A nice portrait miniature of a handsome young clergyman, posed in front of drapery at his true right side. The painting is in a bronze surround set into a period ebonized wood frame. Excellent condition with a sight size of 3 1/4" by 2 1/2" and a frame size of 7" by 6 1/4".

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

A finely detailed 1844 watercolor painting of an extensive German landscape, with fascinating details including numerous tiny figures fishing and admiring the river and its cascades, a mountaintop castle, church, and countless trees. The sheet measures 15" by 19", the drawing inside squared lines 11 1/4" by 16 3/4". In the lower margin is a lot of writing, some of it tiny. At left we see "Rastadt den 2en Oktober 1844"; at right we see "A. F. Waizenegger lieut...

A finely limned miniature painting done in watercolor on natural material. The sitter is a hazel-eyed young man dressed in a black coat and tie. The condition of the painting is excellent, with no issues. The bluish area on the left side was painted in that fashion.

The bronze frame is also in fine shape, originally made to be worn as a pendant or as a brooch, but is missing the brooch pin on the reverse. Sight size is 2 1/4" by 1 7/8", and the overall size is 2 5/8" by 2 1/4".

An American miniature portrait painting, on natural organic material, of an older woman, unusual in that the subject is directly facing the viewer, and her image fills practically the entirety of the painting. The sitter has brown eyes, brown hair done in sausage curls, and is wearing a white lace cap and ruffled collar...

A very nicely done naive watercolor of a gentleman, housed in its original embossed brass frame. The painting has had no restoration and has no tears or losses. sight size is 2 1/4" by 1 3/4", and the framed size is 3 3/4" by 3 1/8".

An 18th or early 19th century painting of a noble gentleman, oil on canvas, 30 1/2" by 23 1/2" on the stretchers 35" by 27 3/4" framed. This work does not appear to be actually signed, though there is much writing in blurred old ink on the stretcher in old German hand, seemingly identifying the sitter. The old style script and the way the ink has spread into the wood makes it all difficult to read...

An Original Polychrome Watercolor, signed by Italian Artist SIGNORELLI, Roma, circa 1920. The stunning painting skillfully depicts a Renaissance Page Boy patiently waiting, while holding his Master's Sword. Good condition. Size: H. 56 cm x W. 38 cm. Unframed.

A large and beautifully painted portrait miniature by Aimee Thibault. Done in watercolor on organic wafer, the work shows a distinguished older gentleman of serious mien, set against a dark background, in a black tie and jacket with a white shirt and collar. The size of the miniature is due to Thibault having worked in France for a large part of her life, where such portraits were often done on a much grander scale than miniatures in the U.S...

French school of David, portrait of an aristocratic woman measuring 31 x 27“ oil on canvas, Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era...

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss...

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration...

Farnese Piazza by Francesco Diofevi. c. 1825. Oil on Canvas Panel. Sight Size 19 x 24", Frame Size 24 x 29". Venetian Scene.

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

This antique early 19th-century Spanish Colonial Mexican Retablo features Our Lady Refuge of Sinners (Nuestra Senora de Refugio de Los Pecadores). It is finely hand-painted in oil on a tin panel. The painting depicts the Virgin Mary holding the Baby Jesus wrapped in a cloth. The Baby Jesus holds his mother's hand and sleeve for support. They both wear elaborate golden crowns and are surrounded by a golden halo. The Virgin Mary's dark blue cape is initialed with her ciphers...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920...

A fine example of an Abraham Parsell watercolor on organic wafer. The sitter, with brown hair and hazel eyes, is dressed in a black coat and cravat and a white shirt with gold stickpin. The background is done in the multi-color style typical of Parsell's work, as is the sketch on the reverse of the wafer.

The 2 3/8" by 2" sight size miniature is housed in a cast foliate case with a glazed lens on the reverse. The condition of the painting is fine, with no cracks, chips, restoration, or bowing....

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The sitter is wearing a lace-edged blue dress, tightly belted at the waist, with a gold and red brooch centered at the bodice, and a lace cap, The painting and the ebonized wood frame (which has a finely craquelured surface) are in fine condition. Sight size is 2 7/8" by 2 1/4", with a frame size of 5 1/4" by 4 1/2".

A striking miniature with a good attribution to George Newcombe. As opposed to the more usual bust length rendering, this is a 3/4 length pose. That, combined with the style of the dress, intentionally gives a longer, or imposing, feel to the figure.

When the organic substrate of the painting was trimmed, it was done unevenly and close to an edge, so it could be framed better than in the current half of a travel case. Sight size is 3 1/8" by 2 1/2".

A fascinating Oil painting of English origin circa 1820-1830s,

From one collection, EIGHT framed watercolor drawings (****NOT PRINTS****) of flowering botanical specimens, with their respective Latin classification names written in brown ink, generally at lower left. The works are on an exceedingly delicate tissue-like paper, which is then affixed at edges to a card, causing a puckering effect of the paper. There is another original drawing on the reverse side of one of the works (not pictured). I have opened all eight in search of a signature of the art...

A nicely painted miniature portrait, on natural organic material, of a pretty young woman in a blue dress with a white fichu. Condition of the painting is excellent, with no problems. The glass in the rear aperture of the case is cracked. Overall size is 2 3/4" by 2 1/4".

A charming and well limned naive miniature portrait painting on organic wafer. The sitter is a nice-looking young man attired in a black coat with brass buttons and the lapels with blue embellishment. Hi has a white shirt and stock, a high collar, and a yellowish gray vest. Housed in a cast foliate case with a rear glazed aperture containing cross-braided plaits of hair.

Condition is excellent, with no cracks, bowing, paint loss, etc. The case condition is also excellent. Sight size is 2 5/16...

Page from an album. Illustration in Chinese style (chinoiserie) of a young Chinese man in white pants and blue tunic, beating a small drum or gong with a stick. His head shaved in the style of the first half of the Qing dynasty, a long very thin tail wound around the back of his head.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century.

The style of this wa...

PAIR of pencil drawings, one titled "The Customs House London" (1820) and the other a botanical still life, both bearing the original auction stickers and labels from the Sotheby's London sale of October 9, 1996. The Customs House work measures 10 1/2" by 7 7/8" inside the mat. It is signed "By Thom. S. Boys" at lower left and titled "The Custom House London 1820" at right. The thin, delicate paper of that drawing is rumpled/crinkled a bit at upper left and there is a little bit of discolorat...

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

An unusual family grouping of three miniature portraits on organic wafers. All pieces, clearly done by the same hand (as yet unidentified), have a wonderful "feel" to them and are cleanly executed. The reverend in his black non-liturgical clothing, his wife in her black dress with white lace and cap, and their beautiful daughter, posed beside a tree and attired in a high-waisted gown with a blue ribbon and wearing a tortoiseshell comb in her hair, are set against a blue sky background. An old in...

A well painted c1800 - 1812 miniature of a British officer. The sitter is wearing the uniform of a major general, with a red tunic, blue lapels and collar, and gold epaulettes and buttons. The miniature is signed lower left, with a somewhat indecipherable calligraphic monogram of "RM"?. Presented in a gilt metal frame with a bevelled blue glass back. Excellent condition, with an overall size of 2 1/2" by 2"

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

A fine Old Master drawing in pencil and red chalk on laid paper, measuring 6" by 3 3/4" inside the mat (16 1/4" by 14 1/2" in modern day framing), unsigned, but with accompanying information, a circa 1970 typed label, proclaiming this to be "Lady with Jug", and by listed English late 18th century/early 19th century artist PRINCE HOARE II (1755-1834). There is also nearby an "18 Gns" price (18 Guineas). A self portrait by Hoare hammered at Sotheby's New York in 2015 for $16,000. Hoare's work s...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 in...

An incredibly charming portrait miniature brooch of a young child, painted on natural material. The subject is beautiful, wearing a coral necklace and a pale lavender gown, and with brown eyes that were so finely and realistically painted with such depth that it is almost hard to believe when seeing this gem in person.

The condition is excellent, with no issues, and the overall size is 1 3/8" by 1".

A very nice watercolor painting on natural wafer. The sitter is a beautiful young girl with hazel eyes and brown hair, simply dressed in a bluish gray gown with lace edging at the bodice.

The painting is in excellent condition with no chips, cracks, bowing, or restoration. The original pressed brass frame with wood backing, and has some dents and a crease, which do not take away from the appearance. Sight size is 2 3/8" by 1 7/8", with the framed size being 3 3/4" by 3".

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

A nicely painted portrait miniature on natural organic wafer. The sitter is a gentleman dressed in a black jacket and stock, with a white shirt and vest, set against a background which shades from light blue to a darker blue hue. Housed in its original cast foliate case with a glazed rear aperture containing a circlet of hair.

The condition of the painting is excellent with no cracks, chips, paint loss, bowing, or restoration. The case is in good condition with the back of it showing wear and ...

A scarce antique, late 18th or early 19th century, Ukrainian – Polish Large Icon of "The Mother of God of Pochayiv";

0” Почаївська ікона Пресвятої Богородиці " Matka Boska Poczajowska” “Чудотворна ікона Почаївської Божої Матері” ” Почаївська Ікона Божої Матері”.

The icon of Pochayiv Mother of God is venerated equally by Ukrainian Orthodox, Ukrainian Greek Catholic (Greco-Cat...

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...

A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin. Ross' superb skill is evidenced by, among other things, the way he has limned the hair tones, the lifelike quality of the skin, eyes, and lips, the texturing of the different fabrics, and the jewel-like...

A portrait miniature, on natural wafer, of a young woman with a mien that might be described as a remembrance of things past. The sitter is wearing a mauve gown, a white fichu, and a tortoiseshell comb in her hair.

  The painting is in a 4 1/2" by 4 1/2" ebonized wood frame with a bronze liner, with a sight size diameter of 2 1/4". Both the frame and the painting are in excellent condition.   

A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 1...

A nicely painted miniature portrait of a blue-eyed older woman with a strong yet kindly bearing. To be more specific, the sitter is identified on the reverse as "Grandmother ??? Berry (Agnes Eman)  Bel??? Scotland".  Agnes is shown in a squared away pose, looking directly at the viewer, and with an expression indicating she might be wistfully revisiting  past memories. 

  The painting is in excellent condition, and presented in a 2 1/2" by 2" metal covered hand worked wood frame, almos...

"William Hogarth" Strolling Actresses Dressing in a Barn The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet siz...

This exquisite artwork is an antique Polish Holy Icon of the Black Madonna of Czestochowa, also commonly referred to as Our Lady of Częstochowa. The painting dates back to the late 18th to early 19th century and is a fine example of oil painting on a metal panel. The panel is believed to be made of iron and is finely hand-painted with great attention to detail.

The painting depicts the iconic Black Madonna of Czestochowa, who is revered as the Queen of Poland and is a significant religio...

A fine miniature portrait, watercolor on organic wafer, of a blue-eyed gentleman.

Excellent condition with no issues. Sight size is 2 1/4" by 1 7/8", with the period frame being 4 1/4" by 3 3/4".

A very old, very well executed detailed antique painting of currants, grapes, raspberries and plums on a platter, apparently unsigned, measuring 11" by 12 1/4" (17 1/2" by 19 1/2" in an older, attractive frame). The oil on canvas is laid down on Masonite. It is difficult to determine the exact age, but early 19th century or even earlier would not be unreasonable. This is in the style of old Dutch still life of the 17th century and so forth, with some amazing realism such as the underside of t...

A watercolor portrait, on natural wafer, of a handsome gentleman attired in a black jacket and vest with a pale pink cravat. Housed in a very heavy and well-made brass case with the reverse side being fully glazed over fabric.

The condition of the painting and the case is excellent, with no flaws. The white dots and background color variations are just due to exterior dust and light reflections. Overall size is 2 7/8" by 2 3/8".

MR. AND MRS. WILLIAM C. PENNY,….EACH PORTRAIT, IN OIL, MEASURING 30” x 25” Samuel Waldo Lovett was born on April 6, 1783 in Windham, Connecticut, the son of Esther (née Stevens) and Zacheus Waldo.[3] At the age of sixteen, he moved to Hartford to begin his formal art training under the tutelage of Joseph Steward, a prominent local artist. Four years later, he set up shop as a portraitist in Hartford, later relocating to Litchfield, Connecticut. While in Hartford, he had made the acqu...

A c1840 fine portrait miniature of a young woman in a black dress with elaborate white lace edging around the collar and bodice, and running down the center of the dress almost to the waist. A necklace and lavalier complete her outfit.

Housed in a brown leather over wood case measuring 2 3/4" by 2 1/2" when closed. The sight size of the painting is 2 1/4" by 1 3/4". Excellent condition with wear to the case exterior..

A miniature portrait of a handsome gentleman in a blue jacket with gold buttons. Presented in the original cast foliate case, the reverse having chessboard hairwork centered with "RD" initials in underlying gold topped with pearls.

Excellent condition with any apparent issues being due to my infamous photographic skills. The case size is 2 1/2" by 2".

Very old small pencil drawing of a town scene, 3 1/2" by 3 5/8" (11 1/2" by 10" framed), unsigned, and the artist and origin unknown. It is simply an antique drawing. Someone thought enough of it to have a hand-drawn ornate mat on gray-blue paper. A church tower appears at center and a tree at left, and two tiny figures at lower right. There is a mysterious red circle stamped on the reverse; difficult to say if it may be a collector's stamp.

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute. He beca...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind. Upon cursory examination a viewer might dismiss them as prints...

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English? Early 19th century.

The style of this watercolor reminds of the small Chinese paintings on rice paper (somet...

Nicely painted on organic wafer, this miniature portrait is of a handsome gentleman set against a bluish-gray background. Housed in a low karat gilded cast foliate pendant case with an empty glazed aperture verso. The miniature is in a specially made leather case that opens and props open to allow the miniature to be displayed or removed.

The condition of the miniature and case are excellent, with no issues to speak of. The white areas along the top edge and at the lower left are due to re...

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

“Breaking Cover” by Alkin, Colored Lithograph London 1841, measuring 8x11” ,frame size 17” 20" Henry Thomas Alkin (1785 – 1851) was an English painter and engraver during the 19th century, he was primarily known for his caricature work and illustrations depicting sporting objects and coaching scenes. He was a highly skilled etcher and watercolor painter.