society,[5] Historic New England, Harvard University, Massachusetts Historical Society, and Peabody Essex Museu...

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...

A well painted miniature portrait on natural organic material of a sea captain, identified on the reverse as "Phillip…MHK Captain". The miniature is in very good condition, with no cracks, chips, bowing, or restoration. The period lacquered frame is missing its cover glass, easy enough to replace. Sight size is 2 7/8" by 2 3/8", and the frame size is 5 1/8" by 4 3/8".

"William Hogarth" Lord Benjamin Hoadly The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches...

A nicely rendered painting of a satyr and nymphs, a classical mythological motif, done in watercolor on natural wafer.

In overall very good condition with some minor paint loss at the very edge at the top left of the work. There is a very tight line on the center far right that does not affect any of the figures. The white area at the center bottom is due to light reflection and is not present when viewing in person. The original mahogany frame is in excellent condition, with a diameter of 4 1...

This exquisite artwork is an antique Polish Holy Icon of the Black Madonna of Czestochowa, also commonly referred to as Our Lady of Częstochowa. The painting dates back to the late 18th to early 19th century and is a fine example of oil painting on a metal panel. The panel is believed to be made of iron and is finely hand-painted with great attention to detail.

The painting depicts the iconic Black Madonna of Czestochowa, who is revered as the Queen of Poland and is a significant religio...

A finely painted miniature portrait, watercolor on natural wafer, of an attractive young woman. She is wearing a black dress, a white and pink fichu with a brooch, and a lace collar.Original case with a glazed aperture on the reverse. This fine example was part of the well-known sale of the Paul and Barbara Carpenter collection.

The sight size is 2 3/8" by 2".Aside from a small chip to the edge of the cover glass, the condition of the painting and case is excellent, with no issues. The white f...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 in...

A pencil drawing on paper, 5 1/4" by 7 3/4", (12 1/2" by 15" in modern frame), featuring studies of humped cattle lying down near an early wagon, unsigned, by the noted London-born artist GEORGE CHINNERY (1774-1852). Chinnery is known as the only western painter who was a resident of South Asia from the early to the mid 19th century, and a leading artist of the British community in India. After Royal Academy training he took at ship to Madras (Chennai) in 1802. Chinnery sketched actively, rec...

A very old, very well executed detailed antique painting of currants, grapes, raspberries and plums on a platter, apparently unsigned, measuring 11" by 12 1/4" (17 1/2" by 19 1/2" in an older, attractive frame). The oil on canvas is laid down on Masonite. It is difficult to determine the exact age, but early 19th century or even earlier would not be unreasonable. This is in the style of old Dutch still life of the 17th century and so forth, with some amazing realism such as the underside of t...

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

A truly lovely and engaging portrait miniature, on natural wafer, of a beautiful young woman. The subject, attired in a green velvet dress with a black cape and a white fichu, is seated in front of an orange drapery with a view of a landscape. The framing of this gem is of fine construction, with an inner gold plated frame that is easily removable (and replaced) if a smaller overall size is desired. Both frames are in very fine order.

The condition of the painting is excellent, with bright col...

A fine watercolor on card portrait done by Paul Gomien. The sitter is a woman wearing a puffy sleeved gray-blue dress with a lace collar. Her accessories include a black belt and a gold necklace.

In addition to being signed "Gomien" and dated "1822" along the center right edge the reverse has a trade card reading "P. Gomien/Peintre, Rue St. Honore No 247 pres le Palais Royal". For the period and location this is quite rare. The framing attests to the expense of the piece at the time it was pai...

"William Hogarth" Royal Masquerade Somerset House The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 ...

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris. For a short time thereafter he lived in Moscow, then in Tomsk...

Original watercolor and ink drawing of a tropical orchid species, 20" by 16 1/2" (24" by 20" in mid 20th century simple framing), the botanical name Onsidium luxidum at lower right in pencil. A window in the reverse backing shows, written on a small piece of paper in brown ink in flowing early hand, "From Nature by T. Allport/Enville Hall April 1834." Enville Hall is today a classic English country estate and manor house in Staffordshire, in west-central England. This is the so-called Mule Ea...

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The painting and the ebonized wood frame are in fine condition. Sight size is 2 7/8" by 2 3/8", with a frame size of 5 1/4" by 4 1/2".

This is a very fine, classical early drawing, 5 1/8" by 8 5/8" (12" by 15 3/4" in attractive ornate gold leaf frame), not dated but likely dating to the 1830's through 1850 or so, signed at lower center by the artist "Loisel". The drawing, executed in pen, watercolor, and gum arabic highlighting in the trees and the low bank in center, is in excellent fresh condition, belying its age. The landscape depicted appears to be in Italy, where Loisel traveled extensively, there being known drawings f...

ITALIAN MASTER SCULTOR, ANTONIO CANOVA 1755-1822 “HEBE LOVE GODDESS”, marble masterpiece, standing over 88 inches in height with its marble stand. Sculpture alone about 64 inches Artistic process Canova had a distinct, signature style in which he combined Greek and Roman art practices with early stirrings of romanticism to delve into a new path of Neoclassicism. Canova's sculptures fall into three categories: Heroic compositions, compositions of grace, and sepulchral monuments.[8] In each ...

An antique, classical, academic red chalk drawing of the head and neck of a young male, 19 3/4" by 15 1/4" (25" by 20 1/2" framed), unsigned. The circa 18th century drawing is quite beautiful and Neo-Classical, after the sculpture of ancient Greece and Italy. The gold frame does have some losses.

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute. He beca...

An unframed early 19th century ink and watercolor drawing featuring an extensive landscape with mountains, trees, buildings and figures, titled in the gold paint hand-drawn strip on the ornate mat "ANSICHT DES KAPUZINERBERGES BEY SALZBURG". The work does not appear to be signed, though there is some old Germanic pencil writing on the backing sheet that could possibly supply some clues to authorship. The work measures 7 1/4" by 10", and 11" by 13 3/4" including the backing sheet. The penwork i...