"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" Strolling Actresses Dressing in a Barn The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

A striking miniature with a good attribution to George Newcombe. As opposed to the more usual bust length rendering, this is a 3/4 length pose. That, combined with the style of the dress, intentionally gives a longer, or imposing, feel to the figure.

When the organic substrate of the painting was trimmed, it was done unevenly and close to an edge, so it could be framed better than in the current half of a travel case. Sight size is 3 1/8" by 2 1/2".

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

PAIR of pencil drawings, one titled "The Customs House London" (1820) and the other a botanical still life, both bearing the original auction stickers and labels from the Sotheby's London sale of October 9, 1996. The Customs House work measures 10 1/2" by 7 7/8" inside the mat. It is signed "By Thom. S. Boys" at lower left and titled "The Custom House London 1820" at right...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano...

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame...

Page from an album. Illustration in Chinese style (chinoiserie) of a young Chinese man in white pants and blue tunic, beating a small drum or gong with a stick. His head shaved in the style of the first half of the Qing dynasty, a long very thin tail wound around the back of his head.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English...

A large and beautifully painted portrait miniature by Aimee Thibault. Done in watercolor on organic wafer, the work shows a distinguished older gentleman of serious mien, set against a dark background, in a black tie and jacket with a white shirt and collar. The size of the miniature is due to Thibault having worked in France for a large part of her life, where such portraits were often done on a much grander scale than miniatures in the U.S. The portrait is signed Aimee Thibault along the righ...

A finely limned miniature painting done in watercolor on natural material. The sitter is a hazel-eyed young man dressed in a black coat and tie. The condition of the painting is excellent, with no issues. The bluish area on the left side was painted in that fashion.

The bronze frame is also in fine shape, originally made to be worn as a pendant or as a brooch, but is missing the brooch pin on the reverse. Sight size is 2 1/4" by 1 7/8", and the overall size is 2 5/8" by 2 1/4".

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris. For a short time thereafter he lived in Moscow, then in Tomsk...

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

A c 1840 signed portrait miniature by Gabriel Aristede Passot, done on natural material. As is usual with his work, it is superbly painted, and is of a gentleman in a black coat with a multi-colored merit award ribbon.

The miniature is in fine condition, with no chips, cracks, paint loss, or bowing. A light area along the top edge is due to light reflection. The case, of high quality silver with a royal crown and a mother-of-pearl reverse, is in excellent condition. Sight size is 1 5/8" by...

A beautifully painted c1810 miniature of an attractive woman, attributed to Thomas Hargreaves. Clearly well off, and  wearing a white lace bonnet and collar, a black dress, and a chatelaine, the sitter is posed on a red sofa in front of a dusky pale orange drapery. The skill of the artist is evident, even to how he carefully painted the dress material so that it is obvious that the fabric is silk.

Watercolor on organic wafer, the condition is excellent, with a sight size of  3 3/8" by 2...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown. Condition is generally very fresh, I note a very minor abr...

A nice portrait miniature of a handsome young clergyman, posed in front of drapery at his true right side. The painting is in a bronze surround set into a period ebonized wood frame. Excellent condition with a sight size of 3 1/4" by 2 1/2" and a frame size of 7" by 6 1/4".

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English? Early 19th century.

The style of this watercolor reminds of the small Chinese paintings on rice paper (somet...

THE OLD MILL NEAR SNOWDON” by English artist Frederick W. Watts (7 October 1800 – 4 July 1870)[1][2] was an English landscape painter influenced by Constable. He has been known as "Frederic William Watts", "Frederick Waters Watts", "William Watts" or "William Frederick Watts". Life and work[edit] Dedham Vale, Suffolk There is a sparsity of information about this painter which has cast uncertainty over his parentage, training, and date of death.[3] According to the Oxford Dictionary of Na...

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but n...

Page from an album. Illustration in Chinese style (chinoiserie) of a bearded young Chinese man in a long blue garment and round hat in vogue in the Qing dynasty. In his left hands he holds an open fan with tortoise shell spokes, in his right a red cloth in the other.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century.

The style of this watercolor reminds...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

A finely detailed 1844 watercolor painting of an extensive German landscape, with fascinating details including numerous tiny figures fishing and admiring the river and its cascades, a mountaintop castle, church, and countless trees. The sheet measures 15" by 19", the drawing inside squared lines 11 1/4" by 16 3/4". In the lower margin is a lot of writing, some of it tiny. At left we see "Rastadt den 2en Oktober 1844"; at right we see "A. F. Waizenegger lieut. fecit" (apparently, the artist);...

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings. This portrait has three areas where it ...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness". On the reverse of the 20th century cardboard backing is an old printed label stating that this (these, as there were originally a large group apparently) is an original watercolor of "African" flowers done in ...

A portrait miniature of a good looking young gentleman, well painted in watercolors on organic wafer. This fine piece is enclosed in a bronze surround.

The sight size is 2 3/4" by 2 1/2", and the overall size is 3 1/4" by 2 3/4". The condition of the miniature and the surround is excellent, with no problems or restoration at all.

Lithograph of Mohongo, an Osage Woman from Thomas L. McKenney and James Hall's The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs, published in 1837 in three volumes. This lithograph from the collection is of an Osage woman named Mohongo, or Sacred Sun, from a portrait by Charles Bird King. The image was part of a set of books called, The Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs, published b...

A small etching 18th Century Rustic Figures title possibly from a book

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse. Mounted in a period, and probably original, gilt over gesso frame.

The sight size of this gem is 6 1/4" by 5 1/8...

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5...

An uncommon c1840 miniature by Richard Morrell Staigg, signed lower right. The sitter is a blue-eyed young woman, simply posed in a black dress with lace edging at the bodice. Presented in 1/2 of a dag case. The sight size is 3" by 2 1/4".

BIOGRAPHICAL NOTE: Richard Morrell Staig was born in England in 1817 and moved to the U.S. in 1831, first settling in Newport, RI. While there, Staigg studied under Jane Stuart, Gilbert Stuart's daughter. He then moved to Boston where he maintained a stu...

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

MR. AND MRS. WILLIAM C. PENNY,….EACH PORTRAIT, IN OIL, MEASURING 30” x 25” Samuel Waldo Lovett was born on April 6, 1783 in Windham, Connecticut, the son of Esther (née Stevens) and Zacheus Waldo.[3] At the age of sixteen, he moved to Hartford to begin his formal art training under the tutelage of Joseph Steward, a prominent local artist. Four years later, he set up shop as a portraitist in Hartford, later relocating to Litchfield, Connecticut. While in Hartford, he had made the acqu...

A striking portrait miniature, on natural wafer, done by Geibel (signed along left side). Thus far we have not been able to find the artist listed in any of the main directories. The sitter is shown wearing a white stock, waistcoat, and a royal blue jacket.

The condition of the painting is excellent, with no problems at all. Please note that the darker area on the right part of the jacket is due to the difficulty of photographing the painting. In fact, because of the angle of the glass the p...

A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing. The sight size is 1 5/8" by 1...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

A totally charming miniature painting of a child, done in watercolor on natural material, and housed in an elaborately molded 15K gold case and surround. The cute sitter is in a white gown and posed against a cloud-filled blue sky, with foliage and a tree to the right. The reverse of the case is glazed, with a lock of hair in the aperture, and a pin so that the miniature can be worn as a brooch.

The condition of this lovely example is excellent. Sight size is 2 1/4" by 2 1/8" and the case size...

Portrait of Nancy Brown Downing by American nineteenth Century and Master Charles Osgood 1809-1890 Measuring 30 x 25“ in an original 19 century water Gilded frame that measures 40 x 35“ Charles Osgood (1809–1890) was an American artist from Salem, Massachusetts,[1][2] who also worked briefly in Boston and New York City.[3][4] Examples of his work are in the American Antiquarian Society,[5] Historic New England, Harvard University, Massachusetts Historical Society, and Peabody Essex Museu...

This is a very fine, classical early drawing, 5 1/8" by 8 5/8" (12" by 15 3/4" in attractive ornate gold leaf frame), not dated but likely dating to the 1830's through 1850 or so, signed at lower center by the artist "Loisel". The drawing, executed in pen, watercolor, and gum arabic highlighting in the trees and the low bank in center, is in excellent fresh condition, belying its age. The landscape depicted appears to be in Italy, where Loisel traveled extensively, there being known drawings f...

A striking and strongly limned Andrew Plimer miniature portrait of Edward Buller Hicks, of the Royal Navy. He was promoted to lieutenant in 1812, and this portrait was most likely done at that time. In a later ebonized wood frame which nicely complements the piece. Both the painting and the frame are in excellent condition with no issues. Sight size is 2 7/8" by 2", and the framed size is 6 3/4" by 5 3/4".

Provenance: Elle Shushan and then to a NY collector.

Notes: 1. Edward Buller Hicks wa...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

Unsigned Miniature Lithograph, English. View of country Harbor framed measuring 7x8” Image measures 3 x 4 1/2“

A Bronze Indian Sculpture of Vishnu circa 1800 measuring 12” height (Quillen)

A charming miniature portrait, on natural organic material, of a child, signed Mercier for Mlle Hyacinthe Mercier.

The painting is in excellent condition, and is housed in its original silver and embossed tortoise shell frame. The shell portion has two unimportant splits, visible at 6 and 9 o'clock in the photo. Sight size of this little gem is 1 7/8 inches by 1 1/2 inches, while the frame size is 3 3/8 inches by 3 inches.

Mlle Hyacinth Mercier worked as a miniaturist in Paris, living at 27...

A PAIR of lithograph prints of street scenes in Manchester, England, 1823, one titled "Market Street, Manchester", the other "Market Place, Manchester" both drawn by J Ralston, and transferred to the stone by J D Harding, printed by C Hullmandel, and published by D and P Jackson, May 1823. Each measures 21 3/4" by 17 1/2". The charming views are of half-timbered and classic stone buildings, horse-drawn carts, and ladies and gentlemen dressed in the manner of the day, all going about their imp...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803. De Boissieu was born in Lyon in eastern France and is closely associated with...

Saint Catherine Of Alexandria Eighteenth Century Oil 22x18 inch. This work is Italian from an old Washington family purchased over 70 years ago. The work depicts the Saint with her attributes of a palm and her wedding ring

This is a finely drawn portrait of a young woman with distinctive ringlet hair of the period, her name given at bottom as "Elizabeth Hartshorne", the work signed at lower right margin "Sketch by A T Agate 1837". The work, measuring 7 3/4" by 6 1/4" plus strip frame, is a very rare example of the work of the American artist ALFRED THOMAS AGATE (1812-1846). Agate studied with his brother Frederick Styles Agate. From 1831 to 1838, as a very young man, he was in New York City. The highlight of A...

Fine old master style sepia ink drawing on paper, with some pencil underneath, 10" by 15 1/2" inside the mat, 15 1/2" by 20 1/2" in modern day frame, signed at lower right "Furstenburg", the locale identified at bottom center apparently by the artist as "View of the Rhine from Bacharach Aug 17". This could well refer to the year 1817 as the work has sufficient age. On the reverse is written in pencil "Germany $3.75". I have been unable to locate an appropriate artist by this name "Furstenburg...

An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame. As might be expected of a work so old, the surface is soiled and there are some condition issues such as soiling, little to no varnish, a small dig with missi...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

A beautiful Regency era oil painting “Boy With His Dog” depicting a young sitter with his collie done in the English school style of Thomas Cosway (1742-1821), an English portrait painter of wealthy patrons. Possibly attributed to his pupil Andrew Plimer (1763-1837). Measuring 29x24 inches,frame size measuring 33”x28”. Work is unsigned

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute. He beca...

A fine example of an Abraham Parsell watercolor on organic wafer. The sitter, with brown hair and hazel eyes, is dressed in a black coat and cravat and a white shirt with gold stickpin. The background is done in the multi-color style typical of Parsell's work, as is the sketch on the reverse of the wafer.

The 2 3/8" by 2" sight size miniature is housed in a cast foliate case with a glazed lens on the reverse. The condition of the painting is fine, with no cracks, chips, restoration, or bowing....

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints. De Claussin besides being a highly tal...

A miniature portrait painting by Abraham Parsell, done in his recognizable style with somewhat frizzy hair, and the sitter posed with his arm on a chair. Housed in its original cast foliate frame with a rear aperture containing a lock of hair.

The painting is 2 5/16" by 1 7/8", while the overall locket size is 2 1/2" by 2 1/8". Condition is excellent with no chips, cracks, bowing, paint loss or restoration.

Note: Abraham Parsell (1792 - after 1856), a popular American folk miniature painte...