Oil on canvas impressionist seascape painting of green waves breaking on a beach, 12" by 24" (17 3/4" by 29 1/2" framed), signed on overlap "D. W. Parshall '95". This is a work by a Buffalo-born artist, DeWitt Parshall (1864-1956) who is today best known as a California painter from the Santa Barbara area...

Gorgeous still life of fruit and leaves in a compote upon a table, the fruit spilling over onto the table, American school, 19th century, oil on canvas. Frame measures 26" high and 22 1/2' wide, with the sight size of the painting measuring 19" x 15". The painting is signed in block letters, F. R...

Watercolor and gouache painting on paper, circa mid 19th century, of a house by a canal or waterway, with several figures in the image, unsigned, measuring 14" by 9 1/2". There is a simple frame as well (not pictured, but available at no extra cost, with the painting). The work is charming and clearly antique...

PAIR of watercolor still life paintings of floral subjects, 8 1/2" by 7" inside the mat (16" by 14" framed), circa mid 19th century, likely American (purchased in Maine). Note the exquisite detail and color. Hand drawn mats add to the vintage appeal. Later 20th century gold frames are in good condition. One mat has old browning/possible water damage at lower right, not affecting the art.

A finely carved wooded sculpture of a warrior with remnants of polychromed pigments from the Chinese period of the Qing Dynasty. More information coming soon

A beautifully executed watercolor painting of a proper Victorian lady in her fine parlor, her chair and small table sitting on a bear skin rug. The work is unfortunately unsigned. It measures 18 1/4" by 12 3/4" at the mat opening (25 1/2" by 19 1/2" as framed). This was acquired from a New Jersey dealer, in Florida. He claimed to have had a bit of paper with the name of the artist but has never been able to come up with it despite my requests...

Charles A. Watson (American, 1857-1923)

"Sailing Off Virginia Coast"

Oil on canvas, signed lower right and titled on a paper label on reverse (minor crackalure)

Watson was born in Baltimore, MD. He studied with A. Castaigne, E.S. Whiteman and D. Woodward. A founding member of the Baltimore Charcoal Club, he was also a member of the Baltimore Watercolor Club. Watson exhibited at the Pennsylvania Academy of the Fine Arts Annual Exhibition in 1906...

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age...

The photo on the left shows a double portrait by John Singer Sargent of Mr. John White Field and his wife. This painting was done in the early 1880's and is in the collection of Pennyslvania Academy of Fine Arts. The image on the right shows an earlier portrait of Mr. Field by Sargent. Notice Mr. Field is blind in his left eye, which is enlarged and his right eye is focused which is a good eye. It is my opinion that Mr. Field rejected the first portrait of himself done by Sargent...

An antique mother-of-pearl shell Christian icon originated in Palestinian Jerusalem and was crafted in the 19th century.

The icon depicts the story of the Flight into Egypt, a significant event in Christian tradition. The story is told in the form of a finely hand-carved low relief, depicting Mary, Joseph, and the infant Jesus on a journey through the desert on their way to Egypt...

A large watercolor painting in impressive strongly horizontal format, the subject waves rolling in on a coast, sailing boats on the horizon, the work signed at lower left by artist "Langdon". This could be Chauncey Langdon (1828-1907), described on AskArt as a topographical painter from Vermont who came around the Horn to California in the Gold Rush days...

English School (ca. 1850-1870)

Two Antique English miniature watercolors with printed borders.

Frame size: 7.5" x 8.5"

Hey beautiful landscape in watercolor depicting a field with flowers and beautiful clouds in the sky signed on watercolor paper …..Collier was born in Glossop in Derbyshire, the son of Martha Siddall and Thomas Collier, who was a prosperous grocer and tea dealer...

Oil on canvas landscape of a forested, peaked mountain rising into scudding clouds, unframed, signed at lower right and dated 1876 by the noted well listed American artist from Massachusetts, D. JEROME ELWELL (1847-1912). This work measures 14" by 24 1/2". Elwell was intent upon his art at an early age, when he was spotted on the Gloucester waterfront sketching the marine scene, by one Samuel E. Sawyer, a wealthy Gloucester ship owner and patron of famed artist Fitz Hugh Lane. Apparently Sawy...

Well designed and crafted gilt bronze sculpture of a young girl in standing position holding a flower, late 19th century era, signed Rome; F. Julian to the base. Size: Figure alone stands 7 inches long and 9-1/2 inches including marble base. Good condition, no issues noted.

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period. As such, it is not in perfect condition; but is certainly in good enough condition ...

A genuinely antique, late 19th century oil on canvas scene of distant snowy sunlit mountains and closer mountains surrounding an inlet or fjord, several small figures at center, wood-frame structures at left, and long wood canoes in the foreground shore. The work measures 20 1/2" by 30 1/2" (27 1/2" by 37" as framed). I have carefully searched canvas, stretcher and frame for any evidence of a name, or other information, and have come up empty. Certainly the work is suggestive of Alaska or No...

An old and antique American painting of a seated young man playing a flute in a vaguely defined interior, 24" by 20" (32 1/2" by 28" in mid 20th century frame), unsigned. The talented artist remains anonymous but was obviously talented and probably listed. Note the mantel clock at left and elegant European-style table and chair. Over the years the painting has darkened dramatically, taking on a yellow-brown cast due to decades of grime and smoke. A test cleaning by a restorer shows the whit...